Edizione d'arte a tiratura limitata: 50 esemplari numerati a mano e certificati.
Art Edition: Strictlylimited to 50 hand-numbered copies with certificate of authenticity.
"Per me la morte è la base di tutto. [...] Anche il cimitero è un luogo molto importante per me; di esso ne ho sempre sfruttato tutto. [...] La gente ha un'opinione distorta del cimitero, crede che sia la porta dell'aldilà o chissà cosa; invece esso è solamente il posto dove vengono deposti i cadaveri, mentre l'energia si è già trasferita da un'altra parte. Quindi nel cimitero c'è questa assenza d'energia che col tempo sono riuscito a percepire e grazie alla quale ho capito molte cose". - Estratto da "Filosofia Viola", intervista a Paul Chain di Marco Cavallini, del 2 Aprile 1996, Sadsunmusic.com -
The Dying Edition. Sound mummification and the art of fixed sounds:
Hand made hard cardboard Box, Limited to 50 copies hand-numbered, Printed cotton fabric, 7 inch folder, Cd, Inserts, "C60% H6% O32% N2%", Hand printed b/w Photos, Ceramic record. All of the components of this edition are intended to die.
The recordings contained within, were selected from the "relative Tapes" for thir symbolic connectedness to other specific pieces included in four of the official albums released by Minotauro Records.
CERAMIC RECORD:
The ephemeral ceramic record is designed to dissipate as a result of being played. The sound waves contained within are consumed each time it is played on a turntable, until they have once and forever disappeared, and in their place will remain mute ash.
01 - Satan's Future (1981) 5:27
Ephemeral single sided record, 45 prm.
+
CD ARCHIVE TRACK LIST:
01 - Satan's Future (1981) 5:27
Paul Chain.
02 - Brain Sea (1984) 5:06
Paul Chain.
03 - Ghosts Of The Past [Spettri Del Passato] (1981) 14:05
Paul Chain: Sinth and Effects;
Milena Lanciaprima: Violin;
Giuseppe Cardone: Drum Machine and Percussion.
04 - Electric Line (1980) 4:20
Paul Chain.
05 - Oblivious Part 2 (1989) 5:15
Paul Chain.
+
Paul Chain (1977-2003)
Artistic death declared on April 5, 2003
This ‘dying edition’ represents the conceptual interment of this artistic ‘body’.
Its final grave.
Reproduced with permission of the copyright owner:
Minotauro Records - Music from the labirinth | Marco Melzi.
Audio editing and re-mastering by: Elettroformati Milano.
Original Photos courtesy by: Fulvio Zagato | Paul Chain Official Fan Club.
Handmade printed photos by: Andrea Sozzi.
Concept and edition design, curating and manufacture by: RMEDL|SG
Published: April 5 2016 | Radical Matters - Editions/Label
Licensed by: Creative Commons.
Catalogue: RMLE085
LIMITED EDITION: 50 certified copies.
RELATED RELEASES:
Audio-catalogue. Sound Corner 21 / Auditorium Parco Della Musica, Roma.
Paul Chain (1977-2003) dichiara la sua morte artistica il 05 Aprile 2003.
Lo scorso anno, per l’intero mese di Aprile, è stata presentata in anteprima, presso il Sound Corner dell’Auditorium - Parco della musica di Roma, la documentazione sonora del progressivo disfacimento fonografico dell’oggetto sonoro in ceramica contenuto in questa edizione “morente, concepita, assieme ad altri 4 multipli d’arte che seguiranno questa pubblicazione (il cui materiale originale, digitalizzato, si trova nel cd-archivio compreso nell’edizione), per rendere omaggio all'opera dell'artista Paul Chain, ed alla sua personale ricerca escatologica, l' “antica filosofia della morte o magia viola*”.
(*da "Detaching From Satan")
Ogni parte di questa edizione concettuale è stata progettata seguendo i suggerimenti lasciati dall'autore, il quale crede fermamente che il potere nascosto di queste registrazioni dovrebbe essere lasciato morire. Questa "edizione morente" rappresenta così l’inumazione concettuale di questo corpo artistico, la sua sepoltura finale.
Questa edizione d’arte, e gli elementi che la compongono, sono stati progettati per deperire nel tempo, fino al loro completo disfacimento, alla loro totale consunzione, fino a svelarne la forma "sublime", per diventare così oggetto di pura contemplazione.
La particolare terra che compone l'opera, ricca di materiale organico, è l'elemento chimico catalizzatore di tale processo. Allo stesso modo, l’oggetto sonoro in ceramica contenuto nell'edizione, consumerà via via le onde sonore incise attraverso il processo stesso di riproduzione, che avviene per frizione meccanica della puntina del giradischi sul disco stesso. Lentamente, scompariranno ad ogni ascolto, lasciando solo mute ceneri. Questo nuovo "corpo artistico" così sublimato, potrà essere conservato ed ammirato nella sua nuova natura di reliquia.
The Dying Edition. Sound mummification and the art of fixed sounds:
DESCRIZIONE DEL CONTENUTO:
Fine art box-set realizzato a mano, stola in contone stampata oro, artwork formato
7 pollici, Cd archivio, stampe ed inserti, certificazione, "C60% H6% O32% N2%", disco bianco in ceramica realizzato a mano, 2 fotografie b/n stampate a mano.
OGGETTO SONORO / DISCO IN CERAMICA:
Satan's Future (1981)
Single sided record, 45 prm.
CD ARCHIVIO:
01 - Satan's Future (1981)
02 - Brain Sea (1984)
03 - Ghosts Of The Past [Spettri Del Passato] (1981)
04 - Electric Line (1980)
05 - Oblivious Part 2 (1989)
Contenuto:
I. Disco in ceramica: disco in copia unica, inciso a 45 rpm, master originale dell’esecuzione registrata su nastro magnetico, pubblicata da RMEDL e realizzata in occasione dell'audio diffusione pubblica, tenutasi presso Sound Corner, Auditorium -Parco Della Musica, Roma. L’audio originale è stato reso disponibile per gentile concessione di Marco Melzi, Minotauro Records. Il disco di ceramica è un oggetto sonoro effimero che è stato progettato per essere consumato durante il suo ascolto, durante il processo stesso di riproduzione, che per frizione meccanica della puntina del giradischi, sul disco in ceramica, ha consumato via via i microsolchi fonografici incisi. Lentamente le onde sonore sono scomparse, lasciando solo muta polvere.
II. Polvere: polvere di ceramica, derivata dalla consuzione del disco durante la sua esecuzione registrata su nastro.
III. Fotografia: stampata fotografica da negativo realizzata in copia unica da Andrea Sozzi.
L'immagine originale è stata resa disponibile da Fulvio Zagato, Paul Chain Official Fan Club.
05 Aprile 2015 (05 Aprile 2003 / 05 Aprile 2015)
Auditorium -Parco Della Musica, Roma.
Esemplare Unico.
Pubblicato da: Radical Matters - Editions/Label
DUST (Dublin Unit for Speculative Thought) presents: Weaponising Speculation Conference.
This gathering is the signature event organized by D.U.S.T (Dublin Unit for Speculative Thought), an art/theory collective recently founded by Michael O’Rourke, Paul Ennis and Fintan Neylan. The primary aim of DUST is to stage conversations between disparate groups of people—artists, aestheticians, philosophers, non-philosophers, theorists—who find themselves at the fringes of academic institutions and disciplines and who are also broadly interested in speculative realism and post-continental philosophy.
Organized and curated by: Michael O’ Rourke,
Fintan Neylan,
Paul J. Ennis.
10.00-10.15 Introductory remarks: Paul Ennis, Fintan Neylan, Michael O’Rourke
10.15-11.00 Session 1: Robert Jackson, Rebecca O’Dwyer
Robert Jackson “Continental Realism and Computation: Turing’s Propaganda”
Robert Jackson is an arts writer and PhD student at Lancaster University studying computer science, aesthetics and Continental Philosophy. He is also an associate editor of the Speculations journal and writes for digital arts collective Furtherfield.org and Chicago based arts blog Badatsports.com.
Rebecca O’Dwyer “A Seductive Union: Speculative Realism and Contemporary Art”
Rebecca O’ Dwyer is an art writer and researcher based in Dublin. Recent writing and projects can be found on her website www.rebeccaodwyer.wordpress.com
11.00-11.15 Break
11.15-12.15 Session 2: Nick Srnicek, Dylan Trigg
Nick Srnicek “Accelerationism: Epistemic, Political, Economic”
Nick Srnicek is a PhD candidate in International Relations at the London School of Economics. He’s the co-editor of The Speculative Turn with Levi Bryant and Graham Harman. His recent work focuses on non-capitalist economies, the role of technology in augmenting human capacities, and the design of sociotechnical systems.
Dylan Trigg “Toward a Phenomenology of (Xeno)archaeology”
Dylan Trigg is a post-doctoral research fellow at UCD, School of Philosophy. He is also a visiting researcher at Les Archives Husserl, École Normale Supérieure, working in conjunction with Dorothée Legrand. He received his PhD from the University of Sussex with a thesis on the materiality of memory. His research includes: phenomenology, psychoanalysis, and various aspects of bodily existence. He’s the author of The Memory of Place: a Phenomenology of the Uncanny, The Aesthetics of Decay: Nothingness, Nostalgia and the Absence of Reason, and The Thing: Xenophenomenology and the Origin of Life, which is forthcoming from Zero Books.
12.15-13.00 Session 3: Erin Stapleton, Alice Rekab
Erin Stapleton “Divine, or Sovereign violence as Simulacrum, or; if you want to take on the throne, you can’t already be king”
Erin K Stapleton is a PhD candidate at the London Graduate School, Kingston University London.
Alice Rekab “Objects, Actors and Sites of ContingenAlice Rekab(b. 1987, Dublin, Ireland) is a visual artist living and working in Dublin and London. She completed an MA in Contemporary Art Theory at Goldsmiths University of London in 2011, following a BA in History of Art & Fine Art Media at NCAD in 2009. Alice Rekab is currently undertaking PhD study at London Graduate School. Her work explores the affective dynamics between subjects and objects of attraction, examining the performative, the mimetic, the amateur, the viral and the regional. Recent projects include Vector/Attractor, The Goethe Institut,2013, Flag Stain, Gracelands Circling the Square 2012, Worlds Combine at EVA International May-Aug 2012, A MacGuffin and Some Other Things at Project Arts Centre April 2012, This is Going to Take More Than One Night at The Model, Sligo, March 2012, Units of Potential, a public art commission installed at The Lir Academy Dublin 2011, Multiple T , The Floor of The Forest, The Barbican Art Gallery, London 2010 and Resonance#1 a commission for Resonance FM at Frieze Art Fair, London 2010.
13.00-14.00 Lunch
14.00-14.45 Session 4: Francis Halsall, Sam Keogh
Francis Halsall “I’d like to believe that nature doesn’t exist”
Francis Halsall is lecturer in modern and contemporary art at the National College of Art and Design. He is co-coordinator (with Declan Long) of MA Art in the Contemporary World, www.acw.ie ). He writes regularly on art, aesthetics and philosophy. Recent work can be found at his blog: www.alittletagend.blogspot.com
Sam Keogh “Taken Out of/Put into Oscars Bin”
Sam Keogh (b 1985) is an artist living and working in London.
Recent exhibitions include Sam Keogh and Lucy Andrews, The Model, Sligo (2012), Gracelands – Circling the Square, curated by Vaari Claffey (2012), The Milk Market, Limerick (2012), Terrestris, curated by Tessa Giblin, Project Arts Centre, Dublin (2012), EVA |International – After the Future, curated by Annie Fletcher, Limerick (2012), Repoman, Kerlin Gallery, Dublin (2011). Upcoming exhibitions include NINE, The Lab, Dublin, July 2013; A Line of Beauty, IMMA, October 2013 and Eupraxia II, Curetorial Timeshare, October 2013.
Isabel Nolan “How to make space-time and influence people”
Isabel Nolan is an artist and writer from Dublin who has exhibited widely in Ireland and internationally. Recent solo exhibitions include ‘Unmade’ at The Goethe Institut Dublin (2012). ‘A hole into the future’ at The Model, Sligo (2011-12), and at the Museé d’Art Moderne de Saint-Etienne (2012). Nolan was one of seven artists who represented Ireland at the 2005 Venice Biennale. Kerlin Gallery, Dublin and Gallery Side 2, Tokyo represent her work. Nolan is also a visiting lecturer on M.A. Art in the Contemporary World, N.C.A.D.
Sergey Sistiaga “Meillassoux’s Unreasonable Principle of Unreason”
Sergey Sistiaga studied philosophy and history at Freiburg and Paris and his Masters thesis was about the principle of sufficient reason (a kind of pro and contra with discussion of Meillassoux especially).
15.30-15.45 Break
16.00-16.45 Session 6: MOUTH (Edia Connole, Scott Wilson) with Pat Zaidan, Mairtin Mac Con Iomaire, Kathy Tynan
MOUTH (Edia Connole, Scott Wilson) with Pat Zaidan, Kathy Tynan, Mairtin Mac Con Iomaire, Matt Beeching“‘[os mentis] mouth to mouth’ with Nicola Masciandaro”
MOUTH is an actionist art project in culinary divinomics formed in March 2012 by Edia Connole and Scott Wilson. Associates for Weaponising Speculation include Mairtin Mac Con Iomaire, Kathy Tynan, Matt Beeching and Pat Zaidan. Recent events include ‘All Fingers and Tongues: Hosting the Divine with Charlie Gere & MOUTH,’ Break Bread Open, FACT, Liverpool Biennial, October 2012; ‘Melancholia: Messianic Banquets and the 19th Hole,’ Culture, Politics, Eschatology: A Symposium, Lancaster University, September 2012; ‘A Black Mass for Quentin Meillassoux,’ Thinking the Absolute: Speculation, Philosophy and the End of Religion,’ Liverpool Hope University, July 2012. mmmouth.wordpress.com.
20.00-22.00 Opening of Weaponising Speculation Exhibition, BLOCK T Gallery, Smithfield, Dublin 7
Ridvan Askin “Sweet Dreams are Made of This: Speculation”
Ridvan Askin is Assistant in American and General Literatures and a PhD candidate at the University of Basel. He is currently working on his first book project on Gilles Deleuze and narrative theory. His main research interests are aesthetics, contemporary North-American fiction, Gilles Deleuze, literary theory, narrative theory, the relation of philosophy and literature, and speculative realism.
Ciara McMahon “In the moment: Offer / Response”
Ciara McMahon practices both art and medicine. McMahon’s art practice is frequently collaborative and performative, realised through photography, film and site specific installation. Subjectivity, intersubjectivity and the body are explored in the work, which often asks how these play out in art or medicine and looks for hybridity between the two disciplines. Ciara has a masters in Art in the Contemporary World (combined pathway) from NCAD (2011), and a M.B. from TCD (1992). McMahon has exhibited widely in Canada, the UK and Ireland. Further information available at www.ciaramcmahon.wordpress.com or www.deappendix.wordpress.com
10.45-11.30 Session 8: John Ryan, Ciara Griffin
John Ryan “All that is liquid melts into solid”
John Ryan (1987) graduated from a BA in NCAD in 2011. He is a studio resident in Pallas Projects. Recent group exhibitions have taken place in The Drawing Project in Dublin, BeersLambert in London, Studio 9 in Wexford, The Rebecca Hossack Gallery in London and Basic Space in Dublin. In December 2011 he had his first solo exhibition in The Joinery in Dublin. He is the 2012 winner of the Gilchrist Fisher Award judged by Elizabeth Magill, Matthew Collins, Harry Cory-Wright and Stephen Chambers. He will be featured in the forthcoming book Prismatic Ecologies: Ecotheory Beyond Green by Jeffrey Jerome Cohen, published by University of Minnesota Press. In March 2013 he will participate in a residency in a Mountain Bothy in The Scottish Highlands titled Winter Resort. In April 2012 he will present a solo body of work in FLOORONEGALLERY in the atrium of Temple Bar Gallery and Studios, curated by Jim Ricks.
Ciara Griffin “Between Sapidity and Sapience: Devouring Bodies in Bengal”
Ciara Griffin is a PhD student at the National University of Ireland Galway. She is currently writing her thesis on the use of print as technology by South Asian women between 1968 and the turn of the new millennium. Her research engages with the thingliness of the literary text in order to critically engage with the different power struggles inherent to mediation in both of its senses—as that which attempts to settle difference and as the material means of sharing information. She teaches in the fields of performance studies, alternative textualities and Indian literature.
11.30-12.30 Lunch
12.30-13.15 Session 9: Rob Murphy, Andy Weir
Rob Murphy “Mutant – Infiltration of the Hallucinated Mountain”
Rob Murphy is a Dublin based visual artist. Murphy graduated from IADT Dún Laoghaire in 2011 with a degree in Visual Arts Practice. He is co-director/founder of artist run Flat_Pack Gallery & Studios, Smithfield. He was a recent participant on the MA – Art in the Contemporary World at NCAD.
Andy Weir “DELAY CUT OUT: Weaponising against contemporary art”
Andy Weir is an artist and PhD researcher at Goldsmiths, University of London. http://andyweir.info
13.15-14.00 Session 10: Dock Currie, Alan Boardman
Dock Currie “The Ecological Inhuman War-Machine: Theses on Malthus”
Dock Currie is a 1st year phd student and the Bennett Doctoral Scholar for the Liberal Arts in Political Science at York University. His interests are in Situationist theory and praxis, Speculative Materialism, Speculative Empiricism, and post-Phenomenological comportments towards environmentalism and ecology.
Alan Boardman “The Fossils of Sensation: Non-Representational Painting and New Materialism”
Alan Boardman is a PhD candidate in Visual Culture at NCAD and The Graduate School of Creative Arts and Media, Dublin. His research is a speculative aesthetics on emergence and geo-philosophy, orientated though the new materialism and philosophy of science / systems of Manuel DeLanda. He is also a practicing visual artist engaged with the processes and materialities of non-representational painting.
14.00-14.15 Break
14.15-15.15 Session 11: Teresa Gillespie, Ben Woodard
Teresa Gillespie “restless tongues expending into rest”
Teresa Gillespie is an artist based in Dublin. She works primarily through installation with a focus on sound, video and objects. She is a graduate of Glasgow School of Art and the Royal College of Art, London. Recent solo shows include: among objects, The Joinery, Dublin; along the borderland bends, The Return Gallery, Dublin; …too old to be playing house…, showreelproject, Milan; p.s. I love you Yassin, Atelierfrankfurt, Frankfurt; Incidental Shift, The Project Room, Glasgow. She has exhibited in group shows nationally and internationally and undertaken numerous artist’s residencies including the Frankfurter Kunstverein Deutsche Borse Program. In 2013 Teresa will be artist in residence at the Residencia Corazon in Buenos Aires where she will work towards a solo show, Invasion of Irrational Existence. Alongside her art practice she co-curated a seminar/exhibition, Portrait of Space, with Rose Lejeune at Clonlea Studios. She is currently working with Lee Welch towards another project for Clonlea Studios that will take place in August 2013.
Ben Woodard “The House of Sheaves: The Asymptotic Horror of Nested Nature” Ben Woodard is a 2nd year PhD candidate at the Centre for the Study of Theory and Criticism at Western University. His doctoral research is on constructing a realist theory of nature building from the work of FWJ von Schelling. His first text Slime Dynamics: Generation, Mutation, and the Creep of Lifewas recently released from Zer0 books and his second monograph On an Ungrounded Earth is forthcoming from Punctum.
15.15-16.00 Session 12: Karen Dewart McEwen, Scott Wilson
Karen Dewart McEwen “Thinking Politics Topologically”
Karen Dewart McEwen is a graduate student working toward an M.A. in Theory and Criticism at the University of Western Ontario. She holds a B.A. in Communication Studies, Philosophy, and Political Science from Concordia University and formerly worked as the Research Coordinator at Ryerson University’s Modern Literature and Culture Research Centre.
Scott Wilson “Spider Universe: Weaponizing Phobia in Spinoza, Nietzsche, Bataille and Deleuze”
Scott Wilson is Professor of Media Philosophy in the London Graduate School & Department of Film and Media at Kingston University, London.
16.00-16.15 Skype conversation with Tom Trevatt, organiser of The Matter of Contradiction event “War Against the Sun”(http://lamatiere.tumblr.com/waragainstthesun) Folowed by closing remarks: Paul Ennis, Fintan Neylan, Michael O’Rourke
18.00-20.00 Weaponising Speculation Exhibition, BLOCK T Gallery, Smithfield, Dublin 7
DALL'OGGETTO ALL'EVENTO:
SOUND ART, RADICALITA', METADESIGN E ARTE DELL'ASCOLTO.
Date: 21 Feb 2013 | ONLINE LIVE STREAMING
H: 11.00 - 17:00 (It) | Location:
Accademia di Belle Arti di Brera | Laboratorio di Ricerca / Pierluigi Buglioni
Sandro Gronchi e Pierluigi Buglioni: Apertura dei lavori.
Gianluca Becuzzi: L'arte dell'ascolto | Dalle avanguardie alla sound art: dal futurismo alla musica acusmatica, all'installazione sonora | Presentazione dell’attivtà di ricerca del progetto “Piombino eXperimenta”.
Fabio Carboni e Sara Serighelli: | L'edizione come opera d'arte | Le sperimentazioni e le ricerche editoriali e discografiche dagli ani '70 ad oggi. | L'esperienza di “Die Schachtel” | Presentazione dell’attivtà di ricerca dello spazio “ O' ” e dei “Laboratori d'Ascolto”.
Programma | Dalle ore 14:30 alle 16:30
Paolo Bandera: La cultura post-industriale | Dal movimento controculturale al D.I.Y. ed i primi network, storia e geografia delle strategie di comunicazione radicale, ad oggi.
Massimiliano Viel: Rumore, percezione e ascolto sovversivo | Paesaggi sonori elettromagnetici | Presentazione dell’attivtà di ricerca del progetto “Sincronie”.
Sandro Gronchi: Esperenze Editoriali | Progettare la progettazione: tra costruttivismo radicale, didattica operativa, arte visiva ed editoria sperimentale | Presentazione delle piataforme metacuratoriali.
NOTE SUGLI AUTORI:
Sandro Gronchi
Artista visivo, Editore musicale, docente e formatore
in metodologia della progettazione grafica e processi di e.learning.
www.radicalmatters.com
www.radicalmatters.com/metasound
www.radicalmatters.com/eskathonpublishing
Gianluca Becuzzi
Artista sonoro, Ricercatore.
Paolo Bandera
Manager, Artista sonoro, Ricercatore e Scrittore.
www.colloidalsemantika.blogspot.it
Sara Serighelli
Responsabile dello spazio O'.
www.on-o.org
Massimiliano Viel
Compositore, ricercatore e docente presso
il Conservatorio di Bolzano e presso
la N.A.B.A. di Milano.
www.massimilianoviel.net
www.otolab.net
www.sincronie.org
Date: 01 March 2013 | ONLINE LIVE STREAMING
H: 20.00 (Esp) | Location:
MARCO VIGO | Museo d'Arte Contemporanea de Vigo (ESP)
During the vernice of "HUM"
by Massimo Bartolini, with Nicholas Isherwood:
Organized by: Auditorium Parco della Musica Roma (IT) Curated by Anna Cestelli Guidi
&
MARCO VIGO | Museo d'Arte Contemporanea de Vigo (ESP)
"Phonology of noise : the voice as sound object"
This meta-event it's based on a live streaming aural transmission of some experimental sound artists involved in the Radical Matters - Editions/Label series. A selection focused on the creative action of recording and/or manipulation of the voice as sound object. A journey which start from classical experiments begun in the late '70, inside currents like Fluxus, sound poetry, and extra-literary vocal sound compositions, towards the researches of the acousmatic's approaches, post-industrial radicalisms, contemporary sound-actionism, electroacoustic ritual researches, psychophonic transcommunication actions, avantgard black metal projections and beyond...
Live streaming transmission designed and curated by Sandro Gronchi
_____________SCORE______________
FILES UNDER = SOUND POETRY:
John Blades
Big City Orchestra
Rod Summers and Gianluca Becuzzi
The Loop Orchestra
FILES UNDER = EXPERIMENTAL MUSIC:
TRAX [Vittore Baroni, Piermario Ciani, Massimo Giacon]
Renaldo And The Loaf
Bene Gesserit
Henryk Gajewski
The Gerlovins & Charlie Morrow
Oxomaxoma
The Haters
Culturcide
Ultraspiesser [Julian Bonequi drums and voice, with Anton Maiof and Julian Piercy]
Ives#1 [Thomas Mahmoud voice, Michael Wertmuller drums, with Marino Piaklas and Gerd Rische]
Grey History
FILES UNDER = E.V.P. / I.T.C. / METAPHONIA:
Michael Esposito
Marcello Bacci
FILES UNDER = ACOUSMATIC / RITUAL SOUND ART:
Tele.s.therion with Lunurumh [Astral Lueur]
Wildness Perversion [Mortuary Drape] unedit vocal performance for Tele.s.therion "Gimoire XIII"
FILES UNDER = SOUND ACTIONISM:
Joke Lanz [Sudden Infant]
Rudolf Eb.er
FILES UNDER = AVANT BLACK METAL:
L'Acephale
Servile Sect
Utarm
K11 [Pietro Riparbelli]
BECOMING SOUND WORKSHOP – Le Cattedrali tra visibile ed invisibile
un progetto in collaborazione con NUB 26 e 27 Aprile 2014
c/o Studio Corte 17
Via Genova 17/4 – Prato
IL PROGETTO Becoming sound è un progetto site-specific di sound art che vuole mostrare il processo stesso di creazione di un’opera; dall’indagine fino alla realizzazione. Il progetto si sviluppa su tre steps:
1- una mappatura sonora delle cattedrali della città che ospita il progetto – archiviazione e archeoacustica 2- un’installazione sonora – abitare l’opera 3- una sound-performance realizzata con le sorgenti sonore riprese all’interno delle cattedrali -ri-significazione dei luoghi
METODOLOGIA E PROGRAMMA I tre steps sono sviluppati attraverso un workshop che prevede moduli teorico-pratici che si svilupperanno nei giorni 26 e 27 Aprile, presso lo spazio NUB a Prato, come segue: - lezione teorica con i partecipanti (sab 26 h10 – 13); - soundwalk per la mappatura sonora in location (cattedrali) con i partecipanti (sab 26 e dom 27, h 15 – 18); - installazione con i partecipanti e performance finale (Alessio Ballerini + Pietro Riparbelli) con i suoni registrati durante la soundwalk (dom 27, h 18 – 21)
1) TEORIA: Il Paesaggio sonoro tra ecologia ed estetica; Tecniche di registrazione microfonica; Definizione di una mappa sonora, pratica delle soundwalks (passeggiate sonore); Costruire con i Suoni; Elementi di Sound Art; Pulizia dell’orecchio; Il designer acustico; Presentazione del progetto “CATHEDRALS” (Archivio delle registrazioni di luoghi sacri nel mondo); Piani d’indagine del progetto (dimensione storica e ricerca sull’archeoacustica); Sviluppo di una particolare disposizione all’ascolto.
2) PRATICA: Soundwalk e registrazioni sonore di cattedrali. Allestimento dell’installazione sonora e visiva. I registratori audio digitali ed ulteriori attrezzature saranno messi a disposizione dei partecipanti.
" ETHER VOYAGE + ( evp trasmission) " The night before the performance I will lay in a part of the city a recording magnetic tape with no human presence there, ("retrocasuality").
During my performance a friend of mine will send me the nocturnal recorded files, unknowed for me, that I will manipolate with softwares. I will use stringed instruments from western tradition (cello) and eastern tradition like "esraj" together will interact with the rest of the sounds, presences tryng to destabilizing and causing a derangment with the digital dimension. The concert-performance wants to be a search and an evidentiation of the metaphysical sound, of the microsounds and its effects on the human perception and and inspired to the work of: Leif Elggren (Elgaland-Vargaland) C.M. Von Haussvolff Nikola Tesla and Konstantin Raudive.
MICHAEL ESPOSITO | Phantom Plastics
[Michael Esposito & Patrick Esposito]
"The Maladjusted of Manteno Asylum"
SOUND OBJECT VERSION :
7"ARTWORK PACKAGE
+ FINE ART CDR
+ 7" ONE SIDE GLUE RECORD
+ E.BOOK (194 PAGES PDF FORMAT)
This opera it is based on the E.V.P. researches by Michael Esposito, conducted in the years in the Manteno State Hospital (1927 – 1985), located in rural Manteno Township, Kankakee County, Illinois. The Sound Object version include a fine art CDR and a seven inch GLUE RECORD, playable in regular amplified turntables, to discover and reveal other psychoacoustics dimensions of this metaphysic piece, using this opera as device for your direct instrumental transcommunication experiments. This work include also a special e.book of meta-photography sessions, psi-focused on the residual energies of three original pictures of the Manteno State Hospital and conceived to explore the psychic drifts connected to the main building and to the hydrotherapy rooms of this abandoned psychiatric hospital.
PAYMENT INSTRUCTIONS: Direct payment via PAYPAL. After your purchase paypal's notification, you will be automatically redirect to the download page to start your download.
AUTHORS: Anthony Iles, Mattin, Csaba Toth, Edwin Prévost, Ray Brassier, Bruce Russell, Nina Power, Ben Watson, Matthew Hyland, Matthieu Saladin, Howard Slater.
by AUDIOLAB, sound department of ARTELEKU.NET
Artist's multiple edition. 12-inch vinyl record picture disc. Published in 3 unique copies.
Audio:
Recording, one-off, on 12-inch vinyl record picture disc format. Produced by Fondazione Musica per Roma. Edited and published by Radical Matters - Editions/Label. Voice: Nicholas Isherwood, mural painting, record player, amplifier, speakers. | Nicholas Isherwood sings the Glenn Gould's labial while performing the "Goldberg Variations" 1981.
HUM | Massimo Bartolini | Curated by: Anna Cestelli Guidi | Voice: Nicholas Isherwood.
23 November – 09 Dicember 2012 | One Space / One Sound - AuditoriumArte | Produced by: Fondazione Musica per Roma - Auditorium – Parco della Musica, Roma, Italy | Recorded and ingeneering : Modulo Recording Studio - Riccardo Parravicini - Cuneo - Italia | Nicholas Isherwood sings the Glenn Gould's labial while performing the "Goldberg Variations" 1981.
Concept design: Massimo Bartolini
Curating: Anna Cestelli Guidi
METASOUND
"Esperienze Curatoriali Indipendenti nell’Arte Contemporanea. Dall’Oggetto all’Evento: Sound Art, Multimedialità e Pratiche dell’Arte dell’Ascolto".
Concept Design and Curating by RMEDL | SG.
SABATO 20 MARZO 2010 | TAVOLA ROTONDA ONLINE: BEST PRACTICES NETWORK - DALL’EVENTO ALL’OGGETTO:
Presentazione del progetto in itinere della tavola rotonda online sul tema “Esperienze Curatoriali Indipendenti nell’Arte Contemporanea”.
Con spunti, riflessioni e contributi di Artisti, Curatori, Editori, Art Directors, Discografici, Critici d’Arte e Docenti Universitari.
MEDIA-BASED EXHIBITION:
I - VIDEO PROIEZIONI - DALL’OGGETTO ALL’EVENTO:
OTOLAB
INFLUX
GIACOMO VERDE
II - AUDIO INSTALLAZIONE - DALL’OGGETTO ALL’EVENTO:
RM-ED/L presenta: “CHTHONIAN MUSIC”
Concept album / instalazzione sonora / multiplo d’arte. Set acustico multicanale per la spazializzazione del suono. Concept, sceneggiatura, testi, edizioni: RM-ED/L | Sandro Gronchi. Audio installazione a cura di Sandro Gronchi e Pietro Riparbelli. Composizione, esecuzione, mixaggio e real-time processing: Pietro Riparbelli. Con il contributo sonoro di 16 prestigiosi autori internazionali, operativi in diversi ambiti di ricerca, dalla Sound Art alla Musica Concreta ed Acusmatica, dal Dark Ambient all’Avant Black Metal.
Original sources materials by:
Francisco Lopez,
Seth Cluett,
Christina Kubisch,
Massimo Bartolini,
Y.E.R.M.O.,
Seven
Guitars, Luciano Maggiore,
Gianluca Becuzzi,
Andrea Marutti,
Philip Petit,
Deadwood,
Burial Hex,
Aderlating,
Utarm,
Nordvargr,
L’Acephale.
III - EDIZIONI D’ARTE - DALL’EVENTO ALL’OGGETTO:
B.A.U. - Contenitore di Cultura Contemporanea
Presentazione del progetto a cura di Vittore Baroni.
TRAX: Esposizione di una selezione di pubblicazioni discografiche ed editoriali sperimentali, dalla produzione e dalla collezione privata di Vittore Baroni.
Inoltre anteprima della Web Edition TRAX dal titolo “Anthems” ( a cura di Vittore Baroni e Gianluca Becuzzi) edita da RM-ED/L con il contributo di The Haters, Merzbow, Laibach, Renaldo & The Loaf, Naif Orchestra e molti altri... RM-ED/L Release date: “Chthonian Music” Presentazione dell’edizione del multiplo d’arte / concept abum dell’omonima installazione sonora, in formato audio CD.
CONFERENCE SPEECH:
ESPERIENZE CURATORIALI D’ARTISTA - DALL’OGGETTO ALL’EVENTO: Incontro con MAURIZIO NANNUCCI - Da Fluxus alla Poesia Sonora e Sound Art, dalla La Poesia Visiva alla Mail Art, L’editoria e la discografia sperimentale: i libri oggetto, multipli / cataloghi / piccola stampa / timbri / lettere; Recorthings e lo studio S 2f M, l’esperienza dei progetti Zona e Base.
DOMENICA 21 MARZO 2010
TAVOLA ROTONDA WEB (OFF-LINE):
BEST PRACTICES NETWORK - DALL’EVENTO ALL’OGGETTO: Presentazione della tavola rotonda online sul tema “Esperienze Curatoriali Indipendenti nell’Arte Contemporanea”. Con spunti, riflessioni e contributi di Artisti, Curatori, Editori, Art Directors, Discografici, Critici d’Arte e Docenti Universitari.
MEDIA-BASED EXHIBITION:
I - VIDEO PROIEZIONI - DALL’OGGETTO ALL’EVENTO: INFLUX
OTOLAB
GIACOMO VERDE
II - AUDIO INSTALLAZIONE - DALL’OGGETTO ALL’EVENTO: RM-ED/L presenta: Pietro Riparbelli / K11 - “WAITING FOR THE DARKNESS”
Instrumental Transcommunication Action - audiovisual live set realizzato in collaborazione con INFLUX.
Radical Matters - Editions / Label | SG
Presents the hermetic multidimensional concept album
"CHTHONIAN MUSIC" :
Music composed, played and directed by K11 Pietro Riparbelli
Concept, ideation, site specific project direction, screenplay, score, texts, lyrics, sigils and design of the editions: RM-ED/L | Sandro Gronchi. 2 channels and multi channel audio composition, performing, mixing, mastering and real-time spatialization processing by Pietro Riparbelli. Acoustic installation by Sandro Gronchi and Pietro Riparbelli. Recording sessions: Francisco López, Christina Kubisch, Massimo Bartolini, Seth Cluett, Y.E.R.M.O., Francesco Brasini / Seven Guitars, Luciano Maggiore, Gianluca Becuzzi, Andrea Marutti, Philippe Petit , Deadwood, Burial Hex, Aderlating, Utarm, Nordvargr, L'Acephale. This conceptual album is a 2 channel stereo hi-fi transposition of a related site specific multi-channel acoustic installation set, based on the sound spatialization system I.M.E.A.S.Y, both developped from the hermetic multidimensional sound art project Chthonian Music, conceived by RMEDL to be performed in an ancient Etruscan hypogeum sited in Cecina (Italy), during the spring solstice (Ante Diem Duodecimum Kalendas Apriles) within the programmatic-conceptual event "Metasound – Independent Curatorial Experiences in ntemporary Art: from the object up to the event: sound art, multimedia and practice of the art of listening",an hypermedial site-specific project, cured by SG as RMEDL, installed within the archaeological park of Cecina, in the core of the ancient Tuscia.
This conceptual album and the related audio installation are musically composed by Pietro Riparbelli / K11 who playing organ, voices, drum and directis the recording sessions of the acoustic sources produced by the previous mentioned artists, expecially conceived by the authors for this project. This multidimensional collaborative opera is a bridge between the conception of sound within the contemporary art scene, the postindustrial culture and the avantgarde black metal musical scene, focusing on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recordings practices of the acoustic phenomenas.This project is based on the study of the territory where Cecina stands today, already known in Etruscan age with the name of Kaikne or Kaikna and was inhabited in Roman times, when an imperial personality, the consul Albino Cecina who was a descendant of an ancient Etruscan family that came from Volterra (Velathri), ordered the construction of a villa, the ruins of which are still visited in San Vincenzino.
The surrounding area of Cecina, knew a long period of decline, which began with the decline of the Etruscan civilization and marked during the Roman domination. However in medieval times the name of the Tuscan town was quoted by Dante Alighieri (Inf. XIII, 7). The peculiar state of re-veiling of the historical roots of Cecina town, began in the Roman construction plant of the Albini Villa by the department of archaeological sciences of the University of Pisa (in this contest stands the discovery of a headless statue in Egyptian alabaster that represents Isis). It becomes the right condition for the staging of meta-curator project Metasound through which a witness is shown, though as a part of a state of the art research on aesthetic trans-operative promoting by RM-ED/L. The choice of the roman cistern and its adjacent mysteric tunnels, as the core of the catabasis experience intrinsec in the concept of Chthonian Music. and as sound-chamber of the related acoustic installation, comes from the study on the symbolic meaning of places of worship, that was developed in Etruscan age - civilization that first settled in the adjacent grounds to the Cecina river. The re-veiling of the etruscan settlement, roman villa and medioeval cemetery, in the small park of San Vincenzino, opens to the possibility of considering the reading of the archaeological sites in their likely original function of sacred hypogeum. The cavity of the cistern, thus, becomes a possible reuse of an earlier site of Etruscan origine, with a more likely symbolic function of a place consecrated to the worship of Chthonic Deities. Demeter-Persephone (Phersipnai) was the goddess which was based the religion of the Mysteries, imported by the Etruscans in Italy.
Kidnapped by Hades and carried in the realm of the underworld, becaming the queen of the hell through his ritual death. Demeter, the goddess of the earth got that Persephone / Phersipnai reigned during the winter months and in the remaining months could return to earth, whose myth is the awakening of the soul and its cyclical path of death and transfiguration. Delving into the dark recesses of the earth, meant to open a gate to a supernatural dimension. Tunnels and mazes of paths represented the symbolic difficult journey of the soul towards a higher life. Exit from the bowels of the land, from the darkest recesses of the earth and the human soul, represents the rebirth of the soul to a higher level of living. The annual return of Phersipnai on earth among the living, coincided with the beginning of spring, and on this occasion were celebrated the Lesser Mysteries, or the second Birth. On this occasion, wizards with snakes twisted on the arms, moved at the flickering light of torches in long orgiastic processions (Nuktélia) that ended with a search of the queen Phersipnai.Hetrvria Hermetica.
Audio Score:
Score:
I - Mvndvs [Munth] Francisco Lopez - field recording, acousmatic re-processing. Seth Cluett - deep low frequencies sounds Pietro Riparbelli - distorted organ, mixing
II - Katábasis
pt.I Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett. Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks Pietro Riparbelli - organ, composition
pt.II L'Acephale - guitar, drum, voice Utarm - power electronics, drones Pietro Riparbelli - composition
pt.III [Epopteia] Burial Hex - piano and effects Andrea Marutti - sinth, drones, concrete sounds Pietro Riparbelli - organ, voices, composition
pt.V Luciano Maggiore - concrete sounds Aderlating - concrete sounds, drones Philippe Petit - concrete turntablism Andrea Marutti - sinth Pietro Riparbelli - organ, composition
In astrophysics and cosmology, dark matter is hypothetical matter of unknown composition that does not emit or reflect enough electromagnetic radiation to be observed directly, but whose presence can be inferred from gravitational effects on visible matter. According to present observations of structures larger than galaxy-sized as well as Big Bang cosmology, dark matter accounts for the vast majority of mass in the observable universe. The composition of dark matter is unknown, but may include ordinary and heavy neutrinos, recently postulated elementary particles such as WIMPs and axions, astronomical bodies such as dwarf stars and planets, and clouds of nonluminous gas. It has been noted that the name "dark matter" serves mainly as an expression of our ignorance, much as the marking of early maps with "terra incognita". Dark Matter are Kasper T. Toeplitz and Antoine Chessex They have realised a monolithic piece of cosmic dark energy, concentrating gravitational lensing phenomenas, in solid waves, through the multi-dimensional quantum-continuum. A must! The duo deals with dense and abstract structures where the hybridisation of the two performers´instruments collapse together resulting in monumental walls of sounds based on the architecture of ruins. DARK MATTER Kasper T. Toeplitz bass, computer, tam. Antoine Chessex sax, electronics. Content list: 1. Mo.n.D. - 55':18'' Visual sources by: Equipo 57 “V.32” 1963 Francois Morellet "Systems" 1961 Alberto Biasi "Interferenza Dinamica" 1961 Audio Mix by: Kasper T. Toeplitz Edition Design by: RMEDL | SG.
DEATH TRICHECO "THE BRIEF HISTORY OF A DEAD WALRUS"
Dinamo Potente, Elvis G, Matteo Torcinovich.
A new aural shibari for your senses, from the o(dd)utsider psycho-industrial audio cassettes "Anfibi Mamifèri" (1989) and "Ballabilli" (1990)!
BORN IN 1988. WAS AN INDUSTRIAL EXPERIMENTAL MUSIC COMBO FROM VENICE, ITALY. THEIR STUDIO RECORDING (TRAVARIZA STUDIOS) WAS COMPOSED OF SIMPLE AND CHEAP INSTRUMENTATION: A LITTLE CASIO KEYBOARDS SK1, ONE ELECTRIC GUITAR WITH SOME ANALOG DELAYS AND COMPRESSORS, HOMEMADE PERCUSSIONS, A CHEAP ACUSTIC GUITAR AND A MICROPHONE MADE WITH A HEADPHONES.
A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
MICHAEL ESPOSITO | Phantom Plastics
[Michael Esposito & Patrick Esposito]
"The Maladjusted of Manteno Asylum"
ARTIST'S MULTIPLE VERSION :
HANDMADE NUMERED AND SIGNED BY THE AUTHOR
7"ARTWORK PACKAGE
+ ACOUSTIC PAPER TURNTABLE (with needle)
+ 7" ONE OF A KIND TRANSPARENT VINYL (unique's record cut)
+ INSERTS
+ E.BOOK 194 (PAGES PDF FORMAT)
+ UNEDIT 4 PAGES ARTICLE FROM THE SERIE "PHANTOM MONOGRAPH"
This opera it is based on the E.V.P. researches by Michael Esposito, conducted in the years in the Manteno State Hospital (1927 – 1985), located in rural Manteno Township, Kankakee County, Illinois. The Artis's Multiple version include an acoustic paper turntable, ready to play the one of a kind transparent vinyl spinned by your hands, (of course the vinyl it's also playable in regular amplified turntables), to discover and reveal other psychoacoustics dimensions of this metaphysic piece, using this opera as device for your direct instrumental transcommunication experiments. This work include also an unedit 4 pages article written by Michael Esposito, titled "The Housekeeper Dilemma", and a special e.book of meta-photography sessions, psi-focused on the residual energies of three original pictures of the Manteno State Hospital and conceived to explore the psychic drifts connected to the main building and to the hydrotherapy rooms of this abandoned psychiatric hospital.
Special Artwork: ARTIST'S MULTIPLE VERSION : HANDMADE NUMERED AND SIGNED BY THE AUTHOR
7"ARTWORK PACKAGE + ACOUSTIC PAPER TURNTABLE (with needle) + 7" ONE OF A KIND TRANSPARENT VINYL (unique's record cut) + INSERTS
+ E.BOOK 194 (PAGES PDF FORMAT) + UNEDIT 4 PAGES ARTICLE FROM THE SERIE "PHANTOM MONOGRAPH"
A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
Brian FG Katz and Lorenzo Picinali | Spatial Audio Applied to Research with the Blind, Advances in Sound Localization, Pawel Strumillo (Ed. 2011), ISBN: 978-953-307-224-1 InTech.
A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
.. it's still dark and raining... There's something I want to show you, something I want you to touch...»
From the words of Gianluca Becuzzi: "... Limbo is a project dead and buried!" but just like in the best necromantical traditions, "sometimes they come back" ...
This complex work, published in two volumes, hand numebered and autographed, it's not a collection of old recordings, nor a compilation, but it is a brand-new opera. An alchemical celebration, based on the quintessence of the "esoteric trilogy" by Limbo.
Artist's multiples | Enviromental Sound Object
This Artist's multiple is designed as multy layer visual device,
conceived as multi functional Sound Object:
When The Artwork is "CLOSED",
the frame is designed to display itself as a micro-tonal, graphic, wall paint. Pure visual design.
When The Artwork is "OPEN",
is composed by the following elemnts, with their related functions:
A vinyl, hosted in a mono-cromatic folder, contain a UNIQUE record cutting, ready to be played. A printed glass, conceived as a SCREEN for enviromental light projecton. Alchemical Textual documents.
HOW TO USE THIS "Artist's multiples"
as private audio installation:
Open the display frame from the back, and extract the vinyl record and the printed glass. Use the printed glass as a screen for enviromental light projecton. using a lamp (or a flashlight), in a dark room, to project all around the shadows of the sepulcral branch tree, during the playing sessions of the entire record.
Limited edition of 50 hand numbered copies for each volume, signed by thge author.
Fine art realised on demand: the conceptual sound-artwork is composed by a 15X15 inch display frame (ready to be attach to the wall), a printed glass, a 5 panels printed cardboard and insert, a 12 inch vinyl. Every copy of the vinyl is unique, recorded as one of a kind, one by one. Two millimeters black vinyl, highly precision and craft work for high quality product.
Re-Composed, Demixed and Produced by Gianluca Becuzzi At KXLab in Winter/Springtime 2010.
Basic samples from Limbo:
In Limbo - Spittle (1986)
My Whip, Your Flesh - Mantra (1989)
Our Mary Of Cancer - Helter Skelter (1991)
Vox Insana - Dune (1992)
Full lenght audio: 24":24"
Concept, design, inlustrations, edition, curating and manufacture: RMEDL|SG
TELE.S.THERION with LUNURUMH
"Hinthv Ritvvm | LLZ [Ao - 4 MN c. P22AT + x]"
LIMITED EDITION TO: 9 one of a kind pieces.
This sound object, and the related sound art installation based on the principles of acoustic gramophone, coinceived and designed as a site specific opera for the Etrusca Museum, was designed to expand the usual techniques of sound reproduction, extending the possibilities of projection and sound spatialization, making it also a ritualistic mantic instrument. The vinyl is engraved with the recording of "Liber Linteus [Ao - 4 MN c. P22AT + x]" | LLZ | conceived to one voice, made by Ukrainian's artist Lunurumh (Astral Lueur, Virvel Av Morkerhatet), where the singer performs special techniques of singing.
A k o u s m a t i k o i : SG: Concept design, sound object, sound installation, lyrics. Lunurumh: Voice.
This sound object it's composed by: One of a kind 12 inch vinyl recorded at 78 rpm., three cones of paper, three needles, three metal supports, a metal ring, a black square, a long screw to spin the record | Pubblished by: Radical Matters - Editions/Label | Catalogue: RMLE066 | Licensed by: Creative Commons | by-nc.nd.3.0 | 2013
.. it's still dark and raining... There's something I want to show you, something I want you to touch...»
From the words of Gianluca Becuzzi: "... Limbo is a project dead and buried!" but just like in the best necromantical traditions, "sometimes they come back" ...
This complex work, published in two volumes, hand numebered and autographed, it's not a collection of old recordings, nor a compilation, but it is a brand-new opera. An alchemical celebration, based on the quintessence of the "esoteric trilogy" by Limbo.
Artist's multiples | Enviromental Sound Object
This Artist's multiple is designed as multy layer visual device,
conceived as multi functional Sound Object:
When The Artwork is "CLOSED",
the frame is designed to display itself as a micro-tonal, graphic, wall paint. Pure visual design.
When The Artwork is "OPEN",
is composed by the following elemnts, with their related functions:
A vinyl, hosted in a mono-cromatic folder, contain a UNIQUE record cutting, ready to be played. A printed glass, conceived as a SCREEN for enviromental light projecton. Alchemical Textual documents.
HOW TO USE THIS "Artist's multiples"
as private audio installation:
Open the display frame from the back, and extract the vinyl record and the printed glass. Use the printed glass as a screen for enviromental light projecton. using a lamp (or a flashlight), in a dark room, to project all around the shadows of the sepulcral branch tree, during the playing sessions of the entire record.
Limited edition of 50 hand numbered copies for each volume, signed by thge author.
Fine art realised on demand: the conceptual sound-artwork is composed by a 15X15 inch display frame (ready to be attach to the wall), a printed glass, a 5 panels printed cardboard and insert, a 12 inch vinyl. Every copy of the vinyl is unique, recorded as one of a kind, one by one. Two millimeters black vinyl, highly precision and craft work for high quality product.
Re-Composed, Demixed and Produced by Gianluca Becuzzi At KXLab in Winter/Springtime 2010.
Basic samples from Limbo:
In Limbo - Spittle (1986)
My Whip, Your Flesh - Mantra (1989)
Our Mary Of Cancer - Helter Skelter (1991)
Vox Insana - Dune (1992)
Full lenght audio: 24":24"
Concept, design, inlustrations, edition, curating and manufacture: RMEDL|SG
Leif Elggren "Waiting for my father to be reborn via a nail on my left foot" / "HOLY".
Content list:
I. Waiting for my father to be reborn via a nail on my left foot. (E-book PDF format')
II. To talk through one's hat, in Swedish, is to talk through one's nightcap. (E-book PDF format')
III. HOLY (Audio MP3 320Kbps 06':30'')
Photos, sound and lyrics by: Leif Elggren
Graphic, edition design and layout by: RMEDL | SG
“Utopia” is an artist’s book made by two books to join togheter. Utopia has been made for the exibition called “Luoghi dell'Utopia” made by Vittore Baroni in Viareggio (Italy). At the moment is part of Baroni’s “Biblioteca Utopica”. The cover is a white hard suitcase. First book: 30 pages, black and white photos on Fedrigoni’s tatami paper 150 gr. 40x29 cm. Digital print - hand made. Second Book: 30 pages, colour and black and white photos on Fedrigoni’s tatami paper 150 gr. 30x29 digital print - hand made. Both of the books contain a rubberstamp each with all the informations of the book as you can see in the sample. “Utopia” is conceived, made and produced by Andrea Sozzi. All photos are taken and originally hand-printed by Andrea Sozzi
Christophe d’Alessando
Markus Noisternig
Sylvain Le Beux
Lorenzo Picinali
Brian FG Katz
Christian Jacquemin
Rami Ajaj
Bertrand Planes
Nicolas Strurmel
Nathalie Delprat
CONTENT OF THIS RELEASE:
1. 3'02" (03':02")
2. L'homme qui n'avait pas répondu au sourire de celui qui l'avait bousculé (10':51")
3. Insomniac (16':18")
4. La Contamination (07':57")
5. En attendant la fin (03':02")
6. Ce Qui Aura Fait Notre Solitude (10':23")
Antony Maubert:
composer, improviser (digital synthesis, home made controllers, circuit bending, sound art, instrumental music, performance)
This sound object it's a phono-mediumistic set created with a shining circle of authors,
cathalized by the pioneer and master of the black industrial musical genre:
MZ.412 (and his mastermind HENRIK NORDVARGR BJORKK).
The content of this special concept album, conceived, designed and released by RM-ED/L, is a compendium in the form of Grimoire; a special magical device for metaphisical pratiques of ancient form of manteia (divination) based on the occult side of the risonance of the sound.
About the GRIMOIRE CD-R device: The audio content of the CD-R is developped by the original recordings made by all the authors involved in the CD format where they operas are explicitally composed as a demoniacal evocation "formed with sound".
This audio cd-r is initially manipulated in studio, only to excite the very low frequencies of the original recordings. The result was played with loud speakers and re-recorded live with special microphones, during a liminal cojuntion of events (date 08 November 2008), 13 meter under the ground, during the 16th event of the Etruscan magic astronomy, towards the north-west sol-stitium of Manvtha, for the Samonios of the Triplici Mundus Patet; into an ancient Rasnakh ritual underground place, sited in the core of Tuscia: the Munisvle of Fanum Voltumnae.
Exciting the very low frequencies of the XIII evocations composed by all the authors involved, have permit to manifest the essences of their ritual recordings, through the demoniacal acoustic manifestation of their psycho induction. The particular condition of this second recording session, made in the Rasnakh Munisvle, have permitted to charge the recordings in itselfs with the live presence of the dead energy of the ancient spirits of darkness, which in this deeper underground temples, near the center of the earth, have the door for their reign.
MYSTERIUM CONIUNCTIONIS - GOETIC SCRYING RITUALIS:
The box also include some basic instructions to use the phono medianic set, composed by:
a special packege contening the sacred Unicursal Hexagram stylization as pop-up,
an handmade trapezoid black mirror
a special cabled speaker-packaging able to be connected into your stereo hi-fi.
BLACK INDUSTRIAL GRIMOIRE
ARCANI VMBRARUM REGNI
SI.VM E.T A V VM
(Silence is golden) CD Track list:
I - DRAKH - NUMEREVIL
II - GNAW THEIR TONGUES - BLEEDING LIKE DOGS
III - STEEL HOOK PROSTHESES - THE INVOKATION OF MERIHIM
IV - BREATH OF CHAOS - NOTHING REMAINS THE SAME
V - MELEK-THA - HABORYM
VI - ORDO TYRANNIS - CHORONZON ARIA
VII - BATCHEEBA - LEMEGETON PLACENTA
VIII - MICHAEL W FORD - INVOCATION TO AHRIMAN
IX - DEADWOOD - 218
X - GRAUEN PESTANZ - VOLUPTUS A LETUM
XI - UTARM - CRUSHING INFINITY
XII - *TELESTHERION with: WILDNESS PERVERSION of MORTUARY DRAPE - GRIMOIRE.XIII
XIII - MZ.412 - CURSED IN THE NAME OF ENKI
Full lenght audio: 77:77 min.
M.:.M.:.M.:.M.:.L.:.
PHONO MEDIUMISTC SET (CDR)
Track list:
ENCHANTMENT - I
ENCHANTMENT - II
ENCHANTMENT - III
ENCHANTMENT - IV
ENCHANTMENT - V
ENCHANTMENT - VI
ENCHANTMENT - VII
ENCHANTMENT - VIII
ENCHANTMENT - IX
ENCHANTMENT - X
ENCHANTMENT - XI
ENCHANTMENT - XII
ENCHANTMENT - XIII
Full lenght audio: 33:33 min.
In quo tamen tota philosophia ermetica figuris in umbras,
tacere audireque, solisque filiis artis dedicatus,
atque esse iam coeperant silentio eruditi,
autore eius nomen est sigelion,
aaru mega therion.
Concept design, sound object, compiled, editing, curating and manufacture: RMEDL|SG
Special Artwork: BOX INCLUDING : CD + CDR + BLACK MIRROR + SPEAKER / Mediumistic phono set - Every element of the set is printed manually with a special laminated golden and silver metals, on a very special Fedrigoni's cardboard, shaped as handmade digipack.
Luigi Garlaschelli | Corpi Pietrificati
Ebook format: PDF
RMEDL | Eskathon Publishing - Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
Luigi Garlaschelli | Il Mistero dei Pietrificatori di Cadaveri
Ebook format: PDF
RMEDL | Eskathon Publishing Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
La sutura coronale del cranio presenta ( cosa che sarebbe anzitutto da verificare, ma accettiamola pure) una stretta somiglianza con la linea fitta e sinuosa che la punta di un fonografo inscrive nel cilindro ruotante della apparecchiatura. Che cosa accadrebbe se ingannassimo quella punta e, invece di ricondurla lungo la propria traccia, la portassimo su una via che non è la traduzione grafica di un suono, ma di una cosa che esiste di per se, in maniera naturale, e – bene, diciamolo pure, che fosse (per esempio) proprio la sutura coronale? - : dovrebbe nascere un suono, una sequenza di suoni, una musica…
The coronal suture of the skull bears a close resemblance (this should be verified but let's assume it's true) to the thick and sinuous line inscribed by the stylus of a phonograph on the rotating cylinder. What would happen if we were to cheat that stylus into moving along a different and unusual path, one that is not the graphical translation of a sound but rather something that exists in its own right, naturally, and - well, let's go ahead and say it, something like the coronal suture itself (for example)?-: The result should be a sound, a sequence of sounds, a certain music...
Hideous Gnosis - Black Metal Theory Symposium I | 2009
AUTHORS:
Steven Shakespeare
Erik Butler
Hunter Hunt-Hendrix
Joseph Russo
Benjamin Noys
Evan Calder Williams
Niall Scott
Brandon Stosuy
Aspasia Stephanou
Anthony Sciscione
Eugene Thacker
Reza Negarestani
Scott Wilson
Nicola Masciandaro (Author, Editor)
Karlynn Holland (Illustrator)
Oyku Tekten (Photographer)
Lionel Maunz
E.S.S.E.
Andrew White
La sutura coronale del cranio presenta ( cosa che sarebbe anzitutto da verificare, ma accettiamola pure) una stretta somiglianza con la linea fitta e sinuosa che la punta di un fonografo inscrive nel cilindro ruotante della apparecchiatura. Che cosa accadrebbe se ingannassimo quella punta e, invece di ricondurla lungo la propria traccia, la portassimo su una via che non è la traduzione grafica di un suono, ma di una cosa che esiste di per se, in maniera naturale, e - bene, diciamolo pure, che fosse (per esempio) proprio la sutura coronale? - : dovrebbe nascere un suono, una sequenza di suoni, una musica...
The coronal suture of the skull bears a close resemblance (this should be verified but let's assume it's true) to the thick and sinuous line inscribed by the stylus of a phonograph on the rotating cylinder. What would happen if we were to cheat that stylus into moving along a different and unusual path, one that is not the graphical translation of a sound but rather something that exists in its own right, naturally, and - well, let's go ahead and say it, something like the coronal suture itself (for example)?-: The result should be a sound, a sequence of sounds, a certain music...
Promotional edition of the related RMEDL Deluxe Limited handmade 7" vinyl.Corpus Principium is a ritual gothik dark-wave entity formed in early MMVII by band founders Marquis, A'ano'Nin, and Vinum to represent the darkest strains of the astral ikons of mediaeval sorcery and wamphyric nightmares. This is first and foremost a ritual
of the nightside gates, and exploration of the obscene grimoire and gothick in the true sense and feeling of the term. We are releasing a 7" inch demo through Death Posture Ritualis Collectiv, limited to 100 copies within this month in a special packaging consecrated by the secretions of the infernal and unnamed within...nox lux ferre...
"...A brand new psychedelic journey into extreme droning Dark Ambient. A real Masterpiece by two Swedish masterminds: Daniel Jansson (well known as Deadwood) and Per Åhlund (Diskrepant). Believe me, a must! ...for lovers of MZ412, Nordvargr, Deadwood, Pietro Riparbelli / K11, believe me: A Real Must!..." - RMEDL-
PAYMENT INSTRUCTIONS: Direct payment via PAYPAL. After your purchase paypal's notification, you will be automatically redirect to the download page to start your download.
CONTENT OF THIS RELEASE:
1. La jarre mystérieuse (8’06’’)
2. Una estancia breve (02’23’’)
3. Transmigración (07’48’’)
4. A cerca de tus palabras (06’40’’)
5. Circuit-Messe (2’51’’)
6. Presagios (04’00’’)
Esoteric Audio Recording sessions with a ephemera soundsculptures + 5 mysterious video loops as unique document of the places involved as recording locations. A special Sound-package for a private experience of the acoustic phenomena. Listen this sounds in your hands... Improvised sessions, made using a ephemera custom-turntable with two stylus and edit scratched vinyls played in forced locked grooves, Environmental microphone feedback, delay, mixer. Recording and mastering with an hard-disk-recorder into ancients places under the ground. All Tracks sounds exactly as it was recorded. This work is playable with mono, lo-fi or broken speakers for fell ghostly silences broken the sound...
Ttrack list:
I - II - III - IV - V - VI - VII - VIII - IX - X
+ a secret URL to download 5 video loops.
Full lenght: 30:00 min.
Catlogue: C.E.003 / L.E.010
Akusmata Sound Festival | 11. - 15.10.2016 | Sound Gallery Akusmata will celebrate its five year anniversary with the Akusmata Sound Festival. This five-day festival presents a broad spectrum of new aural expression. ASF's program includes performances from Norway, Denmark, Russia and Italy. Italian Radical Matters Editions/ Label brings to Helsinki the doom metal alchemist Paul Chain with a sound installation.
Artistic directors of the festival are Petri Kuljuntausta and Kenneth Kovasin.
Akusmata is also the first sound art gallery in Finland since 2011.
Akusmata art gallery it is directed by Petri Kuljuntausta, a composer, musician, sound artist and author of three important books on electronic music and sound art. In close collaboration with natural scientists his research it's developped in the field between art and science. The most extreme musical environment for Kuljuntausta's music is Saturn's moon Titan. When Cassini-Huygens spacecraft (Titan-IVB/Centaur) started its journey in 1997 from Kennedy Space Center, United States, his composition Charm of Sound was inside the Huygens probe of Cassini-Huygens spacecraft, stored on the CD-rom. When Huygens probe reached its destination on Friday January 14, 2005, Kuljuntausta's Charm of Sound landed on the ground of Titan after travelling seven years and four billion kilometres through Space.
Format: White C-40 Single side.
Edition: Limited to 25 hand numbered copies.
Source: Ephemeral sound object, ceramic record.
Running time: 17':00''
Year: 1981 - 2016.
Cassette Tape description:
This recording is the documentation of the audio installation conceived for Akusmata Sound Festival | 11. - 15.10.2016 | Akusmata Sound Art Gallery. It's based on the ceramic sound object of "Satan's Future", contained in the conceptual edition called "dying edition", published by RMEDL in summer 2015, conceived to pay tribute to the opera of the artist Paul Chain and his personal eschatological research, to his philosophy of death or violet magic.
Paul Chain (1977 - 05 April 2003) declares his artistic death on April 05 2003. Following the suggestions left by the author, who strongly believes that the hidden power of these recordings should be left to die, until its consumption, everything involved in the related Dying Edition is designed to die. The "dying edition" represents the conceptual interment of this artistic body, its final grave.
The source of this limited edition ceramic record is designed to be consumed by its playing. The process of playing the ceramic record will consume the engraved sound waves, from time to time. Slowly the sound waves will disappear, untill only mute ash will remain. This audio recording is the direct documentation of various playing of the ceramic record on turntable, synthesized in three parts. "Satan's Future" was originally selected by Paul Chain for his "Relative Tapes" private archive, courtesy by Marco Melzi, Minotauro Records.
Authors note: ANDREA SOZZI
"DANS LES CHAMPS DE L'OBSERVATION, LE HASARD NE FAVORISE QUE LES ESPIRITS PREPARES"
A SPECIAL DOCUMENTATION COMPLETLLY BASED ON THE HAND MADE PRINTED PHOTOS TAKEN BY THE AUTHOR DURING A SET IN THE HYSTORICAL ABANDONED ASYLUM SITED IN VOLTERRA
A glommy and dark drama made as a deep cinematic journey into the human mind. 35 pages, 30 black and white photos digitalprinted on Fedrigoni’s tatami paper 130 gr. - cover 21x15 cm. The book is hand-made. Conceived and produced by Andrea Sozzi. All photos are taken and originally hand-printed by Andrea Sozzi
Concept & editing: RMEDL | SG
Photography and manufacture: Andrea Sozzi.
PAYMENT INSTRUCTIONS: Direct payment via PAYPAL. After your purchase paypal's notification, you will be automatically redirect to the download page to start your download.
"Furs and Masks"
Furs and masks
Competitive nature
Cold line
Ogni sfumatura di blu
"S'Accabadóra "
Crum
Fiocco di cenere
Frasi quasi senza voce
Shine Like Stars
Teste di cavolfiore con orecchie di lepre
Traboccava di trine
Ultima sessione
Promotioanl CDR edition of the related sound objects:
"Unholy Rituals Vol.I"
&
"Unholy Rituals Vol.II"
Sound re-Composed, demixed and produced
by Gianluca Becuzzi
at KXLab in Winter/Springtime 2010.
Basic samples from Limbo:
In Limbo - Spittle (1986)
My Whip, Your Flesh - Mantra (1989)
Our Mary Of Cancer - Helter Skelter (1991)
Vox Insana - Dune (1992)
Full lenght audio: 24":24"
Edition, Curating, Design and Manifactured by
Radical Matters - Edition / Label | SG.
Luigi Garlaschelli | Will-'O-the-Wisp
Ebook format: PDF
RMEDL | Eskathon Publishing - Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
"Hideous Gnosis - Black Metal Theory Symposium I" | 2009
LIVE AUDIO RECORDINGS
Sound recordings of select presentations distributable as one file.
Download [HERE FILE ZIP]
Cassette Tape description:
This recording is the documentation of the audio installation conceived for Sound Corner 21 / Auditorium Parco Della Musica, Roma, set from 01 to 30 April 2015. It's based on the ceramic sound object of "Satan's Future", contained in the conceptual edition called "dying edition", published by RMEDL in summer 2015, conceived to pay tribute to the opera of the artist Paul Chain and his personal eschatological research, to his philosophy of death or violet magic.
Paul Chain (1977 - 05 April 2003) declares his artistic death on April 05 2003. Following the suggestions left by the author, who strongly believes that the hidden power of these recordings should be left to die, until its consumption, everything involved in the related Dying Edition is designed to die. The "dying edition" represents the conceptual interment of this artistic body, its final grave.
The source of this limited edition ceramic record is designed to be consumed by its playing. The process of playing the ceramic record will consume the engraved sound waves, from time to time. Slowly the sound waves will disappear, untill only mute ash will remain. This audio recording is the direct documentation of various playing of the ceramic record on turntable, synthesized in three parts. "Satan's Future" was originally selected by Paul Chain for his "Relative Tapes" private archive, courtesy by Marco Melzi, Minotauro Records.
Adolfo Catelli | L'Uomo Romano Di Fronte Alla Morte
Ebook format: PDF / EPUB
RMEDL | Eskathon Publishing - Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
STARING AT THE WALL III | 10 November 2012 | Torino (IT)
Location: Centro di Cultura Contemporanea di Torino (CCCT, via Bogetto 4/g, Turin, Italy)
Organized by: Toxic Industries & Claustrophilia Records
Curated by: Lorenzo Nascitari
The third edition of the Italian Harsh Noise Wall festival 'Staring at Wall' took place in the new Centro di Cultura Contemporanea di Torino (CCCT, via Bogetto 4/g, Turin, Italy) on 10th of November 2012. Sadly no M[m] staff could make the event, so instead we got on two on-the-ground reports from Lorenzo Nascitari(of Italian suicidal HNW project Nascitari & doomed & pained piano based project Tomorrow I'll Shoot Myself in the Mouth). And Andrea Leonessa, with pictures by Mélissa Monrazel:
Video content list:
H.A.A.R.P.
AMPCONSTRICTOR
CLOUGNIOULE
ECOUTE LA MERDE
FUKTE
Å
NASCITARI
External sound recorded by William Nurdin with enviromental microphone
Internal sound recorded and mastered by Sandblasting
Video recorded by Lorenzo Abattoir (Nascitari)
Andrea Sozzi "Archivio Vol.I" is a colection of 17 MONOGRAPHIC and STEREOGRAPHIC black and white photos, taken and developped by Andrea Sozzi. More info about the Archivio project are available in the "network" section of RMEDL | METASOUND Project, Curating, Concept Design and Editions by RMEDL | SG Packaging Design and Manifactured by Andrea Sozzi
Deluxe Limited Edition with: 3 B/W hand-printed analogicPhotos (cm 9x4) by Andrea Sozzi, related to six sound objects / turntables, created by S.Gronchi for this specific concept album; and a precious photo-negative of a turntable-bondage. A special Sound-package for a private experience of the acoustic phenomena. Listen this sounds in your hands... Psycho Kinetic phenomenas and metaphysic audio experiments using ephemera soundsculptures. Improvised music sessions, made using 3 ephemera object-turntables selfplayed, simultaneously, under P.K. phenomena influences. Recording setup: mixer and microphones.
Location : a small room influenced by paranolmal activities:
Ttrack list:
I - II - III - IV - V
Full lenght: 20:00 min.
Images & Photos: by Andrea Sozzi - www.andreasozzi.com
The hand-printed B/W analogic photos included in this package are the unique documents left regarding the object-turntables involved in this album. The firsts copies includes a precious photo-negative of a turntable-bondage session, ready to be print as a regular photography.
Black and white handmade printed photos by: Andrea Sozzi
RMEDL | Eskathon Publishing - Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
Exclusive stuff for hard deep listeners - The Art of forced locked grooves!
Improvvised music sessions, made using 4 custom turntables, edit scratched vinyls played in forced locked grooves, hand made phonograph, microphone, delay pedal, enviromental feedback, mixer. Recording and mastering on PC. All Tracks sounds exactly as it was recorded. Included: the firsts RadicalSoundSource releases, two 5inch hand-made records, extreme tools for concrete djing!
Ttrack list:
I - II - III - IV - V - VI - VII - VIII - IX - X
In astrophysics and cosmology, dark matter is hypothetical matter of unknown composition that does not emit or reflect enough electromagnetic radiation to be observed directly, but whose presence can be inferred from gravitational effects on visible matter. According to present observations of structures larger than galaxy-sized as well as Big Bang cosmology, dark matter accounts for the vast majority of mass in the observable universe. The composition of dark matter is unknown, but may include ordinary and heavy neutrinos, recently postulated elementary particles such as WIMPs and axions, astronomical bodies such as dwarf stars and planets, and clouds of nonluminous gas. It has been noted that the name "dark matter" serves mainly as an expression of our ignorance, much as the marking of early maps with "terra incognita".
Dark Matter are Kasper T. Toeplitz and Antoine Chessex They have realised a monolithic piece of cosmic dark energy, concentrating gravitational lensing phenomenas, in solid waves, through the multi-dimensional quantum-continuum. A must! The duo deals with dense and abstract structures where the hybridisation of the two performers´instruments collapse together resulting in monumental walls of sounds based on the architecture of ruins. DARK MATTER
Kasper T. Toeplitz bass, computer, tam.
Antoine Chessex sax, electronics.
Content list:
1. Mo.n.D. - 55':18''
Visual sources by:
Equipo 57 “V.32” 1963
Francois Morellet "Systems" 1961
Alberto Biasi "Interferenza Dinamica" 1961
LT. Mutanu is a plunderphonic project started in ealry 1980...
In this occasion is the shadow between A.M.K., GLOBSTER (Tony Lioci) and GL.CUPISTI.
based on the original tape "Meet" this edition is composed by: Vittore Baroni (extreme turnatablism), A.M.K. (extreme turnatablism), Globster (concrete dj set), edited and mixed by RM-ED/L. CD EXTRA: "RUMORI" video by GL. Cupisti. + A special Anti-Record included!
Track list:
I - II - III - IV - V - VI - VII - VIII - IX
+ Videoclip
Ken Jeremiah | Christian Mummification
Ebook format: PDF
RMEDL | Eskathon Publishing - Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
A SPECIAL CONCEPT ALBUM WITH INCREDIBLE AND ORIGINAL RADIO SIGNALS AS SOURCE MATERIALS, RECORDED IN DIFFERENT PARTS OF THE WORLD BY: BAD SECTOR, STRANGE ATTRACTOR, CLAUSTHOME, GALERIE SCHALLSCHUTZ, SIMM-EL, GRUPPO PSICOFONICO DI GROSSETO; RECOMPOSED BY PITERO RIPARBELLI. A CONCEPT ALBUM CREATED FOCUSED ON THE ESOTERIC SIDE OF ELECTROMAGNETIC ACTIVITIES (ITC, EVP, AND TRANS-DIMENSIONAL PHENOMENAS) ALL AROUND US... Listen this sounds in your hands... 3 DIFFERENT KIND OF CONCEPTUAL EDITIONS ARE REALIZED FOR THIS GREAT WORK OF RADIONOISE, ALL WITH 2 DIFFERENT CD LABEL (MORE DETAILS VERY SOON).
"RADIODRAMA - COLLAPSE"
Ttrack list:
1-2-3 FIRST BECOMING SUBSTANCE
4-5-6 IN A NEW KINGDOM LISTENING TO THE LIGHT
7-8-9 WANDERING IN A LAND WITHOUT MATTER
Full lenght audio: 45:00 min.
Artwork photos are taken from "CAMERA SONORA FOR 4 RADIODRAMAS"
enviromental audio installation realized by PIETRO RIPARBELLI / K11 for PX3
Piombino Experimenta 3.
Original photos by lorenzo Lessi www.lorenzolessii.com.
Special Artwork: CD / SOUND OBJECT (sound package made by 3 panel digipack with black velvet panels and a transparent digitray including 2 mini speackers PLEYABLES, for your deep listening home installation)
ULTRASPIESSER (Julian Percy, Julian Bonequi, Anton Maiof)
TIGHT FISTED BASTARD
Ultraspiesser is another real jewel of deep avant drone doom free form jazz and psychic electroacoustic sound manipulations!, realised by 3 great sound masters: Julian Percy (aka Ratbag): electric guitar treatments, Julian Bonequi : manipulated drums and voice, Anton Maiof: voice, wii, max/MSP. | No word: Must! Recorded at NK on 16/11/2010, Berlin | www.nkprojekt.de | Mastered by Mauro Martinuz | www.nedac.itContent list:
1. Von oben - 5:25
2. Pprovincial breakdown - 11:57
3. Grate 5:52
4. Spießer = spießer - 9:31
5. Shameover & cheese - 5:03
6. Speed contact - 0:34
7. Carriageway of the mysteries - 15:25
A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
Lorenzo Brusci | composition, sound design, production
Letizia Renzini | voices, production, video director
Marco Veneri | industrial design
Massimo Bressan | anthropologist and samples detector
Matarratas is real jewel of deep avant drone doom free form jazz and psychic electroacoustic sound manipulations!, realised by 2 great sound masters: Julian Percy (aka Ratbag): electric guitar treatments, Julian Bonequi : manipulated drums and voice. | No word: Must! Recorded by Ratbag at NK on 18/09/10, Berlin | www.nkproject.de | www.myspace.com/ratbag_ | Track 2 Recorded by Mauro Martinuz for New Weird Berlin | www.nedac.it Content list:
1. El Matarratas - 22:03 min
2. First Floor Apartment Safety - 8:37 min
Lorenzo Brusci | composition, sound design, production
Letizia Renzini | voices, production, video director
Marco Veneri | industrial design
Massimo Bressan | anthropologist and samples detector
Andrea Armati | Saint Francis of Assisi [San Francesco d'Assisi] - Il Bosco delle fate [Laverna]
Ebook format: PDF
RMEDL | Eskathon Publishing - Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
K11 / Pietro Riparbelli with INFLUX "HE TRIES TO COME TO US"
Metaphysical experimental audio research and paranormal investigations within the core of the former psychiatric hospital in Volterra (Pisa - Italy). Raw radio camera scanning of the ambiences and EVP field recordings session for a sesational journery around the edge of the dimensional veil. A unique audiovisual document.
Full lenght audio: 46 ":00"
Edition, Curating, Design and Manifactured by
Radical Matters - Edition / Label | SG.
When noise becomes action through the body, noise becomes oracle's sounds. A great video performance documentation and the related photo session, taken during the aktion Nastri, collected in an e.book ready to be print and collected.
Andrea Armati | Saint Francis of Assisi [San Francesco d'Assisi] - Questo Presepe è un falso [Laverna]
Ebook format: PDF
RMEDL | Eskathon Publishing - Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
Curated by: Anna Cestelli Guidi | Voice: Nicholas Isherwood.
Produced by: Fondazione Musica per Roma - Auditorium – Parco della Musica, Roma, Italy | Recorded and ingeneering : Modulo Recording Studio - Riccardo Parravicini - Cuneo - Italy.
CD AUDIO:
1. Hum. Recording, one-off, on 12-inch vinyl record picture disk format. Produced by Fondazione Musica per Roma. Edited and published by Radical Matters - Editions/Label. Voice: Nicholas Isherwood, mural painting, record player, amplifier, speakers. | Nicholas Isherwood sings the Glenn Gould's labial while performing the "Goldberg Variations" 1981.
2. Singing North. Audio recording composed and executed by Nicholas Isherwood, microphone, stand, speaker, audience, drawing 500 x 270 cm.
DVD VIDEO:
1. Video documentary of “HUM”.
Concept design: Massimo Bartolini
Curating: Anna Cestelli Guidi
RMEDL | Eskathon Publishing - Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
Track list:
1. Paper and fun in a domestic atmosphere
2. Sex in a small bedroom
3. Walking in S. Petronio- Bologna 2005 (sample)
4. Conversation around a table
5. Paper and fun in a domestic atmosphere 2 (sample)
6. Paper and fun in a domestic atmosphere 3
A supreme rare and unrealised collection, of 3 documentary video clips in a unique, ad libitum, file, from this legendary cult combo!!! Don't miss this unique psychic's adventure, from behind the scene of the mass control, under inverted cosmologies, to the black hermetic florentine neoplatonic conspiracy!!!
Content List:
I. Champions Lodge - 03':43''
II. Empty Tv - 03:11
III. Ordo Ab suRd 2 - 02:49
Full lenght audiovideo: 09':43" Edition Visual design and Authoring by: M.Y.
Curating, Graphic Design by: RMEDL | SG.
A new re-edition with a newly packaged designed by CS, for this black ritual ambient jewel. A winter solstice ep for dark months. Containing an exact account of sonic rituals to be undertaken in the dark hours of the longest night. A bathe of blackness that seals the passing of dark's kingdom and yields yet again to the growing light. Available since sunrise on December 21st 2010
Acousmatic black metal.
Music for loudspeakers, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience. With this key, each Tele.s.therion releases, it's designed as Acousmatic Device. The compact discs listed here are conceived to be played in a double Hi-Fi system, for a private sound installation.
This conceptual album is composed by six stereophonic audio recordings, designed to be performed, simultaneously, in a site specific acousmonium, a multi dimnensional sound diffusion system, to create a penetrable projection area, specificaly arranged with a view to spatialised polyphony, to your personal mysteric experience of immersion in sound. To use this concept album as an acousmatic device for expanding the ordinary possibilities of the private listening, it is suggests to duplicate this audio cd and play two tracks at the same time, using simultaneously two differents players / hi-fi systems in random mode. Coinceived as acoustic audio installation for the Rothko Chapel.
A k o u s m a t i k o i :
SG : Concept design, PK (psychokinetic) recording sessions based on prepared electric-bass,
amplified within environmental feedback system, during metaphonic field-recording sessions.
K11 : Instrumental transcommunication actions with short-wave radio receivers.
Exploration of high-range distortions dimensions. Medianic chants.
Scores:
Black Painting I
Black Painting II
Black Painting III
Black Painting IV
Black Painting V
Black Painting VI
Full lenght audio: 61':'11''
Concept design, editing and manufacture: RMEDL | SG
RMEDL | Eskathon Publishing Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
Music for loudspeakers, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience. With this key, each Tele.s.therion releases, it's designed as Acousmatic Device. The compact discs listed here are conceived to be played in a double Hi-Fi system, for a private sound installation.
This conceptual album is based on the album of Current 93 "Nature Unveiled" (Ach Golgotha - Maldoror Is Dead; The Mystical Body Of Christ InChorazaim - The Great In The Small) by L.A.Y.L.A.H. Antirecords, 1984.
A k o u s m a t i k o i :
SG : Concept design, PK (psychokinetic) recording sessions based on prepared electric-bass,
amplified within environmental feedback system, during metaphonic field-recording sessions.
K11 : Instrumental transcommunication actions with short-wave radio receivers.
Exploration of high-range distortions dimensions. Medianic chants.
Scores:
I
- pt.I
- pt.II
- pt.III
- pt.IV
II
Full lenght audio: 66':'06''
Concept design, editing and manufacture: RMEDL | SG
"Thierry Tillier is a Belgian artist living in Charleroi. His technique is mostly Collage but also photography, etc... His works are visual short-circuits with many meaning stratums ; aesthetic and poetical flashes torn, cut and layed out into brocken puzzles. The themes explored in his work are numerous and the understanding lies in-between the choice, placement of ripped images and nothingness. He answered a few questions on themes..."
Original text by Anne Sophie.
“A garden/labour on concepts like ,
,
”
“It is more a work on heresies
(Bogomils, brothers and sisters of the Free Spirit,
Gnostics sects, loists, etc,,,),
collective mesianism than on Religion ;
and History of art because it doesn’t exist,
even if this isn’t true.”
Je serai fou de rien ,
Vampire de mon double !
Content list:
Magickal conceptual video "Disparition-Programmee"
((( Little Shiva - Thierry Tillier )))
And 9 originals high resolution postcards
from 1981 to 2010 by Thierry Tillier .
A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
From the extraordinary genious of John Blades (founder member of the legenday pioneeristic experimental group THE LOOP ORCHESTRA), his FIRST ever solo live performance!!!!
Words cut-up aural loops... A MUST!!!!! Live in 2010 at "The Now Now Festival
a Festival for spontanous music and experimental film" in Sydney. Full lenght audio: 25':00" Edition, Curating, Design by RMEDL | SG.
RMEDL | Eskathon Publishing Meta-curatorial doomsday project A spin-off mark of Radical Matters - Editions / Label [RM-ED/L] editorial’s activities.
The core of this meta-curatorial platform, is exclusively focused on design, curate and publish a selected anthology of philosophical essays pamphlet and articles, regarding apocalyptical, eschatological hermeneutics, metaphysis and hermetic topics related to the RM-ED/L conceptual activities, characterized by conceptual, digital or fine art publications. Apocalyptic Aperiodic serie | Philosophical working Papers | An E.book based anthology of philosophical essays, articles and essays in literary, non-literary and extra literary types, regarding apocalyptical, hermeneutic, escathologic and hermetic topics.
LUZIFERS ABSCHIED
Tracks list:
I Eingang | Periode I-IV
II Periode V-VI
III Periode VII-IX
IV Periode X-XII
V Periode XIII | Ausgang
TELE.S.THERION
Scores, composition, enharmonic electric bass | Audio mixing.
In large ensemble with:
Lunurumh - voices
Michel Doneda - soprano saxophone
Le Quan Ninh - percussion
Jason Van Gulick - drum
Kasper T. Toeplitz - bass
Antoine Chessex - tenor saxophone
Paolo Sanna - waterphone.
A concept album based on the namesake fourth scene of «Samstag aus Licht», from the opera «Licht: die sieben Tage der Woche», composed by Karlheinz Stockhausen. These five compositions, are a specific result of an acousmatic audio-mixing process, where each author involved, has recorded a solo session of free improvisation, using as score only the enharmonic electric bass sessions, previously recorded, unknowing what each other author has recorded before.
Additional Mix and Mastering by Paolo Ambrogio Siconolfi.
Codice a barre e altri identificatori
TELE.S.THERION
with ASTRAL LUEUR [Lunurumh]
HINTHV RITVVM
Music for loudspeakers, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience. With this key, each Tele.s.therion releases, it's designed as Acousmatic Device. The compact discs listed here are conceived to be played in a double Hi-Fi system, for a private sound installation.
This conceptual album is designed as a private ritual audio installation. An acousmatic four channels piece for two hi-fi systems: It is an audio-set composed by two CDs planned to be played simultaneously. You could play and listen just one cd at time, or you could play both the cd's at the same time, using two differents cd players linked to two differents hi-fi systems, both set at the same volume, to create the four channels acousmatic piece, and open yourself to the phono-medianic ritual. This album must be intended as an acousmatic device able of expanding the ordinary possibilities of the private listening and it is presented in the form of audio installation experience for speackers and audience, in the key of the ancient necro-mantical mysteric cults.
Original ritual Lyrics elaborated from the Etruscan occult ritual text “Liber Linteus Zagrabiensis”, "The Etruscan Liver of Piacenza", "The Pyrgi Tablets", and the Sumerian occult ritual texts called “Maqlu” and “Shurpu”.
A k o u s m a t i k o i : SG : Concept design, PK (psychokinetic) recording sessions based on prepared electric-bass,
amplified within environmental feedback system, during metaphonic field-recording sessions. Lyrics. Lunurumh | Astral Lueur: Voice. K11: Audio Mastering. Silence.
Scores:
DISC ONE
I - Maqlu Shurpu tablets [3]
II - The Pyrgi Tablets - pt.I [25 a H - as]
III - The Pyrgi Tablets - pt.II [S 3]
IV - Carme [E S 5]
V - Liber Linteus [B 18 A - 4 + x p22AT]
DISC TWO
I - Chant [9 S c]
II - Chant [P B S 6 ds c c 93 - A G - dS P A I]
III - Chant [S 1]
IV - Etruscan Liver [x p 17 B AT - 3 c v a]
Full lenght audio: 44':44'' + 33':33''
Concept, editing and manufacture: RMEDL|SG
Track List:
I. Torn Eternity In Rotten Vessels
II. Det Luktade Kyrkogårdjorden
III. Sommeil Mort L'aura
IV. Die Grabkette
V. Sparks Of Necromantic Dust*
Black Spectral Ambient from Ukraine. A journery in dark landscapes, horrorific scenes, strange forests, old catacombs, graveyard and crypts. All music saturated with ghost atmosphere, spectral visions, through emotional variations that is enriched by whispers, demonic voices and various weird sounds. For adepts of dark/black ghostly ambient music bands like Aghast, Amaka Hahina, Funereal Moon, Moëvöt, etc..
Lunurumh
All instruments.
Synth, Effects and Grim Voices.
All Music by Astral Lueur.
Recorded in 2009 at Ghostrum Studio.
Kyiv. UKreine.
Original realised by: Inchiostrum Record | Marco Grosso.
Catalogue: INC016 | limited to 30 copies | 2009.
* bonus track: "Sparks of Necromantic Dust"
original released by inchiostrum record : aavv. "dark christmas 2" | 2010.
Logotype by: Dmartkot
Edition, Curating, Design by: RMEDL | SG.
This web edition contain a short promotional version of the Syntropy audiovisual VHS Edition, realised to let you discover this liminal opera, based on circuit bents and a wide range of devices. The art of noise through mystery and spiritism. Full lenght audiovieo: 4':00" Edition, Curating, Design by RMEDL | SG.
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