Radical Matters - Editions / Label | SG
Presents the hermetic multidimensional concept album
"CHTHONIAN MUSIC" :
Music composed, played and directed by K11 Pietro Riparbelli
Concept, ideation, site specific project direction, screenplay, score, texts, lyrics, sigils and design of the editions: RM-ED/L | Sandro Gronchi. 2 channels and multi channel audio composition, performing, mixing, mastering and real-time spatialization processing by Pietro Riparbelli. Acoustic installation by Sandro Gronchi and Pietro Riparbelli. Recording sessions: Francisco López, Christina Kubisch, Massimo Bartolini, Seth Cluett, Y.E.R.M.O., Francesco Brasini / Seven Guitars, Luciano Maggiore, Gianluca Becuzzi, Andrea Marutti, Philippe Petit , Deadwood, Burial Hex, Aderlating, Utarm, Nordvargr, L'Acephale. This conceptual album is a 2 channel stereo hi-fi transposition of a related site specific multi-channel acoustic installation set, based on the sound spatialization system I.M.E.A.S.Y, both developped from the hermetic multidimensional sound art project Chthonian Music, conceived by RMEDL to be performed in an ancient Etruscan hypogeum sited in Cecina (Italy), during the spring solstice (Ante Diem Duodecimum Kalendas Apriles) within the programmatic-conceptual event "Metasound – Independent Curatorial Experiences in ntemporary Art: from the object up to the event: sound art, multimedia and practice of the art of listening",an hypermedial site-specific project, cured by SG as RMEDL, installed within the archaeological park of Cecina, in the core of the ancient Tuscia.
This conceptual album and the related audio installation are musically composed by Pietro Riparbelli / K11 who playing organ, voices, drum and directis the recording sessions of the acoustic sources produced by the previous mentioned artists, expecially conceived by the authors for this project. This multidimensional collaborative opera is a bridge between the conception of sound within the contemporary art scene, the postindustrial culture and the avantgarde black metal musical scene, focusing on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recordings practices of the acoustic phenomenas.This project is based on the study of the territory where Cecina stands today, already known in Etruscan age with the name of Kaikne or Kaikna and was inhabited in Roman times, when an imperial personality, the consul Albino Cecina who was a descendant of an ancient Etruscan family that came from Volterra (Velathri), ordered the construction of a villa, the ruins of which are still visited in San Vincenzino.
The surrounding area of Cecina, knew a long period of decline, which began with the decline of the Etruscan civilization and marked during the Roman domination. However in medieval times the name of the Tuscan town was quoted by Dante Alighieri (Inf. XIII, 7). The peculiar state of re-veiling of the historical roots of Cecina town, began in the Roman construction plant of the Albini Villa by the department of archaeological sciences of the University of Pisa (in this contest stands the discovery of a headless statue in Egyptian alabaster that represents Isis). It becomes the right condition for the staging of meta-curator project Metasound through which a witness is shown, though as a part of a state of the art research on aesthetic trans-operative promoting by RM-ED/L. The choice of the roman cistern and its adjacent mysteric tunnels, as the core of the catabasis experience intrinsec in the concept of Chthonian Music. and as sound-chamber of the related acoustic installation, comes from the study on the symbolic meaning of places of worship, that was developed in Etruscan age - civilization that first settled in the adjacent grounds to the Cecina river. The re-veiling of the etruscan settlement, roman villa and medioeval cemetery, in the small park of San Vincenzino, opens to the possibility of considering the reading of the archaeological sites in their likely original function of sacred hypogeum. The cavity of the cistern, thus, becomes a possible reuse of an earlier site of Etruscan origine, with a more likely symbolic function of a place consecrated to the worship of Chthonic Deities. Demeter-Persephone (Phersipnai) was the goddess which was based the religion of the Mysteries, imported by the Etruscans in Italy.
Kidnapped by Hades and carried in the realm of the underworld, becaming the queen of the hell through his ritual death. Demeter, the goddess of the earth got that Persephone / Phersipnai reigned during the winter months and in the remaining months could return to earth, whose myth is the awakening of the soul and its cyclical path of death and transfiguration. Delving into the dark recesses of the earth, meant to open a gate to a supernatural dimension. Tunnels and mazes of paths represented the symbolic difficult journey of the soul towards a higher life. Exit from the bowels of the land, from the darkest recesses of the earth and the human soul, represents the rebirth of the soul to a higher level of living. The annual return of Phersipnai on earth among the living, coincided with the beginning of spring, and on this occasion were celebrated the Lesser Mysteries, or the second Birth. On this occasion, wizards with snakes twisted on the arms, moved at the flickering light of torches in long orgiastic processions (Nuktélia) that ended with a search of the queen Phersipnai.Hetrvria Hermetica.
Audio Score:
Score:
I - Mvndvs [Munth] Francisco Lopez - field recording, acousmatic re-processing. Seth Cluett - deep low frequencies sounds Pietro Riparbelli - distorted organ, mixing
II - Katábasis
pt.I Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett. Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks Pietro Riparbelli - organ, composition
pt.II L'Acephale - guitar, drum, voice Utarm - power electronics, drones Pietro Riparbelli - composition
pt.III [Epopteia] Burial Hex - piano and effects Andrea Marutti - sinth, drones, concrete sounds Pietro Riparbelli - organ, voices, composition
pt.V Luciano Maggiore - concrete sounds Aderlating - concrete sounds, drones Philippe Petit - concrete turntablism Andrea Marutti - sinth Pietro Riparbelli - organ, composition
TELE.S.THERION "NEKRMANTISCHE HEXENTVM [TA MEGALA MYSTERIA]"
Acousmatic Black Metal
Scores, enharmonic electric bass, enharmonic bow,
tape, percussions, silence.
Seven secret mental representations are the concrete musical score that lead the execution of this suite; a silent guide for all the improvised instrumental recording sessions as unique form of non-idiomatic scoring. In this program the destruction of quadrature it's set to achieve a temporal awareness where each kind of perceptive rhythm decay thus experiencing the subjective rhythmization. There's no vocal execution involved in these recordings: secondary frequencies and non-harmonic resonances can evoke auditory hallucinations.
◢◢◢ WARNING:
Thanato-aural fields can cause anxiety, confound, fear,
terror, threat, deceive, dread and trigger startle reflexes.
◢◢◢ INCLUDED CONTENTS:
◢ "MASTER STUDIO EDITION" | LENGTH: 7 HOURS (c.)
[AUDIOPHILE QUALITY] FORMAT:*.WAV FILES | 24 BIT 96 kHz
DIMENSIONS: 13.353 GIGABYTE (c.)
ARTWORK: *.JPG - HIGH RESOLUTION
DOWNLOADABLE FILE: *.ZIP FILE
NOTE: THIS IS A FREE EXTRA DOWNLOADABLE SECRET LINK
INCLUDED INTO THE REGULAR DIGITAL ALBUM AS *.TXT FILE FORMAT.
◢◢◢ EDITION:
Published By:
Radical Matters - Editions / Label | 2022
Edition: Studio Master 24 bit 96 kHz
Catalogue: RMDE017
Licensed by: CC by nc nd 3.0
TELE.S.THERION with LUNURUMH
"Hinthv Ritvvm | LLZ [Ao - 4 MN c. P22AT + x]"
LIMITED EDITION TO: 9 one of a kind pieces.
This sound object, and the related sound art installation based on the principles of acoustic gramophone, coinceived and designed as a site specific opera for the Etrusca Museum, was designed to expand the usual techniques of sound reproduction, extending the possibilities of projection and sound spatialization, making it also a ritualistic mantic instrument. The vinyl is engraved with the recording of "Liber Linteus [Ao - 4 MN c. P22AT + x]" | LLZ | conceived to one voice, made by Ukrainian's artist Lunurumh (Astral Lueur, Virvel Av Morkerhatet), where the singer performs special techniques of singing.
A k o u s m a t i k o i : SG: Concept design, sound object, sound installation, lyrics. Lunurumh: Voice.
This sound object it's composed by: One of a kind 12 inch vinyl recorded at 78 rpm., three cones of paper, three needles, three metal supports, a metal ring, a black square, a long screw to spin the record | Pubblished by: Radical Matters - Editions/Label | Catalogue: RMLE066 | Licensed by: Creative Commons | by-nc.nd.3.0 | 2013
This sound object it's a phono-mediumistic set created with a shining circle of authors,
cathalized by the pioneer and master of the black industrial musical genre:
MZ.412 (and his mastermind HENRIK NORDVARGR BJORKK).
The content of this special concept album, conceived, designed and released by RM-ED/L, is a compendium in the form of Grimoire; a special magical device for metaphisical pratiques of ancient form of manteia (divination) based on the occult side of the risonance of the sound.
About the GRIMOIRE CD-R device: The audio content of the CD-R is developped by the original recordings made by all the authors involved in the CD format where they operas are explicitally composed as a demoniacal evocation "formed with sound".
This audio cd-r is initially manipulated in studio, only to excite the very low frequencies of the original recordings. The result was played with loud speakers and re-recorded live with special microphones, during a liminal cojuntion of events (date 08 November 2008), 13 meter under the ground, during the 16th event of the Etruscan magic astronomy, towards the north-west sol-stitium of Manvtha, for the Samonios of the Triplici Mundus Patet; into an ancient Rasnakh ritual underground place, sited in the core of Tuscia: the Munisvle of Fanum Voltumnae.
Exciting the very low frequencies of the XIII evocations composed by all the authors involved, have permit to manifest the essences of their ritual recordings, through the demoniacal acoustic manifestation of their psycho induction. The particular condition of this second recording session, made in the Rasnakh Munisvle, have permitted to charge the recordings in itselfs with the live presence of the dead energy of the ancient spirits of darkness, which in this deeper underground temples, near the center of the earth, have the door for their reign.
MYSTERIUM CONIUNCTIONIS - GOETIC SCRYING RITUALIS:
The box also include some basic instructions to use the phono medianic set, composed by:
a special packege contening the sacred Unicursal Hexagram stylization as pop-up,
an handmade trapezoid black mirror
a special cabled speaker-packaging able to be connected into your stereo hi-fi.
BLACK INDUSTRIAL GRIMOIRE
ARCANI VMBRARUM REGNI
SI.VM E.T A V VM
(Silence is golden) CD Track list:
I - DRAKH - NUMEREVIL
II - GNAW THEIR TONGUES - BLEEDING LIKE DOGS
III - STEEL HOOK PROSTHESES - THE INVOKATION OF MERIHIM
IV - BREATH OF CHAOS - NOTHING REMAINS THE SAME
V - MELEK-THA - HABORYM
VI - ORDO TYRANNIS - CHORONZON ARIA
VII - BATCHEEBA - LEMEGETON PLACENTA
VIII - MICHAEL W FORD - INVOCATION TO AHRIMAN
IX - DEADWOOD - 218
X - GRAUEN PESTANZ - VOLUPTUS A LETUM
XI - UTARM - CRUSHING INFINITY
XII - *TELESTHERION with: WILDNESS PERVERSION of MORTUARY DRAPE - GRIMOIRE.XIII
XIII - MZ.412 - CURSED IN THE NAME OF ENKI
Full lenght audio: 77:77 min.
M.:.M.:.M.:.M.:.L.:.
PHONO MEDIUMISTC SET (CDR)
Track list:
ENCHANTMENT - I
ENCHANTMENT - II
ENCHANTMENT - III
ENCHANTMENT - IV
ENCHANTMENT - V
ENCHANTMENT - VI
ENCHANTMENT - VII
ENCHANTMENT - VIII
ENCHANTMENT - IX
ENCHANTMENT - X
ENCHANTMENT - XI
ENCHANTMENT - XII
ENCHANTMENT - XIII
Full lenght audio: 33:33 min.
In quo tamen tota philosophia ermetica figuris in umbras,
tacere audireque, solisque filiis artis dedicatus,
atque esse iam coeperant silentio eruditi,
autore eius nomen est sigelion,
aaru mega therion.
Concept design, sound object, compiled, editing, curating and manufacture: RMEDL|SG
Special Artwork: BOX INCLUDING : CD + CDR + BLACK MIRROR + SPEAKER / Mediumistic phono set - Every element of the set is printed manually with a special laminated golden and silver metals, on a very special Fedrigoni's cardboard, shaped as handmade digipack.
A new re-edition with a newly packaged designed by CS, for this black ritual ambient jewel. A winter solstice ep for dark months. Containing an exact account of sonic rituals to be undertaken in the dark hours of the longest night. A bathe of blackness that seals the passing of dark's kingdom and yields yet again to the growing light. Available since sunrise on December 21st 2010
Macabre, from the first wave of black metal (during 1986 as Necrophagy). This is the first of 2 cassette demo tapes (now lost) realised by the band in two years of activities. Many of the original audio material today are missed and this selection from the first demo tape "Macabre Rites" was saved and was provided for this digital re-issue, by the personal collection of an early era devotee. From the first wave of black metal era, including a live cover version of "Blasphemer" by Sodom. For fans of early Celtic Frost, Infernal Majesty, Sodom and Possessed!
Formed in 2005 "Movimento d'Avanguardia Ermetico" is a raw and introspective black metal band. The current line-up is composed by Yog (vocals, bass and drums) and Ans (guitars). A real jewel of ermetism and pagan culture. This Ep contain a large collection from the first era of this proud Italian cult, including for the first time the core of the secret lyrics of "Guerriero"!.
Full lenght audio: 40':00" Edition, Curating, Design by RMEDL | SG.
Original re-release of the first original tape. This is the first official digital re-issue of the great seminal tape-cassette of this weird and unconventional group-collective, with the artwork realised by Kevin Gan Yuen.
Note: the first track is a collaboration with Nick Phit from Graves at Sea, and the second track is a collaboration with Leudke.
Genuine experimental black psychic weirdness!!!
Full lenght audio: 27':00" Edition, Curating By RMEDL | SG
Artwork Design by Servile Sect | Kevin Gan Yuen
A great free downloadable Web Edition, of the legendary split 7 inch Vinyl between The Austrasian Goat and L'Acephale, here with two unreleased additional tracks! This Ep is born to tributing the composition of the titletrack of the L’Acephale side, called L'Impossible: a new mystic descend, over the auto-sacrifice of the headless, a pionieristic avantgarde research into the practice of the impossible! Extreme music and conceptual art. Joined to the heavy wavemass of The Austrasian Goat.... believe me: it's a Must!
Originally Realised In November 2009 As: The Austrasian Goat / L'Acephale. Two tracks Vinyl 7" Single. Limited Edition to 350 copies. Labels: 213 Records, Amertume-Corruption, At War With False Noise, Cold Void Emanations, Krusty Le Clown Records, New Scream Industry, Wee Wee, Odio Sonoro.
"Winternacht" and "No Crowd Will be Mine" are bonus tracks for this web edition. The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package (format UNI A3).
AVAILABLE FOR A LIMITED TIME - FROM TUESDAY 12 OCTOBER 2010UNTILL SUNDAY 31 OCTOBER 2010.
Specifically conceived for SATAN'S TASTEMAKERS Podcast alterati.com
A monumental hermetic ephemera opus where are collected 5 differents chapters: an high shining selection from some RMEDL concept albums (published ONLY as Cd or Cdr) from the beginning of RMEDL untill today! The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package.
Content list:
QUINTESSENCE - ALBUM I - A.R.C.A.N.O.R.V.M.
AAVV - the raising album 2008 - 2010
QUINTESSENCE - ALBUM II - O.R.T.O.S.V.O.D.U.M.
RMEDL - the raising album 2005 - 2007
THE ART OF FORCED LOCKED GROOVES
The esoteric side of concrete turntablism
QUINTESSENCE - ALBUM III - S.E.C.R.E.T.O.R.V.M.
TELE.S.THERION - the raising album 2008 - 2010
QUINTESSENCE - ALBUM IV - C.O.H.O.B.A.T.I.O.N.V.M.
AAVV - the raising album 2006 - 2010
Acousmatic black metal.
Music for loudspeakers, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience. With this key, each Tele.s.therion releases, it's designed as Acousmatic Device. The compact discs listed here are conceived to be played in a double Hi-Fi system, for a private sound installation.
This conceptual album is composed by six stereophonic audio recordings, designed to be performed, simultaneously, in a site specific acousmonium, a multi dimnensional sound diffusion system, to create a penetrable projection area, specificaly arranged with a view to spatialised polyphony, to your personal mysteric experience of immersion in sound. To use this concept album as an acousmatic device for expanding the ordinary possibilities of the private listening, it is suggests to duplicate this audio cd and play two tracks at the same time, using simultaneously two differents players / hi-fi systems in random mode. Coinceived as acoustic audio installation for the Rothko Chapel.
A k o u s m a t i k o i :
SG : Concept design, PK (psychokinetic) recording sessions based on prepared electric-bass,
amplified within environmental feedback system, during metaphonic field-recording sessions.
K11 : Instrumental transcommunication actions with short-wave radio receivers.
Exploration of high-range distortions dimensions. Medianic chants.
Scores:
Black Painting I
Black Painting II
Black Painting III
Black Painting IV
Black Painting V
Black Painting VI
Full lenght audio: 61':'11''
Concept design, editing and manufacture: RMEDL | SG
A glommy droning flaming nightmare will come to your minds to burn it from inside! A brend new great masterpiece from the Australian great black noise Master. The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package.
TELE.S.THERION "BLACK PAINTINGS XII-XV - CHAPTER II"
Acousmatic Black Metal
1. Black Painting XII 05:10
2. Black Painting XIII 16:50
3. Black Painting XIV 23:52
4. Black Painting XV 10:11
Acousmatic Black Metal.
Music for loudspeakers and audience, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience.
This conceptual album is composed by four stereophonic audio recordings, designed to be performed, simultaneously, in a site specific acousmonium, a multi dimnensional sound diffusion system, to create a penetrable projection area, specificaly arranged with a view to spatialised polyphony, to your personal mysteric experience of immersion in sound. To use this concept album as an acousmatic device for expanding the ordinary possibilities of the private listening, it is suggests to duplicate this audio cd and play two tracks at the same time, using simultaneously two differents players / hi-fi systems in random mode. Coinceived as acoustic audio installation for the Rothko Chapel.
Concept design, editing and manufacture: RMEDL | SG
TELE.S.THERION "BLACK PAINTINGS VIII-XI - CHAPTER I"
Acousmatic Black Metal
1. Black Painting VIII 03:52
2. Black Painting IX 10:18
3. Black Painting X 13:50
4. Black Painting XI 08:12
This conceptual album is composed by four stereophonic audio recordings, designed to be performed, simultaneously, in a site specific acousmonium, a multi dimnensional sound diffusion system, to create a penetrable projection area, specificaly arranged with a view to spatialised polyphony, to your personal mysteric experience of immersion in sound. To use this concept album as an acousmatic device for expanding the ordinary possibilities of the private listening, it is suggests to duplicate this audio cd and play two tracks at the same time, using simultaneously two differents players / hi-fi systems in random mode. Coinceived as acoustic audio installation for the Rothko Chapel.
Concept design, editing and manufacture: RMEDL | SG
L'ACEPHALE
NOTHING IS TRUE, EVERYTHING IS PERMITTED (AIWASS 93 MIX)
A monumental opus of magick from the graet lodge of L'Acephale! A must!! Nothing is True, Everything is Permitted is an alternate mix of a song of the same name on "Malefeasance" released by Aurora Borealis Records www.aurora-b.com. The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package.
TELE.S.THERION
with WILDNESS PERVERSION of MORTUARY DRAPE
"GRIMOIRE XIII"
1. GRIMOIRE XIII [Arcanvm Vmbrarvm Regni] - SIDE A 10:25
2. GRIMOIRE XIII [Arcanvm Vmbrarvm Regni] - SIDE B 09:36
3. GRIMOIRE XIII [Arcanvm Vmbrarvm Regni] [ALTERNATE VERSION] 09:25
4. GRIMOIRE XIII [Arcanvm Vmbrarvm Regni] [ALTERNATE VERSION - FOR ENHARMONIC BASS AND VOICE] 09:29
TELE.S.THERION
"GRIMOIRE XIII" was originally published for the concept album / sound object / phono mediumistic set:
"BLACK INDUSTRIAL GRIMOIRE"
ARCANI VMBRARUM REGNI
SI.VM E.T A V VM
(Silence is golden)
CD Track list:
I - DRAKH - NUMEREVIL
II - GNAW THEIR TONGUES - BLEEDING LIKE DOGS
III - STEEL HOOK PROSTHESES - THE INVOKATION OF MERIHIM
IV - BREATH OF CHAOS - NOTHING REMAINS THE SAME
V - MELEK-THA - HABORYM
VI - ORDO TYRANNIS - CHORONZON ARIA
VII - BATCHEEBA - LEMEGETON PLACENTA
VIII - MICHAEL W FORD - INVOCATION TO AHRIMAN
IX - DEADWOOD - 218
X - GRAUEN PESTANZ - VOLUPTUS A LETUM
XI - UTARM - CRUSHING INFINITY
XII - *TELESTHERION with: WILDNESS PERVERSION of MORTUARY DRAPE - GRIMOIRE.XIII
XIII - MZ.412 - CURSED IN THE NAME OF ENKI
TELE.S.THERION
with ASTRAL LUEUR [Lunurumh]
HINTHV RITVVM
Music for loudspeakers, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience. With this key, each Tele.s.therion releases, it's designed as Acousmatic Device. The compact discs listed here are conceived to be played in a double Hi-Fi system, for a private sound installation.
This conceptual album is designed as a private ritual audio installation. An acousmatic four channels piece for two hi-fi systems: It is an audio-set composed by two CDs planned to be played simultaneously. You could play and listen just one cd at time, or you could play both the cd's at the same time, using two differents cd players linked to two differents hi-fi systems, both set at the same volume, to create the four channels acousmatic piece, and open yourself to the phono-medianic ritual. This album must be intended as an acousmatic device able of expanding the ordinary possibilities of the private listening and it is presented in the form of audio installation experience for speackers and audience, in the key of the ancient necro-mantical mysteric cults.
Original ritual Lyrics elaborated from the Etruscan occult ritual text “Liber Linteus Zagrabiensis”, "The Etruscan Liver of Piacenza", "The Pyrgi Tablets", and the Sumerian occult ritual texts called “Maqlu” and “Shurpu”.
A k o u s m a t i k o i : SG : Concept design, PK (psychokinetic) recording sessions based on prepared electric-bass,
amplified within environmental feedback system, during metaphonic field-recording sessions. Lyrics. Lunurumh | Astral Lueur: Voice. K11: Audio Mastering. Silence.
Scores:
DISC ONE
I - Maqlu Shurpu tablets [3]
II - The Pyrgi Tablets - pt.I [25 a H - as]
III - The Pyrgi Tablets - pt.II [S 3]
IV - Carme [E S 5]
V - Liber Linteus [B 18 A - 4 + x p22AT]
DISC TWO
I - Chant [9 S c]
II - Chant [P B S 6 ds c c 93 - A G - dS P A I]
III - Chant [S 1]
IV - Etruscan Liver [x p 17 B AT - 3 c v a]
Full lenght audio: 44':44'' + 33':33''
Concept, editing and manufacture: RMEDL|SG
Music for loudspeakers, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience. With this key, each Tele.s.therion releases, it's designed as Acousmatic Device. The compact discs listed here are conceived to be played in a double Hi-Fi system, for a private sound installation.
This conceptual album is based on the album of Current 93 "Nature Unveiled" (Ach Golgotha - Maldoror Is Dead; The Mystical Body Of Christ InChorazaim - The Great In The Small) by L.A.Y.L.A.H. Antirecords, 1984.
A k o u s m a t i k o i :
SG : Concept design, PK (psychokinetic) recording sessions based on prepared electric-bass,
amplified within environmental feedback system, during metaphonic field-recording sessions.
K11 : Instrumental transcommunication actions with short-wave radio receivers.
Exploration of high-range distortions dimensions. Medianic chants.
Scores:
I
- pt.I
- pt.II
- pt.III
- pt.IV
II
Full lenght audio: 66':'06''
Concept design, editing and manufacture: RMEDL | SG
LUZIFERS ABSCHIED
Tracks list:
I Eingang | Periode I-IV
II Periode V-VI
III Periode VII-IX
IV Periode X-XII
V Periode XIII | Ausgang
TELE.S.THERION
Scores, composition, enharmonic electric bass | Audio mixing.
In large ensemble with:
Lunurumh - voices
Michel Doneda - soprano saxophone
Le Quan Ninh - percussion
Jason Van Gulick - drum
Kasper T. Toeplitz - bass
Antoine Chessex - tenor saxophone
Paolo Sanna - waterphone.
A concept album based on the namesake fourth scene of «Samstag aus Licht», from the opera «Licht: die sieben Tage der Woche», composed by Karlheinz Stockhausen. These five compositions, are a specific result of an acousmatic audio-mixing process, where each author involved, has recorded a solo session of free improvisation, using as score only the enharmonic electric bass sessions, previously recorded, unknowing what each other author has recorded before.
Additional Mix and Mastering by Paolo Ambrogio Siconolfi.
Codice a barre e altri identificatori
Track List:
I. Torn Eternity In Rotten Vessels
II. Det Luktade Kyrkogårdjorden
III. Sommeil Mort L'aura
IV. Die Grabkette
V. Sparks Of Necromantic Dust*
Black Spectral Ambient from Ukraine. A journery in dark landscapes, horrorific scenes, strange forests, old catacombs, graveyard and crypts. All music saturated with ghost atmosphere, spectral visions, through emotional variations that is enriched by whispers, demonic voices and various weird sounds. For adepts of dark/black ghostly ambient music bands like Aghast, Amaka Hahina, Funereal Moon, Moëvöt, etc..
Lunurumh
All instruments.
Synth, Effects and Grim Voices.
All Music by Astral Lueur.
Recorded in 2009 at Ghostrum Studio.
Kyiv. UKreine.
Original realised by: Inchiostrum Record | Marco Grosso.
Catalogue: INC016 | limited to 30 copies | 2009.
* bonus track: "Sparks of Necromantic Dust"
original released by inchiostrum record : aavv. "dark christmas 2" | 2010.
Logotype by: Dmartkot
Edition, Curating, Design by: RMEDL | SG.
RMEDL / K11 | Chthonian Music | THE OFFICIAL REISSUE
Score:
I - Mvndvs [Munth]
Francisco Lopez - field recording, acousmatic re-processing.
Seth Cluett - deep low frequencies sounds
Pietro Riparbelli - distorted organ, mixing
II - Katábasis
pt.I
Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett.
Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks
Pietro Riparbelli - organ, composition
pt.II
L'Acephale - guitar, drum, voice
Utarm - power electronics, drones
Pietro Riparbelli - composition
pt.III [Epopteia]
Burial Hex - piano and effects
Andrea Marutti - sinth, drones, concrete sounds
Pietro Riparbelli - organ, voices, composition
pt.V
Luciano Maggiore - concrete sounds
Aderlating - concrete sounds, drones
Philippe Petit - concrete turntablism
Andrea Marutti - sinth
Pietro Riparbelli - organ, composition
RMEDL / K11 | Chthonian Music | THE OFFICIAL REISSUE
Reissue of an extremely limited 2010 release (x50 private copies). This multi-dimensional collaborative opera (audio installation and concept album) is a bridge between the conception of sound within the contemporary art scene, post-industrial culture and the avantgarde black metal musical scene. It focuses on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recording practices of acoustic phenomena.
Radical Matters - Editions / Label | SG
Presents the hermetic multidimensional concept album
"CHTHONIAN MUSIC" :
Music composed, played and directed by K11 Pietro Riparbelli
Concept, ideation, site specific project direction, screenplay, score, texts, lyrics, sigils and design of the editions: RM-ED/L | Sandro Gronchi. 2 channels and multi channel audio composition, performing, mixing, mastering and real-time spatialization processing by Pietro Riparbelli. Acoustic installation by Sandro Gronchi and Pietro Riparbelli. Recording sessions: Francisco López, Christina Kubisch, Massimo Bartolini, Seth Cluett, Y.E.R.M.O., Francesco Brasini / Seven Guitars, Luciano Maggiore, Gianluca Becuzzi, Andrea Marutti, Philippe Petit , Deadwood, Burial Hex, Aderlating, Utarm, Nordvargr, L'Acephale. This conceptual album is a 2 channel stereo hi-fi transposition of a related site specific multi-channel acoustic installation set, based on the sound spatialization system I.M.E.A.S.Y, both developped from the hermetic multidimensional sound art project Chthonian Music, conceived by RMEDL to be performed in an ancient Etruscan hypogeum sited in Cecina (Italy), during the spring solstice (Ante Diem Duodecimum Kalendas Apriles) within the programmatic-conceptual event "Metasound – Independent Curatorial Experiences in ntemporary Art: from the object up to the event: sound art, multimedia and practice of the art of listening",an hypermedial site-specific project, cured by SG as RMEDL, installed within the archaeological park of Cecina, in the core of the ancient Tuscia.
This conceptual album and the related audio installation are musically composed by Pietro Riparbelli / K11 who playing organ, voices, drum and directis the recording sessions of the acoustic sources produced by the previous mentioned artists, expecially conceived by the authors for this project. This multidimensional collaborative opera is a bridge between the conception of sound within the contemporary art scene, the postindustrial culture and the avantgarde black metal musical scene, focusing on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recordings practices of the acoustic phenomenas.This project is based on the study of the territory where Cecina stands today, already known in Etruscan age with the name of Kaikne or Kaikna and was inhabited in Roman times, when an imperial personality, the consul Albino Cecina who was a descendant of an ancient Etruscan family that came from Volterra (Velathri), ordered the construction of a villa, the ruins of which are still visited in San Vincenzino.
The surrounding area of Cecina, knew a long period of decline, which began with the decline of the Etruscan civilization and marked during the Roman domination. However in medieval times the name of the Tuscan town was quoted by Dante Alighieri (Inf. XIII, 7). The peculiar state of re-veiling of the historical roots of Cecina town, began in the Roman construction plant of the Albini Villa by the department of archaeological sciences of the University of Pisa (in this contest stands the discovery of a headless statue in Egyptian alabaster that represents Isis). It becomes the right condition for the staging of meta-curator project Metasound through which a witness is shown, though as a part of a state of the art research on aesthetic trans-operative promoting by RM-ED/L. The choice of the roman cistern and its adjacent mysteric tunnels, as the core of the catabasis experience intrinsec in the concept of Chthonian Music. and as sound-chamber of the related acoustic installation, comes from the study on the symbolic meaning of places of worship, that was developed in Etruscan age - civilization that first settled in the adjacent grounds to the Cecina river. The re-veiling of the etruscan settlement, roman villa and medioeval cemetery, in the small park of San Vincenzino, opens to the possibility of considering the reading of the archaeological sites in their likely original function of sacred hypogeum. The cavity of the cistern, thus, becomes a possible reuse of an earlier site of Etruscan origine, with a more likely symbolic function of a place consecrated to the worship of Chthonic Deities. Demeter-Persephone (Phersipnai) was the goddess which was based the religion of the Mysteries, imported by the Etruscans in Italy.
Kidnapped by Hades and carried in the realm of the underworld, becaming the queen of the hell through his ritual death. Demeter, the goddess of the earth got that Persephone / Phersipnai reigned during the winter months and in the remaining months could return to earth, whose myth is the awakening of the soul and its cyclical path of death and transfiguration. Delving into the dark recesses of the earth, meant to open a gate to a supernatural dimension. Tunnels and mazes of paths represented the symbolic difficult journey of the soul towards a higher life. Exit from the bowels of the land, from the darkest recesses of the earth and the human soul, represents the rebirth of the soul to a higher level of living. The annual return of Phersipnai on earth among the living, coincided with the beginning of spring, and on this occasion were celebrated the Lesser Mysteries, or the second Birth. On this occasion, wizards with snakes twisted on the arms, moved at the flickering light of torches in long orgiastic processions (Nuktélia) that ended with a search of the queen Phersipnai.Hetrvria Hermetica.
Audio Score:
Score:
I - Mvndvs [Munth] Francisco Lopez - field recording, acousmatic re-processing. Seth Cluett - deep low frequencies sounds Pietro Riparbelli - distorted organ, mixing
II - Katábasis
pt.I Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett. Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks Pietro Riparbelli - organ, composition
pt.II L'Acephale - guitar, drum, voice Utarm - power electronics, drones Pietro Riparbelli - composition
pt.III [Epopteia] Burial Hex - piano and effects Andrea Marutti - sinth, drones, concrete sounds Pietro Riparbelli - organ, voices, composition
pt.V Luciano Maggiore - concrete sounds Aderlating - concrete sounds, drones Philippe Petit - concrete turntablism Andrea Marutti - sinth Pietro Riparbelli - organ, composition
TELE.S.THERION "TELE.S.THERION"
The Raising album published by Paradigms Recordings.
Score:
I - Black Painting I
II - The Etruscan Liver
III - Grimoire XIII (with WILNESS PERVERSION - Mortuary Drape)
IV - The Pyrgi Tablets
V - Black Painting VII
VI - Liber Linteus
VII - Nature Unveiled I pt.V
Artwork: Presented as a special mirco-edition of 100 copies only!
Manufactured cdr encased in silkscreened arigato box with insert.
Concept design, editing: RMEDL|SG
Published and manufacture by: Paradigms Recordings (UK) 2011
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