AUTHOR: RMEDL / K11 / | WITH AAVV : / ANDREA MARUTTI / LUCIANO MAGGIORE / BURIAL HEX / PHILIPPE PETIT / Y.E.R.M.O. / SETH CLUETT / CHRISTINA KUBISCH / FRANCISCO LOPEZ / ADERLATING / GIANLUCA BECUZZI / UTARM / MASSIMO BARTOLINI / DEADWOOD / L'ACEPHALE / NORDVARGR / HENRIK NORDVARGR BJORKK / SEVENGUITARS

TITLE: CHTHONIAN MUSIC

NOT FOR SALE / PRIVATE COLLECTION

Radical Matters - Editions / Label | SG
Presents the hermetic multidimensional concept album
"CHTHONIAN MUSIC" :
Music composed, played and directed by K11 Pietro Riparbelli

Concept, ideation, site specific project direction, screenplay, score, texts, lyrics, sigils and design of the editions: RM-ED/L | Sandro Gronchi. 2 channels and multi channel audio composition, performing, mixing, mastering and real-time spatialization processing by Pietro Riparbelli. Acoustic installation by Sandro Gronchi and Pietro Riparbelli. Recording sessions: Francisco López, Christina Kubisch, Massimo Bartolini, Seth Cluett, Y.E.R.M.O., Francesco Brasini / Seven Guitars, Luciano Maggiore, Gianluca Becuzzi, Andrea Marutti, Philippe Petit , Deadwood, Burial Hex, Aderlating, Utarm, Nordvargr, L'Acephale. This conceptual album is a 2 channel stereo hi-fi transposition of a related site specific multi-channel acoustic installation set, based on the sound spatialization system I.M.E.A.S.Y, both developped from the hermetic multidimensional sound art project Chthonian Music, conceived by RMEDL to be performed in an ancient Etruscan hypogeum sited in Cecina (Italy), during the spring solstice (Ante Diem Duodecimum Kalendas Apriles) within the programmatic-conceptual event "Metasound – Independent Curatorial Experiences in ntemporary Art: from the object up to the event: sound art, multimedia and practice of the art of listening",an hypermedial site-specific project, cured by SG as RMEDL, installed within the archaeological park of Cecina, in the core of the ancient Tuscia.

This conceptual album and the related audio installation are musically composed by Pietro Riparbelli / K11 who playing organ, voices, drum and directis the recording sessions of the acoustic sources produced by the previous mentioned artists, expecially conceived by the authors for this project. This multidimensional collaborative opera is a bridge between the conception of sound within the contemporary art scene, the postindustrial culture and the avantgarde black metal musical scene, focusing on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recordings practices of the acoustic phenomenas.This project is based on the study of the territory where Cecina stands today, already known in Etruscan age with the name of Kaikne or Kaikna and was inhabited in Roman times, when an imperial personality, the consul Albino Cecina who was a descendant of an ancient Etruscan family that came from Volterra (Velathri), ordered the construction of a villa, the ruins of which are still visited in San Vincenzino.

The surrounding area of Cecina, knew a long period of decline, which began with the decline of the Etruscan civilization and marked during the Roman domination. However in medieval times the name of the Tuscan town was quoted by Dante Alighieri (Inf. XIII, 7). The peculiar state of re-veiling of the historical roots of Cecina town, began in the Roman construction plant of the Albini Villa by the department of archaeological sciences of the University of Pisa (in this contest stands the discovery of a headless statue in Egyptian alabaster that represents Isis). It becomes the right condition for the staging of meta-curator project Metasound through which a witness is shown, though as a part of a state of the art research on aesthetic trans-operative promoting by RM-ED/L. The choice of the roman cistern and its adjacent mysteric tunnels, as the core of the catabasis experience intrinsec in the concept of Chthonian Music. and as sound-chamber of the related acoustic installation, comes from the study on the symbolic meaning of places of worship, that was developed in Etruscan age - civilization that first settled in the adjacent grounds to the Cecina river. The re-veiling of the etruscan settlement, roman villa and medioeval cemetery, in the small park of San Vincenzino, opens to the possibility of considering the reading of the archaeological sites in their likely original function of sacred hypogeum. The cavity of the cistern, thus, becomes a possible reuse of an earlier site of Etruscan origine, with a more likely symbolic function of a place consecrated to the worship of Chthonic Deities. Demeter-Persephone (Phersipnai) was the goddess which was based the religion of the Mysteries, imported by the Etruscans in Italy.

Kidnapped by Hades and carried in the realm of the underworld, becaming the queen of the hell through his ritual death. Demeter, the goddess of the earth got that Persephone / Phersipnai reigned during the winter months and in the remaining months could return to earth, whose myth is the awakening of the soul and its cyclical path of death and transfiguration. Delving into the dark recesses of the earth, meant to open a gate to a supernatural dimension. Tunnels and mazes of paths represented the symbolic difficult journey of the soul towards a higher life. Exit from the bowels of the land, from the darkest recesses of the earth and the human soul, represents the rebirth of the soul to a higher level of living. The annual return of Phersipnai on earth among the living, coincided with the beginning of spring, and on this occasion were celebrated the Lesser Mysteries, or the second Birth. On this occasion, wizards with snakes twisted on the arms, moved at the flickering light of torches in long orgiastic processions (Nuktélia) that ended with a search of the queen Phersipnai.Hetrvria Hermetica.

 

Audio Score:
Score:

I - Mvndvs [Munth]
Francisco Lopez - field recording, acousmatic re-processing.
Seth Cluett - deep low frequencies sounds
Pietro Riparbelli - distorted organ, mixing

II - Katábasis

pt.I
Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett.
Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks
Pietro Riparbelli - organ, composition

pt.II
L'Acephale - guitar, drum, voice
Utarm - power electronics, drones
Pietro Riparbelli - composition

pt.III [Epopteia]
Burial Hex - piano and effects
Andrea Marutti - sinth, drones, concrete sounds
Pietro Riparbelli - organ, voices, composition

pt.IV
Gianluca Becuzzi - crencrete sounds, drones
Massimo Bartolini - concrete sounds / field recordings
Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks
Pietro Riparbelli - voice, drum, organ, composition

pt.V
Luciano Maggiore - concrete sounds
Aderlating - concrete sounds, drones
Philippe Petit - concrete turntablism
Andrea Marutti - sinth
Pietro Riparbelli - organ, composition

III - Nuktèlia
Nordvargr - drones, concrete sounds
Deadwood - drones, concrete sounds
L'Acephale - concrete sounds, guitar, violin, drum, piano Y.E.R.M.O. - concrete music, drones
Pietro Riparbelli - organ, composition




Full lenght audio: 80':'00''
Concept, screenplay, installation design, compiled, editing curating and manufacture: RMEDL|SG

AUTHOR: TELE.S.THERION

TITLE: HINTHV RITVVM | LLZ [Ao - 4MN c.P22AT +x]

SOLD OUT

TELE.S.THERION with LUNURUMH
"Hinthv Ritvvm | LLZ [Ao - 4 MN c. P22AT + x]"

LIMITED EDITION TO: 9 one of a kind pieces.

This sound object, and the related sound art installation based on the principles of acoustic gramophone, coinceived and designed as a site specific opera for the Etrusca Museum, was designed to expand the usual techniques of sound reproduction, extending the possibilities of projection and sound spatialization, making it also a ritualistic mantic instrument. The vinyl is engraved with the recording of "Liber Linteus [Ao - 4 MN c. P22AT + x]" | LLZ | conceived to one voice, made by Ukrainian's artist Lunurumh (Astral Lueur, Virvel Av Morkerhatet), where the singer performs special techniques of singing.

A k o u s m a t i k o i :
SG: Concept design, sound object, sound installation, lyrics.
Lunurumh: Voice.

This sound object it's composed by: One of a kind 12 inch vinyl recorded at 78 rpm., three cones of paper, three needles, three metal supports, a metal ring, a black square, a long screw to spin the record | Pubblished by: Radical Matters - Editions/Label | Catalogue: RMLE066 | Licensed by: Creative Commons | by-nc.nd.3.0 | 2013 

Concept design, manufacture, edition design, by: RMEDL|SG.

 

AUTHOR: RMEDL / | WITH AAVV : / MZ.412 / UTARM / BREATH OF CHAOS / DEADWOOD / DRAKH / DRAKHON / GNAW THEIR TONGUES / BATCHEEBA / GRAUEN PESTANZ / MELEK-THA / MICHAEL W. FORD / ORDO TYRANNIS / STEEL HOOK PROSTHESES / TELE.S.THERION

TITLE: BLACK INDUSTRIAL GRIMOIRE - ARCANI VMBRARVM REGNI - SI.VM E.T A V VM

SOLD OUT

This sound object it's a phono-mediumistic set created with a shining circle of authors,
cathalized by the pioneer and master of the black industrial musical genre:
MZ.412 (and his mastermind HENRIK NORDVARGR BJORKK).

The content of this special concept album, conceived, designed and released by RM-ED/L, is a compendium in the form of Grimoire; a special magical device for metaphisical pratiques of ancient form of manteia (divination) based on the occult side of the risonance of the sound.

About the GRIMOIRE CD-R device: The audio content of the CD-R is developped by the original recordings made by all the authors involved in the CD format where they operas are explicitally composed as a demoniacal evocation "formed with sound".

This audio cd-r is initially manipulated in studio, only to excite the very low frequencies of the original recordings. The result was played with loud speakers and re-recorded live with special microphones, during a liminal cojuntion of events (date 08 November 2008), 13 meter under the ground, during the 16th event of the Etruscan magic astronomy, towards the north-west sol-stitium of Manvtha, for the Samonios of the Triplici Mundus Patet; into an ancient Rasnakh ritual underground place, sited in the core of Tuscia: the Munisvle of Fanum Voltumnae.

Exciting the very low frequencies of the XIII evocations composed by all the authors involved, have permit to manifest the essences of their ritual recordings, through the demoniacal acoustic manifestation of their psycho induction. The particular condition of this second recording session, made in the Rasnakh Munisvle, have permitted to charge the recordings in itselfs with the live presence of the dead energy of the ancient spirits of darkness, which in this deeper underground temples, near the center of the earth, have the door for their reign.


MYSTERIUM CONIUNCTIONIS - GOETIC SCRYING RITUALIS:
The box also include some basic instructions to use the phono medianic set, composed by:
a special packege contening the sacred Unicursal Hexagram stylization as pop-up,
an handmade trapezoid black mirror
a special cabled speaker-packaging able to be connected into your stereo hi-fi.



BLACK INDUSTRIAL GRIMOIRE
ARCANI VMBRARUM REGNI
SI.VM E.T A V VM
(Silence is golden)
CD Track list:

I - DRAKH - NUMEREVIL
II - GNAW THEIR TONGUES - BLEEDING LIKE DOGS
III - STEEL HOOK PROSTHESES - THE INVOKATION OF MERIHIM
IV - BREATH OF CHAOS - NOTHING REMAINS THE SAME
V - MELEK-THA - HABORYM
VI - ORDO TYRANNIS - CHORONZON ARIA
VII - BATCHEEBA - LEMEGETON PLACENTA
VIII - MICHAEL W FORD - INVOCATION TO AHRIMAN
IX - DEADWOOD - 218
X - GRAUEN PESTANZ - VOLUPTUS A LETUM
XI - UTARM - CRUSHING INFINITY
XII - *TELESTHERION with: WILDNESS PERVERSION of MORTUARY DRAPE - GRIMOIRE.XIII
XIII - MZ.412 - CURSED IN THE NAME OF ENKI

Full lenght audio: 77:77 min.




M.:.M.:.M.:.M.:.L.:.
PHONO MEDIUMISTC SET (CDR)
Track list:

ENCHANTMENT - I
ENCHANTMENT - II
ENCHANTMENT - III
ENCHANTMENT - IV
ENCHANTMENT - V
ENCHANTMENT - VI
ENCHANTMENT - VII
ENCHANTMENT - VIII
ENCHANTMENT - IX
ENCHANTMENT - X
ENCHANTMENT - XI
ENCHANTMENT - XII
ENCHANTMENT - XIII

Full lenght audio: 33:33 min.



In quo tamen tota philosophia ermetica figuris in umbras,
tacere audireque, solisque filiis artis dedicatus,
atque esse iam coeperant silentio eruditi,
autore eius nomen est sigelion,
aaru mega therion.

Concept design, sound object, compiled, editing, curating and manufacture: RMEDL|SG

AUTHOR: AUM ARRHYTHMIA

TITLE: ANIMA EXTREMITAS

DOWNLOAD NOW

Aum Arrhythmia "Anima Extremitas"

Track list:
I. Kali Sinistram (02':59'')
II. Anima Extremitas (21':53'')
III. Interludium Vedanta (08':27'')
IV. Diminuendo (18':43'')

AUDIO MASTERING: Pietro Riparbelli / K11

Artwork design by: Per Ahlund

"...A brand new psychedelic journey into extreme droning Dark Ambient. A real Masterpiece by two Swedish masterminds: Daniel Jansson (well known as Deadwood) and Per Åhlund (Diskrepant). Believe me, a must! ...for lovers of MZ412, Nordvargr, Deadwood, Pietro Riparbelli / K11, believe me: A Real Must!..." - RMEDL-

AUTHOR: LIMBO

TITLE: UNHOLY RITUALS [PROMOTIONAL ED.]

NOT FOR SALE / PRIVATE COLLECTION

Promotioanl CDR edition of the related sound objects:

"Unholy Rituals Vol.I"

&

"Unholy Rituals Vol.II"

Sound re-Composed, demixed and produced
by Gianluca Becuzzi
at KXLab in Winter/Springtime 2010.

Basic samples from Limbo:
In Limbo - Spittle (1986)
My Whip, Your Flesh - Mantra (1989)
Our Mary Of Cancer - Helter Skelter (1991)
Vox Insana - Dune (1992)


Full lenght audio: 24":24"
Edition, Curating, Design and Manifactured by
Radical Matters - Edition / Label | SG.

AUTHOR: A SHORT TERM EFFECT

TITLE: A SHORT TERM EFFECT | FURS AND MASKS | S'ACCABADORA

DOWNLOAD NOW

A collection of 3 different ep:

"A Short Term Effect"
I
II
III
IV


"Furs and Masks"
Furs and masks
Competitive nature
Cold line
Ogni sfumatura di blu


"S'Accabadóra "
Crum
Fiocco di cenere
Frasi quasi senza voce
Shine Like Stars
Teste di cavolfiore con orecchie di lepre
Traboccava di trine
Ultima sessione
 

AUTHOR: ANDREA SOZZI

TITLE: ARCHIVIO vol. I

NOT FOR SALE / PRIVATE COLLECTION

Andrea Sozzi "Archivio Vol.I" is a colection of 17 MONOGRAPHIC and STEREOGRAPHIC black and white photos, taken and developped by Andrea Sozzi. More info about the Archivio project are available in the "network" section of RMEDL | METASOUND Project, Curating, Concept Design and Editions by RMEDL | SG Packaging Design and Manifactured by Andrea Sozzi
 

AUTHOR: AA.VV. | STARING AT THE WALL III

TITLE: STARING AT THE WALL III

DOWNLOAD NOW

STARING AT THE WALL III | 10 November 2012 | Torino (IT)
Location: Centro di Cultura Contemporanea di Torino (CCCT, via Bogetto 4/g, Turin, Italy)

Organized by: Toxic Industries & Claustrophilia Records
Curated by: Lorenzo Nascitari

The third edition of the Italian Harsh Noise Wall festival 'Staring at Wall' took place in the new Centro di Cultura Contemporanea di Torino (CCCT, via Bogetto 4/g, Turin, Italy) on 10th of November 2012. Sadly no M[m] staff could make the event, so instead we got on two on-the-ground reports from Lorenzo Nascitari(of Italian suicidal HNW project Nascitari &  doomed & pained  piano based  project Tomorrow I'll Shoot Myself in the Mouth). And Andrea Leonessa, with pictures by Mélissa Monrazel:

Video content list:

H.A.A.R.P.
AMPCONSTRICTOR
CLOUGNIOULE
ECOUTE LA MERDE
FUKTE
Å
NASCITARI

External sound recorded by William Nurdin with enviromental microphone
Internal sound recorded and mastered by Sandblasting
Video recorded by Lorenzo Abattoir (Nascitari)

Radical Matters - Editions/Label
RMEDL | Catalogue: RMWE100
Licensed Under Creative Commons | CC-by.nc.nd.3.0 | 2013
 

AUTHOR: PAUL CHAIN

TITLE: SATAN'S FUTURE

SOLD OUT

Radical Matters - Editions/Label presents:
Paul Chain "Satan's Future"

Recording sessions from the Dying edition | Audio-catalogue.
Sound Corner 21 / Auditorium Parco Della Musica, Roma.

Format: White C-40 Single side.

Edition: Limited to 25 hand numbered copies.

Source: Ephemeral sound object, ceramic record.

Running time:  17':00''

Year:  1981 - 2015.

Here the Ceramic Record source master of this audio-catalogue.

Cassette Tape description:
This recording is the documentation of the audio installation conceived for Sound Corner 21 / Auditorium Parco Della Musica, Roma, set from 01 to 30 April 2015. It's based on the ceramic sound object of "Satan's Future", contained in the conceptual edition called "dying edition", published by RMEDL in summer 2015, conceived to pay tribute to the opera of the artist Paul Chain and his personal eschatological research, to his philosophy of death or violet magic.

Paul Chain (1977 - 05 April 2003) declares his artistic death on April 05 2003. Following the suggestions left by the author, who strongly believes that the hidden power of these recordings should be left to die, until its consumption, everything involved in the related Dying Edition is designed to die. The "dying edition" represents the conceptual interment of this artistic body, its final grave.

The source of this limited edition ceramic record is designed to be consumed by its playing. The process of playing the ceramic record will consume the engraved sound waves, from time to time.  Slowly the sound waves will disappear, untill only mute ash will remain. This audio recording is the direct documentation of various playing of the ceramic record on turntable, synthesized in three parts. "Satan's Future" was originally selected by Paul Chain for his "Relative Tapes" private archive, courtesy by Marco Melzi, Minotauro Records.

RELATED EDITIONS:

AUTHOR: PAUL CHAIN

TITLE: SATAN'S FUTURE

SOLD OUT

Recording sessions from the Dying edition | Audio-catalogue.
Akusmata Sound Art Gallery | Tukholmankatu 7 K, 00270 Helsinki, Finland.
 

Akusmata Sound Art Gallery
presents:

Paul Chain "Satan's Future"
Dying Edition
Radical Matters - Editions/ Label

12. - 13 October 2016
14:00 - 18:00




Akusmata Sound Festival | 11. - 15.10.2016 | Sound Gallery Akusmata will celebrate its five year anniversary with the Akusmata Sound Festival. This five-day festival presents a broad spectrum of new aural expression. ASF's program includes performances from Norway, Denmark, Russia and Italy.  Italian Radical Matters Editions/ Label brings to Helsinki the doom metal alchemist Paul Chain with a sound installation.

Artistic directors of the festival are Petri Kuljuntausta and Kenneth Kovasin.
 

Akusmata is also the first sound art gallery in Finland since 2011.

Akusmata art gallery it is directed by Petri Kuljuntausta, a composer, musician, sound artist and author of three important books on electronic music and sound art. In close collaboration with natural scientists his research it's developped in the field between art and science. The most extreme musical environment for Kuljuntausta's music is Saturn's moon Titan. When Cassini-Huygens spacecraft (Titan-IVB/Centaur) started its journey in 1997 from Kennedy Space Center, United States, his composition Charm of Sound was inside the Huygens probe of Cassini-Huygens spacecraft, stored on the CD-rom. When Huygens probe reached its destination on Friday January 14, 2005, Kuljuntausta's Charm of Sound landed on the ground of Titan after travelling seven years and four billion kilometres through Space.

Format: White C-40 Single side.
Edition: Limited to 25 hand numbered copies.
Source: Ephemeral sound object, ceramic record.
Running time:  17':00''
Year:  1981 - 2016.

Here the Ceramic Record source master of this audio-catalogue.

Cassette Tape description:
This recording is the documentation of the audio installation conceived for Akusmata Sound Festival | 11. - 15.10.2016 | Akusmata Sound Art Gallery. It's based on the ceramic sound object of "Satan's Future", contained in the conceptual edition called "dying edition", published by RMEDL in summer 2015, conceived to pay tribute to the opera of the artist Paul Chain and his personal eschatological research, to his philosophy of death or violet magic.

Paul Chain (1977 - 05 April 2003) declares his artistic death on April 05 2003. Following the suggestions left by the author, who strongly believes that the hidden power of these recordings should be left to die, until its consumption, everything involved in the related Dying Edition is designed to die. The "dying edition" represents the conceptual interment of this artistic body, its final grave.

The source of this limited edition ceramic record is designed to be consumed by its playing. The process of playing the ceramic record will consume the engraved sound waves, from time to time.  Slowly the sound waves will disappear, untill only mute ash will remain. This audio recording is the direct documentation of various playing of the ceramic record on turntable, synthesized in three parts. "Satan's Future" was originally selected by Paul Chain for his "Relative Tapes" private archive, courtesy by Marco Melzi, Minotauro Records.

RELATED EDITIONS:

AUTHOR: DARK MATTER

TITLE: MO.N.D.

DOWNLOAD NOW

DARK MATTER
Mo.N.D.

In astrophysics and cosmology, dark matter is hypothetical matter of unknown composition that does not emit or reflect enough electromagnetic radiation to be observed directly, but whose presence can be inferred from gravitational effects on visible matter. According to present observations of structures larger than galaxy-sized as well as Big Bang cosmology, dark matter accounts for the vast majority of mass in the observable universe. The composition of dark matter is unknown, but may include ordinary and heavy neutrinos, recently postulated elementary particles such as WIMPs and axions, astronomical bodies such as dwarf stars and planets, and clouds of nonluminous gas. It has been noted that the name "dark matter" serves mainly as an expression of our ignorance, much as the marking of early maps with "terra incognita".

Dark Matter are Kasper T. Toeplitz and Antoine Chessex They have realised a monolithic piece of cosmic dark energy, concentrating gravitational lensing phenomenas, in solid waves, through the multi-dimensional quantum-continuum. A must! The duo deals with dense and abstract structures where the hybridisation of the two performers´instruments collapse together resulting in monumental walls of sounds based on the architecture of ruins. DARK MATTER
Kasper T. Toeplitz bass, computer, tam.
Antoine Chessex sax, electronics.

Content list:
1. Mo.n.D. - 55':18''

Visual sources by:
Equipo 57 “V.32” 1963
Francois Morellet "Systems" 1961
Alberto Biasi "Interferenza Dinamica" 1961

Audio Mix by: Kasper T. Toeplitz
Edition Design by: RMEDL | SG.

AUTHOR: RMEDL

TITLE: ANTIMATTER

NOT FOR SALE / PRIVATE COLLECTION

RMEDL presents "ANTIMATTER"

AUTHOR: MASSIMO BARTOLINI

TITLE: SUGAR FACTORY

NOT FOR SALE / PRIVATE COLLECTION

MASSIMO BARTOLINI - SUGAR FACTORY

AUTHOR: K11 / BLIND CAVE SALAMANDER

TITLE: THE NIETZSCHE FABRIK SESSIONS / TRANSMISSION

ORDER YOUR COPY [Ask For The Shipping Cost]

Blind Cave Salamander | Pietro Riparbelli / K 11
THE NIETZSCHE FABRIK SESSIONS / TRANSMISSION

In June 2008, Blind Cave Salamander was invited to take part in the Torino World Design Capital festival presenting a site specific performance to be staged on the roof of the Nietzsche Fabrik workshop and incorporating sounds from the local machines, smitheries and carpenters at work. The material on this album is the live recording of the in-studio rehearsal for this performance as then edited and reworked by Marco Milanesio. The same material has since been broadcasted and re-recorded in a unique instrumental transcommunication action, using FM and SW radio signals, by Pietro Riparbelli, inside the Etruscan necropolis of the ancient Kysra. In this way taking the Salamander back underground. In some ways this record displays a possible sound-path within its aural mutations.

Blind Cave Salamander are:
Fabrizio Modonese Palumbo
Paul Beauchamp
Julia Kent
Marco Milanesio

Enhanced CD Track list:
1. Nietzsche Fabrik part.1
2. Nietzsche Fabrik part.2
3. Nietzsche Fabrik part.3
4. Nietzsche Fabrik part.4
5. Nietzsche Fabrik part.
6. Video (quicktime/mp4)

Full lenght audio: 45min.
Concept: SG | Editing: BCS | PR | SG

AUTHOR: RMEDL

TITLE: GOETIA

ORDER YOUR COPY [Ask For The Shipping Cost]

Radical Matters - Editions / Label
presents:
GOETIA


The Art of forced locked grooves in metaphisical experiments.
Improvised sessions, made using a ephemera custom-turntable and a unique edit scratched vinyl played in forced locked grooves, Environmental microphone feedback, mixer. Recording and mastering with an hard-disk-recorder. Recording setup: mixer and microphones in a large room, during necromantical sound operations.

Ttrack list:
I - II - III - IV - V

Full lenght audio: 25:00 min.
Digital and analogic photos  by Andrea Sozzi - www.andreasozzi.com

Concept design, sound object design, playing, recording, editing & Manufacture: RMEDL | SG

AUTHOR: RMEDL / K11 / | WITH AAVV : / MARCELLO BACCI - GRUPPO PSICOFONICO DI GROSSETO / ALEKSANDER KOLKOWSKI / GIANLUCA BECUZZI / A.M.K. / BAD SECTOR | MASSIMO MAGRINI / CLAUSTHOME / GALERIE SCHALLSCHUTZ / SIMM-EL / LIEUTENAT MURNAU / PROJECT D.A.R.K. / STRANGE ATTRACTOR

TITLE: RADIODRAMA | CAMERA SONORA

SOLD OUT

A SPECIAL CONCEPT ALBUM WITH INCREDIBLE AND ORIGINAL RADIO SIGNALS AS SOURCE MATERIALS, RECORDED IN DIFFERENT PARTS OF THE WORLD BY: BAD SECTOR, STRANGE ATTRACTOR, CLAUSTHOME, GALERIE SCHALLSCHUTZ, SIMM-EL, GRUPPO PSICOFONICO DI GROSSETO; RECOMPOSED BY PITERO RIPARBELLI. A CONCEPT ALBUM CREATED FOCUSED ON THE ESOTERIC SIDE OF ELECTROMAGNETIC ACTIVITIES (ITC, EVP, AND TRANS-DIMENSIONAL PHENOMENAS) ALL AROUND US... Listen this sounds in your hands... 3 DIFFERENT KIND OF CONCEPTUAL EDITIONS ARE REALIZED FOR THIS GREAT WORK OF RADIONOISE, ALL WITH 2 DIFFERENT CD LABEL (MORE DETAILS VERY SOON).

INCLUDING AN ENHACED CD-R (AUDIO + VIDEO AND EXTRAS) + A XEROGRAPHIC BOOK EDITED IN A SPECIAL HANDMADE DIGIPACK, BASED ON THE AUDIO INSTALLATION "CAMERA SONORA", REALIZED BY PIETRO RIPARBELLI/K11 DURING PIOMBINO EXPERIMENTA 3 - INTERNATIONAL SOUND ART FESTIVAL, WITH UNEDIT PIECES REALIZED BY:
MASSIMO MAGRINI/BAD SECTOR, GIANLUCA BECUZZI, ALEKSANDER KOLKOWSKI, A.M.K., GLOBSTER, VITTORE BARONI / LIUTENANT MURNAU, PROJECT D.A.R.K.

CD : "RADIODRAMA - COLLAPSE"
Track list:
1-2-3 FIRST BECOMING SUBSTANCE
4-5-6 IN A NEW KINGDOM LISTENING TO THE LIGHT
7-8-9 WANDERING IN A LAND WITHOUT MATTER

Full lenght audio: 45:00 min.


CD-ROM : "RADIODRAMA - CAMERA SONORA"
Track list:
1 PIETRO RIPARBELLI/K11 - COLLAPSE#01
2 GIANLUCA BECUZZI - RADIO TANS_IT
3 BAD SECTOR - PROPAGAZIONE
4 RM-ED/L - LISTEN REVERSE:
   A CONCEPTUAL VINYL MANIPULATION - DOCU-DRAMA
      WITH:
      ALEKSANDER KOLKOWSKI
      A.M.K.
      GLOBSTER
      VITTORE BARONI / L.T. MURNAU
      PROJECT D.A.R.K.


Full lenght audio: 40:00 min.
INCLUDING A SMALL DOCUMENTAL VIDEO
+ BONUS.


Artwork photos are taken from
"CAMERA SONORA FOR 4 RADIODRAMAS"
enviromental audio installation realized by
PIETRO RIPARBELLI/K11
for PX3 - Piombino Experimenta. 
Original photos by Lorenzo Lessi - www.lorenzolessi.com.



In this photo Christina Kubisch
during the audio installation tests.

CD full lenght audio: 60':'00''
CDR full lenght audio: 48':'00''

Sound Installation design: PIETRO RIPARBELLI/K11
Concept design, compiled, editing curating and manufacture: RMEDL|SG