SACRAMENTAL CEREMONY

documentary / doom / musique concrete / esoteric / black metal / ambient music / abstract symbolism / minimalism / avant-garde / experimental / dark ambient / site specific / ritual dark ambient / industrial music

An untold arcane document about early 1988's avant dark atonal black doom metal.

SANDRO GRONCHI

RMEDL | SANDRO GRONCHI

SCAPEGOAT

abstract symbolism / electroacoustic / experimental / noise / dark ambient / industrial music

The Goat, assisted by The BUTCHER and LORDHELL. Scapegoat began in the early 1990's. It was in a dark building in downtown Salt Lake City, during the twilight hours. Heavily inspired by Legion, Lustmord, Controlled Bleeding, Ain Soph, Zero Kama, LAShTAL and other ritual and dark ambient sounds, The Goat combines these feelings and ideals with our own unique sounds. We use electronics and acoustic instruments, and a great deal of our sounds are supplied by the ambience of the dark world around us in various locales, as well as our own voices. Our material will range from the harshest noise to lush ambient sounds. There is no god. There is no magic. There is no heaven nor is there a hell. There is only Science. There is only Logic. There is only Death. Only Space and Time are Reality. After Death, Space and Time blur and distort- and one can travel wherever- and whenever- one wishes. We have found a way to do this before death. Use our sounds.

SERVILE SECT

psychedelic / black metal / ambient music / avant-garde / electroacoustic / experimental / noise / drone music

Psilo-lysergic bicoastal anti-hymns from Luke (NYC) and Nhate (Humboldt County). Originally formed in Phoenix, AZ in early 2005. Nothing is concrete, nothing is complete. Turn to space through shattered skvll.

SETH CLUETT

avant jazz / musique concrete / sound installation / modern composition / esoteric / abstractism / acousmatic / avant-garde / electroacoustic / field recordings / sound art / noise / contemporary art / glitch

American artist, performer and composer born in 1976 in Troy, New York, USA.

SEVENGUITARS

avant jazz / musique concrete / performative art / sound installation / psychedelic / abstractism / ambient music / minimalism / avant-garde / sound art / experimental / noise / constructivism / site specific / drone music

Francesco Fuzz Brasini Sevenguitars is a project born from the idea of interaction between sound and space. The project features seven guitars, seemingly identical but technically conceived to produce distinctive characteristics: the seven instruments have been designed and handcrafted with a tonal chamber inside the solid body which interacts with the string's harmonic vibrations creating different sound effects. Every guitar is connected to a valve-amplifier each of witch is equipped with distinctive speakers and different power. The amps are used at the maximum volume and tone. This creates a feedback effect with the guitars: the strings go in auto-oscillation creating different harmonics depending on the instrument and the tuning, and reacting with the acoustic features of the performative environment. The musician loses, therefore, the role of executor and becomes only the creator of a process open to unpredictable results and closely related to the spatial contest of the performance. Every place, every contest, becomes an important variable able to influence the result: the sound, therefore, is more linked to the spatial dimension rather than to the temporal one with which the music is traditionally associated.

SEWER GODDESS

death ambient / abstractism / electroacoustic / experimental / noise / dark ambient / harsh / industrial music

Kristen M. | Sewer Goddess echo's like the voice of rust. Like a pole dance from a mutilated corpse. Like the chaos and filth that collects in the gutters and the cracks in the sidewalks. Like the sadness and shamed lust of glory holes, like the hum of fluorescent light sliding through the grates of a killing floor. Like fucking. Like dying. Black atmospheres spiraling down into discordia. Like time eating itself. Like drugs. Like contempt, madness, and lust. The tune you hum unawares leaving the Doctors office where you've just received your diagnosis: INOPERABLE.

SG

Alias: RMEDL / MACABRE / SACRAMENTAL CEREMONY / TELE.S.THERION

SIMM-EL

Alias: MASSIMILIANO VIEL

sound installation / modern composition / abstractism / ambient music / minimalism / avant-garde / electroacoustic / sound art / experimental / noise / constructivism

Massimiliano Viel (also as OTO LAB) attended courses and master- classes in piano studies, conducting, electronic music, ethnomusicology and composition in Milan, Paris, Salzburg and Odense with professors such as A. Corghi, M. Stroppa, K. Huber, B. Ferneyhough, K. Stockhausen, F. Donatoni e T. Murail. SIMM-EL is a project devoted to the exploration of electromagnetic soundscapes.

SIMON BALESTRAZZI

Alias: DREAM WEAPON RITUAL

musique concrete / esoteric / abstractism / ambient music / electroacoustic / experimental / drone music

Founder Member of T.A.C. T.A.C., Kino Glaz Deep Engine and Dream Weapon Ritual co-founder. Kirlian Camera member from 1991 to 1997.

SIMON BALESTRAZZI

Alias: DREAM WEAPON RITUAL

musique concrete / abstractism / ambient music / avant-garde / electroacoustic / experimental / noise / drone music

SINEWAVES.IT

SINEWAVES.IT offre una breve biografia di svariati compositori e produttori di musica elettronica, italiani e stranieri. Inoltre una lista di link ad etichette del settore.
 

SIX STUDIO

video art / psychedelic / avant-garde / experimental

Simone Stefanini.

SNOW CRASH

Alias: JOACHIM MONTESSUIS / JULIEN OTTAVI

grind / musique concrete / performative art / actionism / abstractism / avant-garde / electroacoustic / power electronics / sound art / experimental / noise / nonmusic / abstract expressionism / harsh / drone music

SNOW CRASH consisting of the two vocal artist Joachim Montessuis and Julien Ottavi, deliver apocalyptic big bang sound poetry. Powerful, brutal and harsh operates this duo in the extreme climates of experimental sound.... ....a trance-noise performance of the ceremony yet unheard violence that voodoo sounds, brings together powerful - roaring sounds, detonating screaming, ecstatic speech utterances, rough and grainy magic obsession..... ....quantum experiments on experimental sounds of devastating violence awaits all who want to dive into the Harsh Noise trance. You are been warned ...!!!
(TXT by plattfon.ch)

SONGS OF THE NEW EROTICS

avant jazz / musique concrete / performative art / electroacoustic / noise / nonmusic / abstract surrealism

W.A.Davison. Songs of the New Erotics is an experimental audio and performance art project headed by Toronto-based polymedia artist W.A.Davison. The project was initiated in 1991 as a means of translating various Recordist/Surrealist experiments into finished works of music, film, and performance art The Songs of the New Erotics project is essentially divided into two complimentary components - performances and audio compositions. Both aspects of the project may also involve film and video work (performance documents, "music videos", etc.) as well as elements of visual art, poetic texts, and other artistic forms.

SSHE RETINA STIMULANTS

abstractism / avant-garde / electroacoustic / experimental / noise / harsh / drone music

Paolo Bandera | Sshe Retina Stimulants ("Super-Sound High Energy Retina Stimulants") was started in 1993 and is the solo project of P.NG5361.B of Sigillum S.

STEEL HOOK PROSTHESES

abstractism / avant-garde / noise / dark ambient

Steel Hook Prostheses was concieved in 1999 by John Stillings & Larry Kerr. Heavy Electronics: power electronics, death industrial, dark ambient, and harsh noise.

STEFANO CORSI

STRANGE ATTRACTOR

psychedelic / radionoise / abstractism / ambient music / avant-garde / electroacoustic / field recordings / experimental / noise / drone music

Mark Pilkington, editor of the Strange Attractor Journal. Strange Attractor celebrates unpopular culture. We declare war on mediocrity and a pox on the foot soldiers of stupidity. Join Us. Strange Attractor was co-founded in 2001 by: John Lundberg and Mark Pilkington.

STRUKTUR

avant-garde / constructivism / idm

SUDDEN INFANT

musique concrete / performative art / actionism / body art / sound art / noise / abstract expressionism

Joke Lanz Basel / Switzerland Joke Lanz aka SUDDEN INFANT creates an unique blend of physical sound-poetry and dadaistic vocal expressions, using contact microphones, prerecorded soundloops and noises. Member of the infamous SCHIMPFLUCH collective, singer of the notorious CATHOLIC BOYS IN HEAVY LEATHER and long time accompanist of Rudolf Eb.er, he's presenting his work since more than 20 years all over the world. Born in Switzerland, now based in Berlin, Joke Lanz has collaborated with the likes of Z'EV, Carlos Giffoni, Peter Kowald, Christian Marclay, Norbert Möslang, DJ Olive, G.X. Jupitter-Larsen, Christian Weber, Charlotte Hug, Jorge Sanchez-Chiong, Roger Rotor, Strotter Inst, Evil Moisture, Small Cruel Party and many more. Music for contemporary dance, theatre, sound-installations and short-films. Innumerable releases on international labels e.g. Entracte, RRR, Tochnit Aleph, Blossoming Noise, Artware, Klanggalerie, SSSM. Artist residencies in Berlin (1999) and London (2004). Composition assignment by Pro Helvetia Arts Council of Switzerland (2006).Music for contemporary dance, theatre, sound-installations and short-films. Innumerable releases on international labels e.g. Schimpfluch, Entr'acte, RRR, Tochnit Aleph, Blossoming Noise, SSSM, Artware, Klanggalerie, MSBR. Led workshops about Turntablism & Noise Music at the Music Academy Lucerne. Artist residencies in Berlin (1999) and London (2004). Composition assignment by Pro Helvetia Arts Council of Switzerland (2006). Working in the area of experimental and free music since 1989, Sudden Infant is building up complex noise compositions, using unconventional sound sources, lo-fi electronics and turntables. Sudden Infant's music has a humorous and highly improvised character. Joke Lanz aka Sudden Infant creates an unique blend of physical sound-poetry and dadaistic vocal expression, using contact microphones, prerecorded soundloops and noises. The result is abrupt Musique Concrète juxtapositions of spasmodic gibbering and a battery of disorienting electronics. It's a fragmented field of sound that comes to its own autonomy!