Radical Matters - Editions / Label | SG
Presents the hermetic multidimensional concept album
"CHTHONIAN MUSIC" :
Music composed, played and directed by K11 Pietro Riparbelli
Concept, ideation, site specific project direction, screenplay, score, texts, lyrics, sigils and design of the editions: RM-ED/L | Sandro Gronchi. 2 channels and multi channel audio composition, performing, mixing, mastering and real-time spatialization processing by Pietro Riparbelli. Acoustic installation by Sandro Gronchi and Pietro Riparbelli. Recording sessions: Francisco López, Christina Kubisch, Massimo Bartolini, Seth Cluett, Y.E.R.M.O., Francesco Brasini / Seven Guitars, Luciano Maggiore, Gianluca Becuzzi, Andrea Marutti, Philippe Petit , Deadwood, Burial Hex, Aderlating, Utarm, Nordvargr, L'Acephale. This conceptual album is a 2 channel stereo hi-fi transposition of a related site specific multi-channel acoustic installation set, based on the sound spatialization system I.M.E.A.S.Y, both developped from the hermetic multidimensional sound art project Chthonian Music, conceived by RMEDL to be performed in an ancient Etruscan hypogeum sited in Cecina (Italy), during the spring solstice (Ante Diem Duodecimum Kalendas Apriles) within the programmatic-conceptual event "Metasound – Independent Curatorial Experiences in ntemporary Art: from the object up to the event: sound art, multimedia and practice of the art of listening",an hypermedial site-specific project, cured by SG as RMEDL, installed within the archaeological park of Cecina, in the core of the ancient Tuscia.
This conceptual album and the related audio installation are musically composed by Pietro Riparbelli / K11 who playing organ, voices, drum and directis the recording sessions of the acoustic sources produced by the previous mentioned artists, expecially conceived by the authors for this project. This multidimensional collaborative opera is a bridge between the conception of sound within the contemporary art scene, the postindustrial culture and the avantgarde black metal musical scene, focusing on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recordings practices of the acoustic phenomenas.This project is based on the study of the territory where Cecina stands today, already known in Etruscan age with the name of Kaikne or Kaikna and was inhabited in Roman times, when an imperial personality, the consul Albino Cecina who was a descendant of an ancient Etruscan family that came from Volterra (Velathri), ordered the construction of a villa, the ruins of which are still visited in San Vincenzino.
The surrounding area of Cecina, knew a long period of decline, which began with the decline of the Etruscan civilization and marked during the Roman domination. However in medieval times the name of the Tuscan town was quoted by Dante Alighieri (Inf. XIII, 7). The peculiar state of re-veiling of the historical roots of Cecina town, began in the Roman construction plant of the Albini Villa by the department of archaeological sciences of the University of Pisa (in this contest stands the discovery of a headless statue in Egyptian alabaster that represents Isis). It becomes the right condition for the staging of meta-curator project Metasound through which a witness is shown, though as a part of a state of the art research on aesthetic trans-operative promoting by RM-ED/L. The choice of the roman cistern and its adjacent mysteric tunnels, as the core of the catabasis experience intrinsec in the concept of Chthonian Music. and as sound-chamber of the related acoustic installation, comes from the study on the symbolic meaning of places of worship, that was developed in Etruscan age - civilization that first settled in the adjacent grounds to the Cecina river. The re-veiling of the etruscan settlement, roman villa and medioeval cemetery, in the small park of San Vincenzino, opens to the possibility of considering the reading of the archaeological sites in their likely original function of sacred hypogeum. The cavity of the cistern, thus, becomes a possible reuse of an earlier site of Etruscan origine, with a more likely symbolic function of a place consecrated to the worship of Chthonic Deities. Demeter-Persephone (Phersipnai) was the goddess which was based the religion of the Mysteries, imported by the Etruscans in Italy.
Kidnapped by Hades and carried in the realm of the underworld, becaming the queen of the hell through his ritual death. Demeter, the goddess of the earth got that Persephone / Phersipnai reigned during the winter months and in the remaining months could return to earth, whose myth is the awakening of the soul and its cyclical path of death and transfiguration. Delving into the dark recesses of the earth, meant to open a gate to a supernatural dimension. Tunnels and mazes of paths represented the symbolic difficult journey of the soul towards a higher life. Exit from the bowels of the land, from the darkest recesses of the earth and the human soul, represents the rebirth of the soul to a higher level of living. The annual return of Phersipnai on earth among the living, coincided with the beginning of spring, and on this occasion were celebrated the Lesser Mysteries, or the second Birth. On this occasion, wizards with snakes twisted on the arms, moved at the flickering light of torches in long orgiastic processions (Nuktélia) that ended with a search of the queen Phersipnai.Hetrvria Hermetica.
Audio Score:
Score:
I - Mvndvs [Munth] Francisco Lopez - field recording, acousmatic re-processing. Seth Cluett - deep low frequencies sounds Pietro Riparbelli - distorted organ, mixing
II - Katábasis
pt.I Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett. Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks Pietro Riparbelli - organ, composition
pt.II L'Acephale - guitar, drum, voice Utarm - power electronics, drones Pietro Riparbelli - composition
pt.III [Epopteia] Burial Hex - piano and effects Andrea Marutti - sinth, drones, concrete sounds Pietro Riparbelli - organ, voices, composition
pt.V Luciano Maggiore - concrete sounds Aderlating - concrete sounds, drones Philippe Petit - concrete turntablism Andrea Marutti - sinth Pietro Riparbelli - organ, composition
A SPECIAL CONCEPT ALBUM WITH INCREDIBLE AND ORIGINAL RADIO SIGNALS AS SOURCE MATERIALS, RECORDED IN DIFFERENT PARTS OF THE WORLD BY: BAD SECTOR, STRANGE ATTRACTOR, CLAUSTHOME, GALERIE SCHALLSCHUTZ, SIMM-EL, GRUPPO PSICOFONICO DI GROSSETO; RECOMPOSED BY PITERO RIPARBELLI. A CONCEPT ALBUM CREATED FOCUSED ON THE ESOTERIC SIDE OF ELECTROMAGNETIC ACTIVITIES (ITC, EVP, AND TRANS-DIMENSIONAL PHENOMENAS) ALL AROUND US... Listen this sounds in your hands... 3 DIFFERENT KIND OF CONCEPTUAL EDITIONS ARE REALIZED FOR THIS GREAT WORK OF RADIONOISE, ALL WITH 2 DIFFERENT CD LABEL (MORE DETAILS VERY SOON).
"RADIODRAMA - COLLAPSE"
Ttrack list:
1-2-3 FIRST BECOMING SUBSTANCE
4-5-6 IN A NEW KINGDOM LISTENING TO THE LIGHT
7-8-9 WANDERING IN A LAND WITHOUT MATTER
Full lenght audio: 45:00 min.
Artwork photos are taken from "CAMERA SONORA FOR 4 RADIODRAMAS"
enviromental audio installation realized by PIETRO RIPARBELLI / K11 for PX3
Piombino Experimenta 3.
Original photos by lorenzo Lessi www.lorenzolessii.com.
Special Artwork: CD / SOUND OBJECT (sound package made by 3 panel digipack with black velvet panels and a transparent digitray including 2 mini speackers PLEYABLES, for your deep listening home installation)
Continuing with his interest in cathedrals, with the new K11 release “Metaphonic Portrait 1230 A.D.”,
Riparbelli entered Assisi Cathedral in the Umbria region of Italy, not far from Riparelli’s hometown of
Tuscany; the 1230 A.D. in the album’s title referring to the date of completion of the original cathedral.
Audio was recorded in the cathedral’s lower basilica, the oldest area where the actual relics of St.
Francis Of Assisi are kept.
Again utilizing short-wave radios as his primary “instrument” Riparbelli has captured a haunting array of
cavernous sounds, displaced signals and found ambience. With the addition of some voice and organ
elements, Metaphonic Portrait 1230 A.D. sounds not unlike the recordings of experimentalists Philip Jeck
and William Basinski under the influenced of Crowleyean Magick and Sacred Geometry. A psychedelic
meditation from some medieval crypt captured out of time in the present.
The numbers used in the songtitles are chosen with purpose, all related to the Gematria, the ancient
system that assigns numbers to words and how they relate to each other. A video shot inside the
cathedral by Riparbelli is included on the disc to give the listener a visual picture of the aging structure.
As in all K11’s work, the themes of magick, religion, numerology and esotericism are present throughout
this reverent document of aural mysticism.
"Voices From Thelema" is an action of instrumental transcommunication with short wave receivers. It was realised inside the ruins of Thelema Abbey, Cefalù, Sicily. Each sound that you hear was produced by short wave radio receivers. The composition was recorded inside the Abbey in 2007.
K11 is a project of Italian sound/installation artist Pietro Riparbelli that deals with the world of radio signals, trans-communication and other invisible phenomena, to create a dimension where the only sound sources are signals from shortwave radio receivers. When constructing works under the K 11 project, Riparbelli uses only sounds from the atmosphere and from invisible, unknown sources. In this way, Riparbelli creates more esoteric works than his field recording based material as PT-R, and 'Voices From Thelema' is perhaps the logical conclusion of such an enterprise.
'Voices from Thelema' is an instrumental trans-communication action with short wave radio receivers realized inside Thelema Abbey in Cefalù, October 14, 2007. The ruined building stands derelict and on the verge of collapse, though still holds many secrets and has been a focus for much counter cultural activity since its foundation by Aleister Crowley in 1920 as a religious centre and commune where he could instruct disciples in his emerging Thelemic religion and systems of magick in a rural atmosphere, far from the overpowering prevailing morality of England. Activities included meditation and ritual magick, as well as the sensationalised drug taking and sex magick. The wall of many of the rooms were painted with fantastic murals by Crowley himself, depicting many of the elementals and demons encountered in his magickal exercises, and the remains of many of these adorn the accompanying booklet. After being ejected from Italy following scandal and outcry over the goings on at the Abbey, the walls were whitewashed and destroyed. Filmmaker Kenneth Anger, himself a devotee of Crowley, later uncovered and filmed some of its murals in his film 'Thelema Abbey' (1955), now considered lost, and the Abbey has been a place of pilgrimage for many ever since.
K11 now revisits this site and seeks to uncover the genius loci, the very essence of the building itself, to reach out into the ether and construct meaning and reality from that which is beyond our grasp. The three tracks are the result of this work and, each bearing titles of Thelemic significance, can be said to hold the essence of all that remains at Cefalu, like the background radiation that tells of the Big Bang.
K11 "WAITING FOR THE DARKNESS" | Instrumental Transcommunication Action n°4
K 11 is a project of Italian sound/installation artist Pietro Riparbelli that deals with the world of radio signals, trans-communication and other invisible phenomena, to create a dimension where the only sound sources are signals from shortwave radio receivers.
1 Unio Mystica 11:33
2 Tiphereth 6:42
3 C'hocmah 10:19
4 Geburah 8:44
5 The Great Mother 10:06
K11 is a project of Italian sound artist Pietro Riparbelli and lives within the world of radio signals, transcommunication and other invisible phenomena, to create a dimension where the main sound sources are signals from shortwave radio receivers.
Another temple to the Great Beast 666 has been composed from said sound sources recorded during an Instrumental Transcommunication Action realized within the Temple of Diana in Cefalù, Sicily. The temple is famously known for its association with Aleister Crowley and The Abbey of Thelema, founded in 1920. Crowley practiced rituals, yoga and meditations every day within the temple. It was his desire to be buried there, but Mussolini's Fascist government expelled Crowley from the country at the end of April 1923. Riparbelli attempts to reclaim the echo of Crowley's presence. Not for the weakhearted.
Continuing with his interest in cathedrals, with the new K11 release “Metaphonic Portrait 1230 A.D.”,
Riparbelli entered Assisi Cathedral in the Umbria region of Italy, not far from Riparelli’s hometown of
Tuscany; the 1230 A.D. in the album’s title referring to the date of completion of the original cathedral.
Audio was recorded in the cathedral’s lower basilica, the oldest area where the actual relics of St.
Francis Of Assisi are kept.
Again utilizing short-wave radios as his primary “instrument” Riparbelli has captured a haunting array of
cavernous sounds, displaced signals and found ambience. With the addition of some voice and organ
elements, Metaphonic Portrait 1230 A.D. sounds not unlike the recordings of experimentalists Philip Jeck
and William Basinski under the influenced of Aleyster Crowley Magick and Sacred Geometry. A psychedelic
meditation from some medieval crypt captured out of time in the present.
The numbers used in the songtitles are chosen with purpose, all related to the Gematria, the ancient
system that assigns numbers to words and how they relate to each other. A video shot inside the
cathedral by Riparbelli is included on the disc to give the listener a visual picture of the aging structure.
As in all K11’s work, the themes of magick, religion, numerology and esotericism are present throughout
this reverent document of aural mysticism.
"Voices From Thelema" is an action of instrumental transcommunication with short wave receivers. It was realised inside the ruins of Thelema Abbey, Cefalù, Sicily. Each sound that you hear was produced by short wave radio receivers. The composition was recorded inside the Abbey in 2007.
K11 is a project of Italian sound/installation artist Pietro Riparbelli that deals with the world of radio signals, trans-communication and other invisible phenomena, to create a dimension where the only sound sources are signals from shortwave radio receivers. When constructing works under the K 11 project, Riparbelli uses only sounds from the atmosphere and from invisible, unknown sources. In this way, Riparbelli creates more esoteric works than his field recording based material as PT-R, and 'Voices From Thelema' is perhaps the logical conclusion of such an enterprise.
'Voices from Thelema' is an instrumental trans-communication action with short wave radio receivers realized inside Thelema Abbey in Cefalù, October 14, 2007. The ruined building stands derelict and on the verge of collapse, though still holds many secrets and has been a focus for much counter cultural activity since its foundation by Aleister Crowley in 1920 as a religious centre and commune where he could instruct disciples in his emerging Thelemic religion and systems of magick in a rural atmosphere, far from the overpowering prevailing morality of England. Activities included meditation and ritual magick, as well as the sensationalised drug taking and sex magick. The wall of many of the rooms were painted with fantastic murals by Crowley himself, depicting many of the elementals and demons encountered in his magickal exercises, and the remains of many of these adorn the accompanying booklet. After being ejected from Italy following scandal and outcry over the goings on at the Abbey, the walls were whitewashed and destroyed. Filmmaker Kenneth Anger, himself a devotee of Crowley, later uncovered and filmed some of its murals in his film 'Thelema Abbey' (1955), now considered lost, and the Abbey has been a place of pilgrimage for many ever since.
K11 now revisits this site and seeks to uncover the genius loci, the very essence of the building itself, to reach out into the ether and construct meaning and reality from that which is beyond our grasp. The three tracks are the result of this work and, each bearing titles of Thelemic significance, can be said to hold the essence of all that remains at Cefalu, like the background radiation that tells of the Big Bang.
K11 / Pietro Riparbelli with INFLUX "HE TRIES TO COME TO US"
Metaphysical experimental audio research and paranormal investigations within the core of the former psychiatric hospital in Volterra (Pisa - Italy). Raw radio camera scanning of the ambiences and EVP field recordings session for a sesational journery around the edge of the dimensional veil. A unique audiovisual document.
Full lenght audio: 46 ":00"
Edition, Curating, Design and Manifactured by
Radical Matters - Edition / Label | SG.
Live session recorded in realtime @ Cambiare Musica - Pisa - 12/12/2009. An obscure harsh, layered deep immersion in San Michele Degli Sclazi enviromet. The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package.
"HE TRIES TO COME TO US" LIVE AT "CRONOSFERA" FESTIVAL.
Metaphysical experimental audio research and paranormal investigations within the core of the former psychiatric hospital in Volterra (Pisa - Italy). Raw radio camera scanning of the ambiences and EVP field recordings session for a sesational journery around the edge of the dimensional veil. A unique audiovisual document.
Edition, Curating, Design and Manifactured by
Radical Matters - Edition / Label | SG.
LUZIFERS ABSCHIED
Tracks list:
I Eingang | Periode I-IV
II Periode V-VI
III Periode VII-IX
IV Periode X-XII
V Periode XIII | Ausgang
TELE.S.THERION
Scores, composition, enharmonic electric bass | Audio mixing.
In large ensemble with:
Lunurumh - voices
Michel Doneda - soprano saxophone
Le Quan Ninh - percussion
Jason Van Gulick - drum
Kasper T. Toeplitz - bass
Antoine Chessex - tenor saxophone
Paolo Sanna - waterphone.
A concept album based on the namesake fourth scene of «Samstag aus Licht», from the opera «Licht: die sieben Tage der Woche», composed by Karlheinz Stockhausen. These five compositions, are a specific result of an acousmatic audio-mixing process, where each author involved, has recorded a solo session of free improvisation, using as score only the enharmonic electric bass sessions, previously recorded, unknowing what each other author has recorded before.
Additional Mix and Mastering by Paolo Ambrogio Siconolfi.
Codice a barre e altri identificatori
RMEDL / K11 | Chthonian Music | THE OFFICIAL REISSUE
Score:
I - Mvndvs [Munth]
Francisco Lopez - field recording, acousmatic re-processing.
Seth Cluett - deep low frequencies sounds
Pietro Riparbelli - distorted organ, mixing
II - Katábasis
pt.I
Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett.
Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks
Pietro Riparbelli - organ, composition
pt.II
L'Acephale - guitar, drum, voice
Utarm - power electronics, drones
Pietro Riparbelli - composition
pt.III [Epopteia]
Burial Hex - piano and effects
Andrea Marutti - sinth, drones, concrete sounds
Pietro Riparbelli - organ, voices, composition
pt.V
Luciano Maggiore - concrete sounds
Aderlating - concrete sounds, drones
Philippe Petit - concrete turntablism
Andrea Marutti - sinth
Pietro Riparbelli - organ, composition
RMEDL / K11 | Chthonian Music | THE OFFICIAL REISSUE
Reissue of an extremely limited 2010 release (x50 private copies). This multi-dimensional collaborative opera (audio installation and concept album) is a bridge between the conception of sound within the contemporary art scene, post-industrial culture and the avantgarde black metal musical scene. It focuses on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recording practices of acoustic phenomena.
Radical Matters - Editions / Label | SG
Presents the hermetic multidimensional concept album
"CHTHONIAN MUSIC" :
Music composed, played and directed by K11 Pietro Riparbelli
Concept, ideation, site specific project direction, screenplay, score, texts, lyrics, sigils and design of the editions: RM-ED/L | Sandro Gronchi. 2 channels and multi channel audio composition, performing, mixing, mastering and real-time spatialization processing by Pietro Riparbelli. Acoustic installation by Sandro Gronchi and Pietro Riparbelli. Recording sessions: Francisco López, Christina Kubisch, Massimo Bartolini, Seth Cluett, Y.E.R.M.O., Francesco Brasini / Seven Guitars, Luciano Maggiore, Gianluca Becuzzi, Andrea Marutti, Philippe Petit , Deadwood, Burial Hex, Aderlating, Utarm, Nordvargr, L'Acephale. This conceptual album is a 2 channel stereo hi-fi transposition of a related site specific multi-channel acoustic installation set, based on the sound spatialization system I.M.E.A.S.Y, both developped from the hermetic multidimensional sound art project Chthonian Music, conceived by RMEDL to be performed in an ancient Etruscan hypogeum sited in Cecina (Italy), during the spring solstice (Ante Diem Duodecimum Kalendas Apriles) within the programmatic-conceptual event "Metasound – Independent Curatorial Experiences in ntemporary Art: from the object up to the event: sound art, multimedia and practice of the art of listening",an hypermedial site-specific project, cured by SG as RMEDL, installed within the archaeological park of Cecina, in the core of the ancient Tuscia.
This conceptual album and the related audio installation are musically composed by Pietro Riparbelli / K11 who playing organ, voices, drum and directis the recording sessions of the acoustic sources produced by the previous mentioned artists, expecially conceived by the authors for this project. This multidimensional collaborative opera is a bridge between the conception of sound within the contemporary art scene, the postindustrial culture and the avantgarde black metal musical scene, focusing on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recordings practices of the acoustic phenomenas.This project is based on the study of the territory where Cecina stands today, already known in Etruscan age with the name of Kaikne or Kaikna and was inhabited in Roman times, when an imperial personality, the consul Albino Cecina who was a descendant of an ancient Etruscan family that came from Volterra (Velathri), ordered the construction of a villa, the ruins of which are still visited in San Vincenzino.
The surrounding area of Cecina, knew a long period of decline, which began with the decline of the Etruscan civilization and marked during the Roman domination. However in medieval times the name of the Tuscan town was quoted by Dante Alighieri (Inf. XIII, 7). The peculiar state of re-veiling of the historical roots of Cecina town, began in the Roman construction plant of the Albini Villa by the department of archaeological sciences of the University of Pisa (in this contest stands the discovery of a headless statue in Egyptian alabaster that represents Isis). It becomes the right condition for the staging of meta-curator project Metasound through which a witness is shown, though as a part of a state of the art research on aesthetic trans-operative promoting by RM-ED/L. The choice of the roman cistern and its adjacent mysteric tunnels, as the core of the catabasis experience intrinsec in the concept of Chthonian Music. and as sound-chamber of the related acoustic installation, comes from the study on the symbolic meaning of places of worship, that was developed in Etruscan age - civilization that first settled in the adjacent grounds to the Cecina river. The re-veiling of the etruscan settlement, roman villa and medioeval cemetery, in the small park of San Vincenzino, opens to the possibility of considering the reading of the archaeological sites in their likely original function of sacred hypogeum. The cavity of the cistern, thus, becomes a possible reuse of an earlier site of Etruscan origine, with a more likely symbolic function of a place consecrated to the worship of Chthonic Deities. Demeter-Persephone (Phersipnai) was the goddess which was based the religion of the Mysteries, imported by the Etruscans in Italy.
Kidnapped by Hades and carried in the realm of the underworld, becaming the queen of the hell through his ritual death. Demeter, the goddess of the earth got that Persephone / Phersipnai reigned during the winter months and in the remaining months could return to earth, whose myth is the awakening of the soul and its cyclical path of death and transfiguration. Delving into the dark recesses of the earth, meant to open a gate to a supernatural dimension. Tunnels and mazes of paths represented the symbolic difficult journey of the soul towards a higher life. Exit from the bowels of the land, from the darkest recesses of the earth and the human soul, represents the rebirth of the soul to a higher level of living. The annual return of Phersipnai on earth among the living, coincided with the beginning of spring, and on this occasion were celebrated the Lesser Mysteries, or the second Birth. On this occasion, wizards with snakes twisted on the arms, moved at the flickering light of torches in long orgiastic processions (Nuktélia) that ended with a search of the queen Phersipnai.Hetrvria Hermetica.
Audio Score:
Score:
I - Mvndvs [Munth] Francisco Lopez - field recording, acousmatic re-processing. Seth Cluett - deep low frequencies sounds Pietro Riparbelli - distorted organ, mixing
II - Katábasis
pt.I Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett. Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks Pietro Riparbelli - organ, composition
pt.II L'Acephale - guitar, drum, voice Utarm - power electronics, drones Pietro Riparbelli - composition
pt.III [Epopteia] Burial Hex - piano and effects Andrea Marutti - sinth, drones, concrete sounds Pietro Riparbelli - organ, voices, composition
pt.V Luciano Maggiore - concrete sounds Aderlating - concrete sounds, drones Philippe Petit - concrete turntablism Andrea Marutti - sinth Pietro Riparbelli - organ, composition
Blind Cave Salamander | Pietro Riparbelli / K 11
THE NIETZSCHE FABRIK SESSIONS / TRANSMISSION
In June 2008, Blind Cave Salamander was invited to take part in the Torino World Design Capital festival presenting a site specific performance to be staged on the roof of the Nietzsche Fabrik workshop and incorporating sounds from the local machines, smitheries and carpenters at work. The material on this album is the live recording of the in-studio rehearsal for this performance as then edited and reworked by Marco Milanesio. The same material has since been broadcasted and re-recorded in a unique instrumental transcommunication action, using FM and SW radio signals, by Pietro Riparbelli, inside the Etruscan necropolis of the ancient Kysra. In this way taking the Salamander back underground. In some ways this record displays a possible sound-path within its aural mutations.
Blind Cave Salamander are:
Fabrizio Modonese Palumbo
Paul Beauchamp
Julia Kent
Marco Milanesio
A SPECIAL CONCEPT ALBUM WITH INCREDIBLE AND ORIGINAL RADIO SIGNALS AS SOURCE MATERIALS, RECORDED IN DIFFERENT PARTS OF THE WORLD BY: BAD SECTOR, STRANGE ATTRACTOR, CLAUSTHOME, GALERIE SCHALLSCHUTZ, SIMM-EL, GRUPPO PSICOFONICO DI GROSSETO; RECOMPOSED BY PITERO RIPARBELLI. A CONCEPT ALBUM CREATED FOCUSED ON THE ESOTERIC SIDE OF ELECTROMAGNETIC ACTIVITIES (ITC, EVP, AND TRANS-DIMENSIONAL PHENOMENAS) ALL AROUND US... Listen this sounds in your hands... 3 DIFFERENT KIND OF CONCEPTUAL EDITIONS ARE REALIZED FOR THIS GREAT WORK OF RADIONOISE, ALL WITH 2 DIFFERENT CD LABEL (MORE DETAILS VERY SOON).
INCLUDING AN ENHACED CD-R (AUDIO + VIDEO AND EXTRAS) + A XEROGRAPHIC BOOK EDITED IN A SPECIAL HANDMADE DIGIPACK, BASED ON THE AUDIO INSTALLATION "CAMERA SONORA", REALIZED BY PIETRO RIPARBELLI/K11 DURING PIOMBINO EXPERIMENTA 3 - INTERNATIONAL SOUND ART FESTIVAL, WITH UNEDIT PIECES REALIZED BY:
MASSIMO MAGRINI/BAD SECTOR, GIANLUCA BECUZZI, ALEKSANDER KOLKOWSKI, A.M.K., GLOBSTER, VITTORE BARONI / LIUTENANT MURNAU, PROJECT D.A.R.K.
CD : "RADIODRAMA - COLLAPSE"
Track list:
1-2-3 FIRST BECOMING SUBSTANCE
4-5-6 IN A NEW KINGDOM LISTENING TO THE LIGHT
7-8-9 WANDERING IN A LAND WITHOUT MATTER
Full lenght audio: 45:00 min.
CD-ROM : "RADIODRAMA - CAMERA SONORA"
Track list:
1 PIETRO RIPARBELLI/K11 - COLLAPSE#01
2 GIANLUCA BECUZZI - RADIO TANS_IT
3 BAD SECTOR - PROPAGAZIONE
4 RM-ED/L - LISTEN REVERSE:
A CONCEPTUAL VINYL MANIPULATION - DOCU-DRAMA
WITH:
ALEKSANDER KOLKOWSKI
A.M.K.
GLOBSTER
VITTORE BARONI / L.T. MURNAU
PROJECT D.A.R.K.
Full lenght audio: 40:00 min.
INCLUDING A SMALL DOCUMENTAL VIDEO
+ BONUS.
Artwork photos are taken from
"CAMERA SONORA FOR 4 RADIODRAMAS"
enviromental audio installation realized by
PIETRO RIPARBELLI/K11
for PX3 - Piombino Experimenta.
Original photos by Lorenzo Lessi - www.lorenzolessi.com.
In this photoChristinaKubisch
duringthe audio installationtests.
CD full lenght audio: 60':'00''
CDR full lenght audio: 48':'00''
Sound Installation design: PIETRO RIPARBELLI/K11
Concept design, compiled, editing curating and manufacture: RMEDL|SG
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