GALERIE SCHALLSCHUTZ

radionoise / experimental / dark ambient

GIACOMO VERDE

GIACOMO VERDE
invented "tele-tales" (tele-racconto) for children (performance that unites narration, micro-theatre and macro-video live), worked with prison inmates, animated 'Euclid', the interactive artificial puppet of Studio Azzurro, created "poor" and alternative games for using television intelligently, founded the SeStessiVideo production company, taught how to destroy television sets, written, polemicized, invented formulae and definitions. He defines himself as a "teknoartist" and he's engaged in interactive art. Since 1998 he has lived in Lucca.In 1980 he started working on theatre research, techno performances, videoart, bag pipe playing, children’s theatre, a guest on TV, computer graphics and he also invented “Tele-racconto”. At the beginning of the 90’s he started to work on projects which involve the use of the television and interactive art, virtual reality, educative video making, and theory of communication. He has also realised that he is/has been a cyberpunk. All of this without wanting to lose a Tuscan accent.

GIANLUCA BECUZZI

Alias: LIMBO / GREY HISTORY / KINETIX

video art / visual art / musique concrete / sound installation / esoteric / abstractism / ambient music / acousmatic / minimalism / avant-garde / electroacoustic / field recordings / sound art / experimental / collage art / noise / contemporary art / folk / constructivism / site specific / glitch / conceptual art / industrial music / drone music

Gianluca Becuzzi (born 1962, Piombino-Italy) is an electronic / electroacoustic composer and sound artist active since the first half of the 80’s. He released many albums and performed live around Europe during the last three decades under various names. Since 1999, his artistic production is characterised by a strong experimental imprint, by the interest into the expressive possibilities offered by the technologies and by a clear aesthetic inclination towards abstract forms and micro / macro noises / sounds. He deals with electronic / electroacoustic composition, sound art, audio installations, ambient post-scorings and sound design. The relationships between art and science, between audio and visual-spatial forms, as well as between composition and self-generative processes represent the main themes in my sonological research. Among the artistic productions of the latest years, in addiction to the experimental works under his own name, we have to mention also his solo works as Kinetix, the records in duet with Fabio Orsi, the electro-post-punk project Noise Trade Company and the harsh-power-noise productions as Greyhistory, plus several other collaborations with musicians, theatre companies and videoartists from the experimental area. PROJECTS: LIMBO (1984-2001) SAINT LUKA (1988-1992) MATAFORM (1995-1996) KINETIX (1999-2010) GIANLUCA BECUZZI (2006-Today) GIANLUCA BECUZZI FABIO ORSI (2006-Today) NOISE TRADE COMPANY (2008-Today) GREY HISTORY (2010-Today)

GIOVANNI ZUCCONI

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GIOVANNI ZUCCONI

GLOBSTER

abstractism / minimalism / avant-garde / electroacoustic / sound art / experimental / concrete turntablism

Dj e manipolatore di suoni, comincia nel 1991 mixando musica elettronica presso alcune emittenti radiofoniche locali. Nel 1997 con Dj EML forma i BPAM progetto di musica ambient-isolazionista. Nel 1999, dall'incontro con il programmatore e sviluppatore di software CERIN0 , nascono tre progetti musicali: TECHNOTONER (techno suonata in tempo reale con strumenti analogici), GLI ELETTRODI e UNIT (elettronica sperimentale). Nei suoi dj set, Globster spesso si è fatto affiancare da musicisti e ospiti: PINO SILVERI (voce), LEX LUTHOR (chitarra), PINO PETRACCIA (percussioni). Recentemente ha iniziato collaborazioni musicali per danza e teatro contemporaneo: con il gruppo ALHENA e Alessandra La Spada (danza); con l'ATELIER ESPACE ed il gruppo TEATRO ACCANTO (teatro). Altre collaborazioni musicali sono nate con i PERIZONA (rock sperimentale) ; DNA (cross over); con il violinista DIEGO CONTI nello spettacolo “Pescara resiste”; con il chitarrista LUIGI MELONI nel progetto ACORN (ambient);con il chitarrista STEFANO D'EMILIO nel duo PROSPECT (improvvisazione); con OTOMO YOSHIHIDE in occasione di un concerto tenuto nel 1998 all'Alternative Pub di Roccamorice (PE); con EUGENE CHADBOURNE l'anno successivo nel medesimo luogo. Globster è sempre stato interessato all'arte visuale ed ha realizzato alcune ri-musicazioni di film muti: “Nanook of the north” (con i BPAM) presentato al festival di Ri-musicazioni Harlock di Bolzano, al 13° festival Underground Kab Usine a Ginevra ; “ Il gabinetto del dottor Caligari” (con gli Acorn) presentato al Kabala Jazz Club di Pescara, “Isofromatem”, “Crudeliter” e “Diario di una lavatrice” cortometraggi di Andrea Malandra presentati nella rassegna PrimoTempo al teatro Ex-Alici di Spoltore (PE) e al Festival Internazionale del Cortometraggio di Pescara; “Duetto metropolitano” del regista Fabrizio De Bartolomei, trasmesso sull'emittente nazionale La 7; e per lo stesso regista “Ger to ger”.

GNAW THEIR TONGUES

Alias: ADERLATING

black metal / abstract symbolism / weird black metal / avant-garde / electroacoustic / experimental / noise

Mories : All instruments

GRAUEN PESTANZ

Alias: CORPUS PRINCIPIUM

performative art / esoteric / black metal / abstractism / ambient music / avant-garde / electroacoustic / experimental / noise / ritual dark ambient

Gräuen Pestanz is an expression of isolation of the highest order. The Night of the Witch in the eerie light of the mid noon sun is the ultimate envisioning of the sigils invoked within each Hymn. To penetrate into the Womb of the earth and grasp the meaning of our unholy brood, this is our manifesto. The reworking of human nature into the alchemical transformation possible - the final end. Gräuen Pestanz - Marchözelös (aka Priest Marchözelös is member of "Black Funeral" the band founded by Michael W. Ford) - All instrumentation, human bones, Spells of Mist, Chants of the Serpent. Vinum - Death Rituals, Acausal Vibrations of Sanctity, Witchcraft. Aanonin - Succubus vocals, Flesh of Hecate. Related projects: Gräuen Pestanz | Elegy of Madeline | Death Posture Ritualis | Corpus Principium

GREY HISTORY

Alias: FABIO ORSI / GIANLUCA BECUZZI

abstract symbolism / power electronics / experimental / noise / harsh / industrial music / drone music

GIANLUCA BECUZZI (Voice and Electronics) and FABIO ORSI (Electric Guitar) : Harsh Power Electronics with structured droning noise and black humor.

GX JUPITTER-LARSEN

Alias: THE HATERS

performative art / abstractism / noise / conceptual art

Gerard X Jupitter-Larsen (sometimes erroneously spelled Juppiter-Larsen) is an artist, based in Hollywood, California, who has been active in a number of underground art scenes since the late 1970s. He has been involved in punk rock, mail art, cassette culture, the noise music scene, and zine culture. During the 1990s he was the sound designer for the performances of Mark Pauline's Survival Research Laboratories. His best known work is as the founder of the noise act The Haters, who have performed all over the world, and appear on over 300 CD & record releases. Underlying all of Jupitter-Larsen's work is a peculiar mix of aesthetic and conceptual obsessions, particularly entropy and decay, professional wrestling, and a self-created lexicon consisting mainly of personalized units of measurement such as polywave, the totimorphous, and the xylowave. Jupitter-Larsen is also a filmmaker and video artist. From 1982 to 1986, he submitted a black video tape entitled Blank Banner to over forty video festivals. It was screened in nine. In 2008, GX Jupitter-Larsen set up a theme label called Zelphabet. He is compiling and releasing a series of 26 CD compilations featuring the likes of Asmus Tietchens, 16 Bitch Pile-Up, Chop Shop, Contagious Orgasm, Dave Phillips, Francisco Lopez, Giancarlo Toniutti, The Hanatarash, Incapacitants, K2, KK Null, The Legendary Pink Dots, Nocturnal Emissions, Sudden Infant, Thomas Dimuzio, Wolf Eyes, Yellow Swans, and Zbigniew Karkowski. Really; I'm just into NOISE... pure noise. I fall apart every time I hear the sound of breaking glass. Oh, and the sound of fire makes me hot !!! http://www.jupitter-larsen.com