AUTHOR: PAUL CHAIN

TITLE: SATAN'S FUTURE

Paul Chain
Satan's Future
1981
Dying Edition

Edizione d'arte a tiratura limitata: 50 esemplari numerati a mano e certificati.

Art Edition: Strictly limited to 50 hand-numbered copies with certificate of authenticity.

"Per me la morte è la base di tutto. [...] Anche il cimitero è un luogo molto importante per me; di esso ne ho sempre sfruttato tutto. [...] La gente ha un'opinione distorta del cimitero, crede che sia la porta dell'aldilà o chissà cosa; invece esso è solamente il posto dove vengono deposti i cadaveri, mentre l'energia si è già trasferita da un'altra parte. Quindi nel cimitero c'è questa assenza d'energia che col tempo sono riuscito a percepire e grazie alla quale ho capito molte cose". - Estratto da "Filosofia Viola", intervista a Paul Chain di Marco Cavallini, del 2 Aprile 1996, Sadsunmusic.com -

The Dying Edition. Sound mummification and the art of fixed sounds:
Hand made hard cardboard Box, Limited to 50 copies hand-numbered, Printed cotton fabric, 7 inch folder, Cd, Inserts, "C60% H6% O32% N2%", Hand printed b/w Photos, Ceramic record. All of the components of this edition are intended to die.

The recordings contained within, were selected from the "relative Tapes" for thir symbolic connectedness to other specific pieces included in four of the official albums released by Minotauro Records.

CERAMIC RECORD:
The ephemeral ceramic record is designed to dissipate as a result of being played. The sound waves contained within are consumed each time it is played on a turntable, until they have once and forever disappeared, and in their place will remain mute ash.
01 - Satan's Future  (1981)     5:27
Ephemeral single sided record, 45 prm.

+

CD ARCHIVE TRACK LIST:

01 - Satan's Future    (1981)     5:27
Paul Chain.

02 - Brain Sea   (1984)      5:06
Paul Chain.

03 - Ghosts Of The Past [Spettri Del Passato]    (1981)  14:05
Paul Chain: Sinth and Effects;
Milena Lanciaprima: Violin;
Giuseppe Cardone: Drum Machine and Percussion.

04 - Electric Line  (1980)  4:20
Paul Chain.

05 - Oblivious Part 2  (1989)  5:15
Paul Chain.
 

+
 

Paul Chain (1977-2003)
Artistic death declared on April 5, 2003
This ‘dying edition’ represents the conceptual interment of this artistic ‘body’.
Its final grave.

Reproduced with permission of the copyright owner:
Minotauro Records - Music from the labirinth  | Marco Melzi.
Audio editing and re-mastering by: Elettroformati Milano.
Original Photos courtesy by: Fulvio Zagato | Paul Chain Official Fan Club.
Handmade printed photos by: Andrea Sozzi.

Concept and edition design, curating and manufacture by: RMEDL|SG
Published: April 5 2016 | Radical Matters - Editions/Label
Licensed by: Creative Commons.
Catalogue: RMLE085
 

LIMITED EDITION: 50 certified copies.

RELATED RELEASES:

Audio-catalogue.
Sound Corner 21 / Auditorium Parco Della Musica, Roma.

Audio-catalogue.
Akusmata Sound Art Gallery | Tukholmankatu 7 K, 00270 Helsinki, Finland.

Unique exemplar | Private collection

Paul Chain (1977-2003) dichiara la sua morte artistica il 05 Aprile 2003.

Lo scorso anno, per l’intero mese di Aprile, è stata presentata in anteprima, presso il Sound Corner dell’Auditorium - Parco della musica di Roma, la documentazione sonora del progressivo disfacimento fonografico dell’oggetto sonoro in ceramica contenuto in questa edizione “morente, concepita, assieme ad altri 4 multipli d’arte che seguiranno questa pubblicazione (il cui materiale originale, digitalizzato, si trova nel cd-archivio compreso nell’edizione), per rendere omaggio all'opera dell'artista Paul Chain, ed alla sua personale ricerca escatologica, l' “antica filosofia della morte o magia viola*”.
(*da "Detaching From Satan")

Ogni parte di questa edizione concettuale è stata progettata seguendo i suggerimenti lasciati dall'autore, il quale crede fermamente che il potere nascosto di queste registrazioni dovrebbe essere lasciato morire. Questa "edizione morente" rappresenta così l’inumazione concettuale di questo corpo artistico, la sua sepoltura finale.

Questa edizione d’arte, e gli elementi che la compongono, sono stati progettati per deperire nel tempo, fino al  loro completo disfacimento, alla loro totale consunzione, fino a svelarne la forma "sublime", per diventare così oggetto di pura contemplazione.

La particolare terra che compone l'opera, ricca di materiale organico, è l'elemento chimico catalizzatore di tale processo. Allo stesso modo, l’oggetto sonoro in ceramica contenuto nell'edizione, consumerà via via le onde sonore incise attraverso il processo stesso di riproduzione, che avviene per frizione meccanica della puntina del giradischi sul disco stesso. Lentamente, scompariranno ad ogni ascolto, lasciando solo mute ceneri. Questo nuovo "corpo artistico" così sublimato, potrà essere conservato ed ammirato nella sua nuova natura di reliquia.



The Dying Edition. Sound mummification and the art of fixed sounds:

DESCRIZIONE DEL CONTENUTO:
Fine art box-set realizzato a mano, stola in contone stampata oro, artwork formato
7 pollici, Cd archivio, stampe ed inserti, certificazione, "C60% H6% O32% N2%", disco bianco in ceramica realizzato a mano,  2 fotografie b/n stampate a mano.


OGGETTO SONORO / DISCO IN CERAMICA:
Satan's Future  (1981)
Single sided record, 45 prm.


CD ARCHIVIO:
01 - Satan's Future (1981)
02 - Brain Sea (1984)
03 - Ghosts Of The Past [Spettri Del Passato] (1981)
04 - Electric Line (1980)
05 - Oblivious Part 2 (1989)
 

AUTHOR: PAUL CHAIN

TITLE: SATAN'S FUTURE | Ceramic master disc [Unique exemplar]

NOT FOR SALE / PRIVATE COLLECTION

Paul Chain "Satan's Future"
1981 - 2015
RMEDL | Dying Edition
Cassette Tape Master Source | Ceramic Disc

Unique exemplar / Private collection

Contenuto:
I. Disco in ceramica: disco in copia unica, inciso a 45 rpm, master originale dell’esecuzione registrata su nastro magnetico, pubblicata da RMEDL e realizzata in occasione dell'audio diffusione pubblica, tenutasi presso Sound Corner, Auditorium -Parco Della Musica, Roma. L’audio originale è stato reso disponibile per gentile concessione di Marco Melzi, Minotauro Records. Il disco di ceramica è un oggetto sonoro effimero che è stato progettato per essere consumato durante il suo ascolto, durante il processo stesso di riproduzione, che per frizione meccanica della puntina del giradischi, sul disco in ceramica, ha consumato via via i microsolchi fonografici incisi. Lentamente le onde sonore sono scomparse, lasciando solo muta polvere. 

II. Polvere: polvere di ceramica, derivata dalla consuzione del disco durante la sua esecuzione registrata su nastro.

Stampa su carta: copertina dell’edizione su cassetta.

III. Fotografia: stampata fotografica da negativo realizzata in copia unica da Andrea Sozzi.
L'immagine originale è stata resa disponibile da Fulvio Zagato, Paul Chain Official Fan Club.


05 Aprile 2015 (05 Aprile 2003 / 05 Aprile 2015)
Auditorium -Parco Della Musica, Roma.

Esemplare Unico.
Pubblicato da: Radical Matters - Editions/Label

Ogetto sonoro, edizioni, concept design, editing e manufattura:
RMEDL | Sandro Gronchi.


RELATED EDITIONS:

AUTHOR: MICHAEL ESPOSITO

TITLE: The Maladjusted of Manteno Asylum

ORDER YOUR COPY [Ask For The Shipping Cost]

MICHAEL ESPOSITO | Phantom Plastics
[Michael Esposito & Patrick Esposito]
"The Maladjusted of Manteno Asylum"

SOUND OBJECT VERSION :

7"ARTWORK PACKAGE
+ FINE ART CDR
+ 7" ONE SIDE GLUE RECORD
+ E.BOOK (194 PAGES PDF FORMAT)


This opera it is based on the E.V.P. researches by Michael Esposito, conducted in the years in the Manteno State Hospital (1927 – 1985), located in rural Manteno Township, Kankakee County, Illinois. The Sound Object version include a fine art CDR and a seven inch GLUE RECORD, playable in regular amplified turntables, to discover and reveal other psychoacoustics dimensions of this metaphysic piece, using this opera as device for your direct instrumental transcommunication experiments. This work include also a special e.book of meta-photography sessions, psi-focused on the residual energies of three original pictures of the Manteno State Hospital and conceived to explore the psychic drifts connected to the main building and to the hydrotherapy rooms of this abandoned psychiatric hospital.

AUTHOR: MASSIMO BARTOLINI / NICHOLAS ISHERWOOD

TITLE: HUM

Massimo Bartolini | Nicholas Isherwood - HUM

Artist's multiple edition. 12-inch vinyl record picture disc. Published in 3 unique copies.

Audio:
Recording, one-off, on 12-inch vinyl record picture disc format. Produced by Fondazione Musica per Roma. Edited and published by Radical Matters - Editions/Label. Voice: Nicholas Isherwood, mural painting, record player, amplifier, speakers. | Nicholas Isherwood sings the Glenn Gould's labial while performing the "Goldberg Variations" 1981.


HUM | Massimo Bartolini | Curated by: Anna Cestelli Guidi | Voice: Nicholas Isherwood.
23 November – 09 Dicember 2012 | One Space / One Sound - AuditoriumArte | Produced by: Fondazione Musica per Roma - Auditorium – Parco della Musica, Roma, Italy | Recorded and ingeneering : Modulo Recording Studio - Riccardo Parravicini - Cuneo - Italia | Nicholas Isherwood sings the Glenn Gould's labial while performing the "Goldberg Variations" 1981.



Concept design: Massimo Bartolini
Curating: Anna Cestelli Guidi
 

Edited by: RMEDL | SG | 2012
Catalogue: RMLE055
Published by: Radical Matters - Editions/Label

AUTHOR: TELE.S.THERION

TITLE: NEKRMANTISCHE HEXENTVM [TA MEGALA MYSTERIA]

SOLD OUT

TELE.S.THERION "NEKRMANTISCHE HEXENTVM [TA MEGALA MYSTERIA]"
Acousmatic Black Metal

Scores, enharmonic electric bass, enharmonic bow,
tape, percussions, silence.

Seven secret mental representations are the concrete musical score that lead the execution of this suite; a silent guide for all the improvised instrumental recording sessions as unique form of non-idiomatic scoring. In this program the destruction of quadrature it's set to achieve a temporal awareness where each kind of perceptive rhythm decay thus experiencing the subjective rhythmization. There's no vocal execution involved in these recordings: secondary frequencies and non-harmonic resonances can evoke auditory hallucinations.

◢◢◢ WARNING:
Thanato-aural fields can cause anxiety, confound, fear,
terror, threat, deceive, dread and trigger startle reflexes.

◢◢◢ INCLUDED CONTENTS:
◢ "MASTER STUDIO EDITION" | LENGTH: 7 HOURS (c.)
[AUDIOPHILE QUALITY] FORMAT:*.WAV FILES | 24 BIT 96 kHz
DIMENSIONS: 13.353 GIGABYTE (c.)
ARTWORK: *.JPG - HIGH RESOLUTION
DOWNLOADABLE FILE: *.ZIP FILE
NOTE: THIS IS A FREE EXTRA DOWNLOADABLE SECRET LINK
INCLUDED INTO THE REGULAR DIGITAL ALBUM AS *.TXT FILE FORMAT.

◢◢◢ EDITION:
Published By:
Radical Matters - Editions / Label | 2022
Edition: Studio Master 24 bit 96 kHz
Catalogue: RMDE017
Licensed by: CC by nc nd 3.0

AUTHOR: RMEDL / K11 / | WITH AAVV : / ANDREA MARUTTI / LUCIANO MAGGIORE / BURIAL HEX / PHILIPPE PETIT / Y.E.R.M.O. / SETH CLUETT / CHRISTINA KUBISCH / FRANCISCO LOPEZ / ADERLATING / GIANLUCA BECUZZI / UTARM / MASSIMO BARTOLINI / DEADWOOD / L'ACEPHALE / NORDVARGR / HENRIK NORDVARGR BJORKK / SEVENGUITARS

TITLE: CHTHONIAN MUSIC

NOT FOR SALE / PRIVATE COLLECTION

Radical Matters - Editions / Label | SG
Presents the hermetic multidimensional concept album
"CHTHONIAN MUSIC" :
Music composed, played and directed by K11 Pietro Riparbelli

Concept, ideation, site specific project direction, screenplay, score, texts, lyrics, sigils and design of the editions: RM-ED/L | Sandro Gronchi. 2 channels and multi channel audio composition, performing, mixing, mastering and real-time spatialization processing by Pietro Riparbelli. Acoustic installation by Sandro Gronchi and Pietro Riparbelli. Recording sessions: Francisco López, Christina Kubisch, Massimo Bartolini, Seth Cluett, Y.E.R.M.O., Francesco Brasini / Seven Guitars, Luciano Maggiore, Gianluca Becuzzi, Andrea Marutti, Philippe Petit , Deadwood, Burial Hex, Aderlating, Utarm, Nordvargr, L'Acephale. This conceptual album is a 2 channel stereo hi-fi transposition of a related site specific multi-channel acoustic installation set, based on the sound spatialization system I.M.E.A.S.Y, both developped from the hermetic multidimensional sound art project Chthonian Music, conceived by RMEDL to be performed in an ancient Etruscan hypogeum sited in Cecina (Italy), during the spring solstice (Ante Diem Duodecimum Kalendas Apriles) within the programmatic-conceptual event "Metasound – Independent Curatorial Experiences in ntemporary Art: from the object up to the event: sound art, multimedia and practice of the art of listening",an hypermedial site-specific project, cured by SG as RMEDL, installed within the archaeological park of Cecina, in the core of the ancient Tuscia.

This conceptual album and the related audio installation are musically composed by Pietro Riparbelli / K11 who playing organ, voices, drum and directis the recording sessions of the acoustic sources produced by the previous mentioned artists, expecially conceived by the authors for this project. This multidimensional collaborative opera is a bridge between the conception of sound within the contemporary art scene, the postindustrial culture and the avantgarde black metal musical scene, focusing on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recordings practices of the acoustic phenomenas.This project is based on the study of the territory where Cecina stands today, already known in Etruscan age with the name of Kaikne or Kaikna and was inhabited in Roman times, when an imperial personality, the consul Albino Cecina who was a descendant of an ancient Etruscan family that came from Volterra (Velathri), ordered the construction of a villa, the ruins of which are still visited in San Vincenzino.

The surrounding area of Cecina, knew a long period of decline, which began with the decline of the Etruscan civilization and marked during the Roman domination. However in medieval times the name of the Tuscan town was quoted by Dante Alighieri (Inf. XIII, 7). The peculiar state of re-veiling of the historical roots of Cecina town, began in the Roman construction plant of the Albini Villa by the department of archaeological sciences of the University of Pisa (in this contest stands the discovery of a headless statue in Egyptian alabaster that represents Isis). It becomes the right condition for the staging of meta-curator project Metasound through which a witness is shown, though as a part of a state of the art research on aesthetic trans-operative promoting by RM-ED/L. The choice of the roman cistern and its adjacent mysteric tunnels, as the core of the catabasis experience intrinsec in the concept of Chthonian Music. and as sound-chamber of the related acoustic installation, comes from the study on the symbolic meaning of places of worship, that was developed in Etruscan age - civilization that first settled in the adjacent grounds to the Cecina river. The re-veiling of the etruscan settlement, roman villa and medioeval cemetery, in the small park of San Vincenzino, opens to the possibility of considering the reading of the archaeological sites in their likely original function of sacred hypogeum. The cavity of the cistern, thus, becomes a possible reuse of an earlier site of Etruscan origine, with a more likely symbolic function of a place consecrated to the worship of Chthonic Deities. Demeter-Persephone (Phersipnai) was the goddess which was based the religion of the Mysteries, imported by the Etruscans in Italy.

Kidnapped by Hades and carried in the realm of the underworld, becaming the queen of the hell through his ritual death. Demeter, the goddess of the earth got that Persephone / Phersipnai reigned during the winter months and in the remaining months could return to earth, whose myth is the awakening of the soul and its cyclical path of death and transfiguration. Delving into the dark recesses of the earth, meant to open a gate to a supernatural dimension. Tunnels and mazes of paths represented the symbolic difficult journey of the soul towards a higher life. Exit from the bowels of the land, from the darkest recesses of the earth and the human soul, represents the rebirth of the soul to a higher level of living. The annual return of Phersipnai on earth among the living, coincided with the beginning of spring, and on this occasion were celebrated the Lesser Mysteries, or the second Birth. On this occasion, wizards with snakes twisted on the arms, moved at the flickering light of torches in long orgiastic processions (Nuktélia) that ended with a search of the queen Phersipnai.Hetrvria Hermetica.

 

Audio Score:
Score:

I - Mvndvs [Munth]
Francisco Lopez - field recording, acousmatic re-processing.
Seth Cluett - deep low frequencies sounds
Pietro Riparbelli - distorted organ, mixing

II - Katábasis

pt.I
Christina Kubisch - tuning forks, electromagnetic filtered
sounds recorded with an inductiveheadphone system, cello flageolett.
Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks
Pietro Riparbelli - organ, composition

pt.II
L'Acephale - guitar, drum, voice
Utarm - power electronics, drones
Pietro Riparbelli - composition

pt.III [Epopteia]
Burial Hex - piano and effects
Andrea Marutti - sinth, drones, concrete sounds
Pietro Riparbelli - organ, voices, composition

pt.IV
Gianluca Becuzzi - crencrete sounds, drones
Massimo Bartolini - concrete sounds / field recordings
Francesco Brasini / Sevenguitars - guitars, amplifiers, enviromental feedbacks
Pietro Riparbelli - voice, drum, organ, composition

pt.V
Luciano Maggiore - concrete sounds
Aderlating - concrete sounds, drones
Philippe Petit - concrete turntablism
Andrea Marutti - sinth
Pietro Riparbelli - organ, composition

III - Nuktèlia
Nordvargr - drones, concrete sounds
Deadwood - drones, concrete sounds
L'Acephale - concrete sounds, guitar, violin, drum, piano Y.E.R.M.O. - concrete music, drones
Pietro Riparbelli - organ, composition




Full lenght audio: 80':'00''
Concept, screenplay, installation design, compiled, editing curating and manufacture: RMEDL|SG

AUTHOR: MICHAEL ESPOSITO

TITLE: The Maladjusted of Manteno Asylum

MICHAEL ESPOSITO | Phantom Plastics
[Michael Esposito & Patrick Esposito]
"The Maladjusted of Manteno Asylum"

ARTIST'S MULTIPLE VERSION :
HANDMADE NUMERED AND SIGNED BY THE AUTHOR

7"ARTWORK PACKAGE
+ ACOUSTIC PAPER TURNTABLE (with needle)
+ 7" ONE OF A KIND TRANSPARENT VINYL (unique's record cut)
+ INSERTS
+ E.BOOK 194 (PAGES PDF FORMAT)
+ UNEDIT 4 PAGES ARTICLE FROM THE SERIE "PHANTOM MONOGRAPH"


This opera it is based on the E.V.P. researches by Michael Esposito, conducted in the years in the Manteno State Hospital (1927 – 1985), located in rural Manteno Township, Kankakee County, Illinois. The Artis's Multiple version include an acoustic paper turntable, ready to play the one of a kind transparent vinyl spinned by your hands, (of course the vinyl it's also playable in regular amplified turntables), to discover and reveal other psychoacoustics dimensions of this metaphysic piece, using this opera as device for your direct instrumental transcommunication experiments. This work include also an unedit 4 pages article written by Michael Esposito, titled "The Housekeeper Dilemma", and a special e.book of meta-photography sessions, psi-focused on the residual energies of three original pictures of the Manteno State Hospital and conceived to explore the psychic drifts connected to the main building and to the hydrotherapy rooms of this abandoned psychiatric hospital.

AUTHOR: DEATH TRICHECO

TITLE: THE BRIEF HISTORY OF A DEAD WALRUS

DOWNLOAD NOW

DEATH TRICHECO "THE BRIEF HISTORY OF A DEAD WALRUS"
Dinamo Potente, Elvis G, Matteo Torcinovich.

A new aural shibari for your senses, from the o(dd)utsider psycho-industrial audio cassettes "Anfibi Mamifèri" (1989) and "Ballabilli" (1990)!

BORN IN 1988. WAS AN INDUSTRIAL EXPERIMENTAL MUSIC COMBO FROM VENICE, ITALY. THEIR STUDIO RECORDING (TRAVARIZA STUDIOS) WAS COMPOSED OF SIMPLE AND CHEAP INSTRUMENTATION: A LITTLE CASIO KEYBOARDS SK1, ONE ELECTRIC GUITAR WITH SOME ANALOG DELAYS AND COMPRESSORS, HOMEMADE PERCUSSIONS, A CHEAP ACUSTIC GUITAR AND A MICROPHONE MADE WITH A HEADPHONES.

AUTHOR: DARK MATTER

TITLE: Mo.N.D

NOT FOR SALE / PRIVATE COLLECTION

DARK MATER
Mo.N.D

In astrophysics and cosmology, dark matter is hypothetical matter of unknown composition that does not emit or reflect enough electromagnetic radiation to be observed directly, but whose presence can be inferred from gravitational effects on visible matter. According to present observations of structures larger than galaxy-sized as well as Big Bang cosmology, dark matter accounts for the vast majority of mass in the observable universe. The composition of dark matter is unknown, but may include ordinary and heavy neutrinos, recently postulated elementary particles such as WIMPs and axions, astronomical bodies such as dwarf stars and planets, and clouds of nonluminous gas. It has been noted that the name "dark matter" serves mainly as an expression of our ignorance, much as the marking of early maps with "terra incognita". Dark Matter are Kasper T. Toeplitz and Antoine Chessex They have realised a monolithic piece of cosmic dark energy, concentrating gravitational lensing phenomenas, in solid waves, through the multi-dimensional quantum-continuum. A must! The duo deals with dense and abstract structures where the hybridisation of the two performers´instruments collapse together resulting in monumental walls of sounds based on the architecture of ruins. DARK MATTER Kasper T. Toeplitz bass, computer, tam. Antoine Chessex sax, electronics. Content list: 1. Mo.n.D. - 55':18'' Visual sources by: Equipo 57 “V.32” 1963 Francois Morellet "Systems" 1961 Alberto Biasi "Interferenza Dinamica" 1961 Audio Mix by: Kasper T. Toeplitz Edition Design by: RMEDL | SG.

AUTHOR: LIMBO

TITLE: UNHOLY RITUALS Vol. I

.. it's still dark and raining... There's something I want to show you, something I want you to touch...»

From the words of Gianluca Becuzzi: "... Limbo is a project dead and buried!" but just like in the best necromantical traditions, "sometimes they come back" ...

This complex work, published in two volumes, hand numebered and autographed, it's not a collection of old recordings, nor a compilation, but it is a brand-new opera. An alchemical celebration, based on the quintessence of the "esoteric trilogy" by Limbo.

Artist's multiples | Enviromental Sound Object

This Artist's multiple is designed as multy layer visual device,
conceived as multi functional Sound Object:

When The Artwork is "CLOSED",
the frame is designed to display itself as a micro-tonal, graphic, wall paint. Pure visual design.

When The Artwork is "OPEN",
is composed by the following elemnts, with their related functions:
A vinyl, hosted in a mono-cromatic folder, contain a UNIQUE record cutting, ready to be played. A printed glass, conceived as a SCREEN for enviromental light projecton. Alchemical Textual documents.

HOW TO USE THIS "Artist's multiples"
as private audio installation:

Open the display frame from the back, and extract the vinyl record and the printed glass. Use the printed glass as a screen for enviromental light projecton. using a lamp (or a flashlight), in a dark room, to project all around the shadows of the sepulcral branch tree, during the playing sessions of the entire record.

Limited edition of 50 hand numbered copies for each volume, signed by thge author.

Fine art realised on demand:  the conceptual sound-artwork is composed by a 15X15 inch display frame (ready to be attach to the wall), a printed glass, a 5 panels printed cardboard and insert, a 12 inch vinyl. Every copy of the vinyl is unique, recorded as one of a kind, one by one. Two millimeters black vinyl, highly precision and craft work for high quality product.

Re-Composed, Demixed and Produced by Gianluca Becuzzi At KXLab in Winter/Springtime 2010.

Basic samples from Limbo:
In Limbo - Spittle (1986)
My Whip, Your Flesh - Mantra (1989)
Our Mary Of Cancer - Helter Skelter (1991)
Vox Insana - Dune (1992)


Full lenght audio: 24":24"
Concept, design, inlustrations, edition, curating and manufacture: RMEDL|SG

 

AUTHOR: K11

TITLE: MUSIC FROM THE IONOSPHERE

SOLD OUT / PRIVATE COLLECTION

PIETRO RIPARBELLI
MUSIC FROM THE IONOSPHERE

A SPECIAL TRANS-COMMUNICATION ACTION RECORDED @ GALLERIA ENRICO FORNELLO (PRATO, ITALY) DURING THE NIGHT BEFORE THE SHOW.

Ttrack list:
1. MUSIC FROM THE IONOSPHERE

Full lenght audio: 45:00 min.
Artwork photos are taken from video installation by PIETRO RIPARBELLI

Concept, editing & manufacture: RMEDL | SG




 

AUTHOR: TELE.S.THERION

TITLE: HINTHV RITVVM | LLZ [Ao - 4MN c.P22AT +x]

SOLD OUT

TELE.S.THERION with LUNURUMH
"Hinthv Ritvvm | LLZ [Ao - 4 MN c. P22AT + x]"

LIMITED EDITION TO: 9 one of a kind pieces.

This sound object, and the related sound art installation based on the principles of acoustic gramophone, coinceived and designed as a site specific opera for the Etrusca Museum, was designed to expand the usual techniques of sound reproduction, extending the possibilities of projection and sound spatialization, making it also a ritualistic mantic instrument. The vinyl is engraved with the recording of "Liber Linteus [Ao - 4 MN c. P22AT + x]" | LLZ | conceived to one voice, made by Ukrainian's artist Lunurumh (Astral Lueur, Virvel Av Morkerhatet), where the singer performs special techniques of singing.

A k o u s m a t i k o i :
SG: Concept design, sound object, sound installation, lyrics.
Lunurumh: Voice.

This sound object it's composed by: One of a kind 12 inch vinyl recorded at 78 rpm., three cones of paper, three needles, three metal supports, a metal ring, a black square, a long screw to spin the record | Pubblished by: Radical Matters - Editions/Label | Catalogue: RMLE066 | Licensed by: Creative Commons | by-nc.nd.3.0 | 2013 

Concept design, manufacture, edition design, by: RMEDL|SG.

 

AUTHOR: SNOW CRASH

TITLE: SOME RITUALS

DOWNLOAD NOW

Joachim Montessuis and Julien Ottavi are SNOW CRASH
Vocal harsh noise florilegium in four electroacoustic pieces.
...You are been warned!!!

Content List:
I. Early transe for ritual
II. Ritual 2.
III. Ritual 3
IV. Ritual 4

a. Printable artwork
b. Animated gif artwork [open it via browser]

Photos, sound and lyrics by: Snow Crash
Graphic, edition design and layout by: RMEDL | SG




 

AUTHOR: RMEDL / K11 / ANDREA SOZZI

TITLE: GENIUS LOCI

SOLD OUT

RMEDL / K11 / ANDREA SOZZI "GENIUS LOCI"
Concept Design, Site Specific Installation Design, Direction, Editions and Curating by: RMEDL | SG.

AUTHOR: RMEDL / | WITH AAVV : / MZ.412 / UTARM / BREATH OF CHAOS / DEADWOOD / DRAKH / DRAKHON / GNAW THEIR TONGUES / BATCHEEBA / GRAUEN PESTANZ / MELEK-THA / MICHAEL W. FORD / ORDO TYRANNIS / STEEL HOOK PROSTHESES / TELE.S.THERION

TITLE: BLACK INDUSTRIAL GRIMOIRE - ARCANI VMBRARVM REGNI - SI.VM E.T A V VM

SOLD OUT

This sound object it's a phono-mediumistic set created with a shining circle of authors,
cathalized by the pioneer and master of the black industrial musical genre:
MZ.412 (and his mastermind HENRIK NORDVARGR BJORKK).

The content of this special concept album, conceived, designed and released by RM-ED/L, is a compendium in the form of Grimoire; a special magical device for metaphisical pratiques of ancient form of manteia (divination) based on the occult side of the risonance of the sound.

About the GRIMOIRE CD-R device: The audio content of the CD-R is developped by the original recordings made by all the authors involved in the CD format where they operas are explicitally composed as a demoniacal evocation "formed with sound".

This audio cd-r is initially manipulated in studio, only to excite the very low frequencies of the original recordings. The result was played with loud speakers and re-recorded live with special microphones, during a liminal cojuntion of events (date 08 November 2008), 13 meter under the ground, during the 16th event of the Etruscan magic astronomy, towards the north-west sol-stitium of Manvtha, for the Samonios of the Triplici Mundus Patet; into an ancient Rasnakh ritual underground place, sited in the core of Tuscia: the Munisvle of Fanum Voltumnae.

Exciting the very low frequencies of the XIII evocations composed by all the authors involved, have permit to manifest the essences of their ritual recordings, through the demoniacal acoustic manifestation of their psycho induction. The particular condition of this second recording session, made in the Rasnakh Munisvle, have permitted to charge the recordings in itselfs with the live presence of the dead energy of the ancient spirits of darkness, which in this deeper underground temples, near the center of the earth, have the door for their reign.


MYSTERIUM CONIUNCTIONIS - GOETIC SCRYING RITUALIS:
The box also include some basic instructions to use the phono medianic set, composed by:
a special packege contening the sacred Unicursal Hexagram stylization as pop-up,
an handmade trapezoid black mirror
a special cabled speaker-packaging able to be connected into your stereo hi-fi.



BLACK INDUSTRIAL GRIMOIRE
ARCANI VMBRARUM REGNI
SI.VM E.T A V VM
(Silence is golden)
CD Track list:

I - DRAKH - NUMEREVIL
II - GNAW THEIR TONGUES - BLEEDING LIKE DOGS
III - STEEL HOOK PROSTHESES - THE INVOKATION OF MERIHIM
IV - BREATH OF CHAOS - NOTHING REMAINS THE SAME
V - MELEK-THA - HABORYM
VI - ORDO TYRANNIS - CHORONZON ARIA
VII - BATCHEEBA - LEMEGETON PLACENTA
VIII - MICHAEL W FORD - INVOCATION TO AHRIMAN
IX - DEADWOOD - 218
X - GRAUEN PESTANZ - VOLUPTUS A LETUM
XI - UTARM - CRUSHING INFINITY
XII - *TELESTHERION with: WILDNESS PERVERSION of MORTUARY DRAPE - GRIMOIRE.XIII
XIII - MZ.412 - CURSED IN THE NAME OF ENKI

Full lenght audio: 77:77 min.




M.:.M.:.M.:.M.:.L.:.
PHONO MEDIUMISTC SET (CDR)
Track list:

ENCHANTMENT - I
ENCHANTMENT - II
ENCHANTMENT - III
ENCHANTMENT - IV
ENCHANTMENT - V
ENCHANTMENT - VI
ENCHANTMENT - VII
ENCHANTMENT - VIII
ENCHANTMENT - IX
ENCHANTMENT - X
ENCHANTMENT - XI
ENCHANTMENT - XII
ENCHANTMENT - XIII

Full lenght audio: 33:33 min.



In quo tamen tota philosophia ermetica figuris in umbras,
tacere audireque, solisque filiis artis dedicatus,
atque esse iam coeperant silentio eruditi,
autore eius nomen est sigelion,
aaru mega therion.

Concept design, sound object, compiled, editing, curating and manufacture: RMEDL|SG

AUTHOR: LIMBO

TITLE: UNHOLY RITUALS Vol. II

Video [recorded and edited] by Andrea Sozzi.

 

.. it's still dark and raining... There's something I want to show you, something I want you to touch...»


From the words of Gianluca Becuzzi: "... Limbo is a project dead and buried!" but just like in the best necromantical traditions, "sometimes they come back" ...

This complex work, published in two volumes, hand numebered and autographed, it's not a collection of old recordings, nor a compilation, but it is a brand-new opera. An alchemical celebration, based on the quintessence of the "esoteric trilogy" by Limbo.


Artist's multiples | Enviromental Sound Object

This Artist's multiple is designed as multy layer visual device,
conceived as multi functional Sound Object:

When The Artwork is "CLOSED",
the frame is designed to display itself as a micro-tonal, graphic, wall paint. Pure visual design.

When The Artwork is "OPEN",
is composed by the following elemnts, with their related functions:
A vinyl, hosted in a mono-cromatic folder, contain a UNIQUE record cutting, ready to be played. A printed glass, conceived as a SCREEN for enviromental light projecton. Alchemical Textual documents.

HOW TO USE THIS "Artist's multiples"
as private audio installation:

Open the display frame from the back, and extract the vinyl record and the printed glass. Use the printed glass as a screen for enviromental light projecton. using a lamp (or a flashlight), in a dark room, to project all around the shadows of the sepulcral branch tree, during the playing sessions of the entire record.

Limited edition of 50 hand numbered copies for each volume, signed by thge author.

Fine art realised on demand:  the conceptual sound-artwork is composed by a 15X15 inch display frame (ready to be attach to the wall), a printed glass, a 5 panels printed cardboard and insert, a 12 inch vinyl. Every copy of the vinyl is unique, recorded as one of a kind, one by one. Two millimeters black vinyl, highly precision and craft work for high quality product.

Re-Composed, Demixed and Produced by Gianluca Becuzzi At KXLab in Winter/Springtime 2010.

Basic samples from Limbo:
In Limbo - Spittle (1986)
My Whip, Your Flesh - Mantra (1989)
Our Mary Of Cancer - Helter Skelter (1991)
Vox Insana - Dune (1992)


Full lenght audio: 24":24"
Concept, design, inlustrations, edition, curating and manufacture: RMEDL|SG

AUTHOR: LEIF ELGGREN

TITLE: Waiting for my father to be reborn via a nail on my left foot.

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Leif Elggren "Waiting for my father to be reborn via a nail on my left foot" / "HOLY".

Content list:
I. Waiting for my father to be reborn via a nail on my left foot. (E-book PDF format')
II. To talk through one's hat, in Swedish, is to talk through one's nightcap. (E-book PDF format')
III. HOLY (Audio MP3 320Kbps 06':30'')

Photos, sound and lyrics by: Leif Elggren
Graphic, edition design and layout by: RMEDL | SG
 

AUTHOR: MASSIMO BARTOLINI

TITLE: UR-GERÄUSCH

ORDER YOUR COPY [Ask For The Shipping Cost]

La sutura coronale del cranio presenta ( cosa che sarebbe anzitutto da verificare, ma accettiamola pure) una stretta somiglianza con la linea fitta e sinuosa che la punta di un fonografo inscrive nel cilindro ruotante della apparecchiatura. Che cosa accadrebbe se ingannassimo quella punta e, invece di ricondurla lungo la propria traccia, la portassimo su una via che non è la traduzione grafica di un suono, ma di una cosa che esiste di per se, in maniera naturale, e – bene, diciamolo pure, che fosse (per esempio) proprio la sutura coronale? - : dovrebbe nascere un suono, una sequenza di suoni, una musica…

The coronal suture of the skull bears a close resemblance (this should be verified but let's assume it's true) to the thick and sinuous line inscribed by the stylus of a phonograph on the rotating cylinder. What would happen if we were to cheat that stylus into moving along a different and unusual path, one that is not the graphical translation of a sound but rather something that exists in its own right, naturally, and - well, let's go ahead and say it, something like the coronal suture itself (for example)?-: The result should be a sound, a sequence of sounds, a certain music...


http://upload.wikimedia.org/wikipedia/commons/c/ce/LibriVox_-_Rilke_Ur-Ger%C3%A4usch.ogg


Audio CD Track list:
1.
2.


Full lenght audio: 52:49
Concept design: Massimo Bartolini
Curating: Pietro Riparbelli and RMEDL | SG.

Editing, curating and manufacture: RMEDL|SG

AUTHOR: MASSIMO BARTOLINI

TITLE: UR-GERÄUSCH

Massimo Bartolini - UR-GERÄUSCH

La sutura coronale del cranio presenta ( cosa che sarebbe anzitutto da verificare, ma accettiamola pure) una stretta somiglianza con la linea fitta e sinuosa che la punta di un fonografo inscrive nel cilindro ruotante della apparecchiatura. Che cosa accadrebbe se ingannassimo quella punta e, invece di ricondurla lungo la propria traccia, la portassimo su una via che non è la traduzione grafica di un suono, ma di una cosa che esiste di per se, in maniera naturale, e - bene, diciamolo pure, che fosse (per esempio) proprio la sutura coronale? - : dovrebbe nascere un suono, una sequenza di suoni, una musica...

The coronal suture of the skull bears a close resemblance (this should be verified but let's assume it's true) to the thick and sinuous line inscribed by the stylus of a phonograph on the rotating cylinder. What would happen if we were to cheat that stylus into moving along a different and unusual path, one that is not the graphical translation of a sound but rather something that exists in its own right, naturally, and - well, let's go ahead and say it, something like the coronal suture itself (for example)?-: The result should be a sound, a sequence of sounds, a certain music...


http://upload.wikimedia.org/wikipedia/commons/c/ce/LibriVox_-_Rilke_Ur-Geräusch.ogg


Audio CD Track list:
1.
2.




Full lenght audio: 52:49
Concept design: Massimo Bartolini
Curating: Pietro Riparbelli and RMEDL | SG.

Editing, curating and manufacture: RMEDL|SG

AUTHOR: LIMBO

TITLE: UNHOLY RITUALS [PROMOTIONAL ED.]

NOT FOR SALE / PRIVATE COLLECTION

Promotioanl CDR edition of the related sound objects:

"Unholy Rituals Vol.I"

&

"Unholy Rituals Vol.II"

Sound re-Composed, demixed and produced
by Gianluca Becuzzi
at KXLab in Winter/Springtime 2010.

Basic samples from Limbo:
In Limbo - Spittle (1986)
My Whip, Your Flesh - Mantra (1989)
Our Mary Of Cancer - Helter Skelter (1991)
Vox Insana - Dune (1992)


Full lenght audio: 24":24"
Edition, Curating, Design and Manifactured by
Radical Matters - Edition / Label | SG.

AUTHOR: RMEDL

TITLE: DEMONOLATRY

ORDER YOUR COPY [Ask For The Shipping Cost]

Esoteric Audio Recording sessions with a ephemera soundsculptures + 5 mysterious video loops as unique document of the places involved as recording locations. A special Sound-package for a private experience of the acoustic phenomena. Listen this sounds in your hands... Improvised sessions, made using a ephemera custom-turntable with two stylus and edit scratched vinyls played in forced locked grooves, Environmental microphone feedback, delay, mixer. Recording and mastering with an hard-disk-recorder into ancients places under the ground. All Tracks sounds exactly as it was recorded. This work is playable with mono, lo-fi or broken speakers for fell ghostly silences broken the sound...

Ttrack list:

I - II - III - IV - V - VI - VII - VIII - IX - X
+ a secret URL to download 5 video loops.

Full lenght: 30:00 min.
Catlogue: C.E.003 / L.E.010

Concept design, sound object design, playing, recording, editing, curating and manufacture: RMEDL|SG

AUTHOR: AA.VV. | STARING AT THE WALL III

TITLE: STARING AT THE WALL III

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STARING AT THE WALL III | 10 November 2012 | Torino (IT)
Location: Centro di Cultura Contemporanea di Torino (CCCT, via Bogetto 4/g, Turin, Italy)

Organized by: Toxic Industries & Claustrophilia Records
Curated by: Lorenzo Nascitari

The third edition of the Italian Harsh Noise Wall festival 'Staring at Wall' took place in the new Centro di Cultura Contemporanea di Torino (CCCT, via Bogetto 4/g, Turin, Italy) on 10th of November 2012. Sadly no M[m] staff could make the event, so instead we got on two on-the-ground reports from Lorenzo Nascitari(of Italian suicidal HNW project Nascitari &  doomed & pained  piano based  project Tomorrow I'll Shoot Myself in the Mouth). And Andrea Leonessa, with pictures by Mélissa Monrazel:

Video content list:

H.A.A.R.P.
AMPCONSTRICTOR
CLOUGNIOULE
ECOUTE LA MERDE
FUKTE
Å
NASCITARI

External sound recorded by William Nurdin with enviromental microphone
Internal sound recorded and mastered by Sandblasting
Video recorded by Lorenzo Abattoir (Nascitari)

Radical Matters - Editions/Label
RMEDL | Catalogue: RMWE100
Licensed Under Creative Commons | CC-by.nc.nd.3.0 | 2013
 

AUTHOR: RMEDL

TITLE: P.K SUGGESTIONS

Deluxe Limited Edition with: 3 B/W hand-printed analogicPhotos (cm 9x4) by Andrea Sozzi, related to six sound objects  / turntables, created by S.Gronchi for this specific concept album; and a precious photo-negative of a turntable-bondage. A special Sound-package for a private experience of the acoustic phenomena. Listen this sounds in your hands... Psycho Kinetic phenomenas and metaphysic audio experiments using ephemera soundsculptures. Improvised music sessions, made using 3 ephemera object-turntables selfplayed, simultaneously, under P.K. phenomena influences. Recording setup: mixer and microphones.

Location : a small room influenced by paranolmal activities:







Ttrack list:
I - II - III - IV - V - VI

Full lenght: 20:00 min.

Images & Photos: by Andrea Sozzi - www.andreasozzi.com
The hand-printed B/W analogic photos included in this package are the unique documents left regarding the object-turntables involved in this album. The firsts copies includes a precious photo-negative of a turntable-bondage session, ready to be print as a regular photography.

Black and white handmade printed photos by: Andrea Sozzi
 

Concept design, sound object design, playing, recording, editing, curating and manufacture: RMEDL|SG

AUTHOR: PAUL CHAIN

TITLE: SATAN'S FUTURE

SOLD OUT

Radical Matters - Editions/Label presents:
Paul Chain "Satan's Future"

Recording sessions from the Dying edition | Audio-catalogue.
Sound Corner 21 / Auditorium Parco Della Musica, Roma.

Format: White C-40 Single side.

Edition: Limited to 25 hand numbered copies.

Source: Ephemeral sound object, ceramic record.

Running time:  17':00''

Year:  1981 - 2015.

Here the Ceramic Record source master of this audio-catalogue.

Cassette Tape description:
This recording is the documentation of the audio installation conceived for Sound Corner 21 / Auditorium Parco Della Musica, Roma, set from 01 to 30 April 2015. It's based on the ceramic sound object of "Satan's Future", contained in the conceptual edition called "dying edition", published by RMEDL in summer 2015, conceived to pay tribute to the opera of the artist Paul Chain and his personal eschatological research, to his philosophy of death or violet magic.

Paul Chain (1977 - 05 April 2003) declares his artistic death on April 05 2003. Following the suggestions left by the author, who strongly believes that the hidden power of these recordings should be left to die, until its consumption, everything involved in the related Dying Edition is designed to die. The "dying edition" represents the conceptual interment of this artistic body, its final grave.

The source of this limited edition ceramic record is designed to be consumed by its playing. The process of playing the ceramic record will consume the engraved sound waves, from time to time.  Slowly the sound waves will disappear, untill only mute ash will remain. This audio recording is the direct documentation of various playing of the ceramic record on turntable, synthesized in three parts. "Satan's Future" was originally selected by Paul Chain for his "Relative Tapes" private archive, courtesy by Marco Melzi, Minotauro Records.

RELATED EDITIONS:

AUTHOR: PAUL CHAIN

TITLE: SATAN'S FUTURE

SOLD OUT

Recording sessions from the Dying edition | Audio-catalogue.
Akusmata Sound Art Gallery | Tukholmankatu 7 K, 00270 Helsinki, Finland.
 

Akusmata Sound Art Gallery
presents:

Paul Chain "Satan's Future"
Dying Edition
Radical Matters - Editions/ Label

12. - 13 October 2016
14:00 - 18:00




Akusmata Sound Festival | 11. - 15.10.2016 | Sound Gallery Akusmata will celebrate its five year anniversary with the Akusmata Sound Festival. This five-day festival presents a broad spectrum of new aural expression. ASF's program includes performances from Norway, Denmark, Russia and Italy.  Italian Radical Matters Editions/ Label brings to Helsinki the doom metal alchemist Paul Chain with a sound installation.

Artistic directors of the festival are Petri Kuljuntausta and Kenneth Kovasin.
 

Akusmata is also the first sound art gallery in Finland since 2011.

Akusmata art gallery it is directed by Petri Kuljuntausta, a composer, musician, sound artist and author of three important books on electronic music and sound art. In close collaboration with natural scientists his research it's developped in the field between art and science. The most extreme musical environment for Kuljuntausta's music is Saturn's moon Titan. When Cassini-Huygens spacecraft (Titan-IVB/Centaur) started its journey in 1997 from Kennedy Space Center, United States, his composition Charm of Sound was inside the Huygens probe of Cassini-Huygens spacecraft, stored on the CD-rom. When Huygens probe reached its destination on Friday January 14, 2005, Kuljuntausta's Charm of Sound landed on the ground of Titan after travelling seven years and four billion kilometres through Space.

Format: White C-40 Single side.
Edition: Limited to 25 hand numbered copies.
Source: Ephemeral sound object, ceramic record.
Running time:  17':00''
Year:  1981 - 2016.

Here the Ceramic Record source master of this audio-catalogue.

Cassette Tape description:
This recording is the documentation of the audio installation conceived for Akusmata Sound Festival | 11. - 15.10.2016 | Akusmata Sound Art Gallery. It's based on the ceramic sound object of "Satan's Future", contained in the conceptual edition called "dying edition", published by RMEDL in summer 2015, conceived to pay tribute to the opera of the artist Paul Chain and his personal eschatological research, to his philosophy of death or violet magic.

Paul Chain (1977 - 05 April 2003) declares his artistic death on April 05 2003. Following the suggestions left by the author, who strongly believes that the hidden power of these recordings should be left to die, until its consumption, everything involved in the related Dying Edition is designed to die. The "dying edition" represents the conceptual interment of this artistic body, its final grave.

The source of this limited edition ceramic record is designed to be consumed by its playing. The process of playing the ceramic record will consume the engraved sound waves, from time to time.  Slowly the sound waves will disappear, untill only mute ash will remain. This audio recording is the direct documentation of various playing of the ceramic record on turntable, synthesized in three parts. "Satan's Future" was originally selected by Paul Chain for his "Relative Tapes" private archive, courtesy by Marco Melzi, Minotauro Records.

RELATED EDITIONS:

AUTHOR: RMEDL

TITLE: MUSIC FROM HI-FI SESSIONS

ORDER YOUR COPY [Ask For The Shipping Cost]

Exclusive stuff for hard deep listeners - The Art of forced locked grooves!
Improvvised music sessions, made using 4 custom turntables, edit scratched vinyls played in forced locked grooves, hand made phonograph, microphone, delay pedal, enviromental feedback, mixer. Recording and mastering on PC. All Tracks sounds exactly as it was recorded. Included: the firsts RadicalSoundSource releases, two 5inch hand-made records, extreme tools for concrete djing!

Ttrack list:
I - II - III - IV - V - VI - VII - VIII - IX - X

Full lenght: 37:16 min. + 2 Radical SoundSources

   

Concept design, sound object design, playing, recording, editing, curating and manufacture: RMEDL|SG

AUTHOR: DARK MATTER

TITLE: MO.N.D.

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DARK MATTER
Mo.N.D.

In astrophysics and cosmology, dark matter is hypothetical matter of unknown composition that does not emit or reflect enough electromagnetic radiation to be observed directly, but whose presence can be inferred from gravitational effects on visible matter. According to present observations of structures larger than galaxy-sized as well as Big Bang cosmology, dark matter accounts for the vast majority of mass in the observable universe. The composition of dark matter is unknown, but may include ordinary and heavy neutrinos, recently postulated elementary particles such as WIMPs and axions, astronomical bodies such as dwarf stars and planets, and clouds of nonluminous gas. It has been noted that the name "dark matter" serves mainly as an expression of our ignorance, much as the marking of early maps with "terra incognita".

Dark Matter are Kasper T. Toeplitz and Antoine Chessex They have realised a monolithic piece of cosmic dark energy, concentrating gravitational lensing phenomenas, in solid waves, through the multi-dimensional quantum-continuum. A must! The duo deals with dense and abstract structures where the hybridisation of the two performers´instruments collapse together resulting in monumental walls of sounds based on the architecture of ruins. DARK MATTER
Kasper T. Toeplitz bass, computer, tam.
Antoine Chessex sax, electronics.

Content list:
1. Mo.n.D. - 55':18''

Visual sources by:
Equipo 57 “V.32” 1963
Francois Morellet "Systems" 1961
Alberto Biasi "Interferenza Dinamica" 1961

Audio Mix by: Kasper T. Toeplitz
Edition Design by: RMEDL | SG.

AUTHOR: VITTORE BARONI / LIEUTENAT MURNAU

TITLE: ANTI MEET

LIEUTENANT MURNAU - Antemeet

LT. Mutanu is a plunderphonic project started in ealry 1980...
In this occasion is the shadow between A.M.K., GLOBSTER (Tony Lioci) and GL.CUPISTI.
based on the original tape "Meet" this edition is composed by: Vittore Baroni (extreme turnatablism), A.M.K. (extreme turnatablism), Globster (concrete dj set), edited and mixed by RM-ED/L. CD EXTRA: "RUMORI" video by GL. Cupisti. + A special Anti-Record included!

Track list:
I - II - III - IV - V - VI - VII - VIII - IX
+ Videoclip

Full lenght audio: 25:00 min.

Concept, manufacture & editing: RMEDL | SG

AUTHOR: PT-R | PIETRO RIPARBELLI

TITLE: IMAGINARY LANDSCAPES

NOT FOR SALE / PRIVATE COLLECTION

Electro industrlal ambient: harsh electronics

Track list:
1. Dada (sample)
2. Balance to death
3. Enter
4. Meta
5. Ipnotism
6. Ventilator (sample)
7. Sun. Mirror. Water

AUTHOR: ULTRA SPIESSER

TITLE: TIGHT FISTED BASTARD (Extended Version)

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ULTRASPIESSER (Julian Percy, Julian Bonequi, Anton Maiof)
TIGHT FISTED BASTARD

Ultraspiesser is another real jewel of deep avant drone doom free form jazz and psychic electroacoustic sound manipulations!, realised by 3 great sound masters: Julian Percy (aka Ratbag): electric guitar treatments, Julian Bonequi : manipulated drums and voice, Anton Maiof: voice, wii, max/MSP. | No word: Must! Recorded at NK on 16/11/2010, Berlin | www.nkprojekt.de | Mastered by Mauro Martinuz | www.nedac.it Content list:
1. Von oben - 5:25
2. Pprovincial breakdown - 11:57
3. Grate 5:52
4. Spießer = spießer - 9:31
5. Shameover & cheese - 5:03
6. Speed contact - 0:34
7. Carriageway of the mysteries - 15:25


Edition and Art by Julian Bonequi www.julianbonequi.com
Visual design by Aniana Heras www.avhc.es

AUTHOR: RMEDL / K11 / | WITH AAVV : / ANDREA MARUTTI / LUCIANO MAGGIORE / BURIAL HEX / PHILIPPE PETIT / Y.E.R.M.O. / SETH CLUETT / CHRISTINA KUBISCH / FRANCISCO LOPEZ / ADERLATING / GIANLUCA BECUZZI / UTARM / MASSIMO BARTOLINI / DEADWOOD / L'ACEPHALE / NORDVARGR / HENRIK NORDVARGR BJORKK / SEVENGUITARS

TITLE: CHTHONIAN MUSIC - LIVE RECORDINGS

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CHTHONIAN MUSIC - LIVE RECORDINGS

AUTHOR: RMEDL / K11 / | WITH AAVV : / MARCELLO BACCI - GRUPPO PSICOFONICO DI GROSSETO / GIANLUCA BECUZZI / BAD SECTOR | MASSIMO MAGRINI / CLAUSTHOME / GALERIE SCHALLSCHUTZ / SIMM-EL / STRANGE ATTRACTOR

TITLE: RADIODRAMA

SOLD OUT

A SPECIAL CONCEPT ALBUM WITH INCREDIBLE AND ORIGINAL RADIO SIGNALS AS SOURCE MATERIALS, RECORDED IN DIFFERENT PARTS OF THE WORLD BY: BAD SECTOR, STRANGE ATTRACTOR, CLAUSTHOME, GALERIE SCHALLSCHUTZ, SIMM-EL, GRUPPO PSICOFONICO DI GROSSETO; RECOMPOSED BY PITERO RIPARBELLI. A CONCEPT ALBUM CREATED FOCUSED ON THE ESOTERIC SIDE OF ELECTROMAGNETIC ACTIVITIES (ITC, EVP, AND TRANS-DIMENSIONAL PHENOMENAS) ALL AROUND US... Listen this sounds in your hands... 3 DIFFERENT KIND OF CONCEPTUAL EDITIONS ARE REALIZED FOR THIS GREAT WORK OF RADIONOISE, ALL WITH 2 DIFFERENT CD LABEL (MORE DETAILS VERY SOON).

"RADIODRAMA - COLLAPSE"
Ttrack list:
1-2-3 FIRST BECOMING SUBSTANCE
4-5-6 IN A NEW KINGDOM LISTENING TO THE LIGHT
7-8-9 WANDERING IN A LAND WITHOUT MATTER

Full lenght audio: 45:00 min.


Artwork photos are taken from "CAMERA SONORA FOR 4 RADIODRAMAS"
enviromental audio installation realized by PIETRO RIPARBELLI / K11 for PX3
Piombino Experimenta 3. 
Original photos by lorenzo Lessi www.lorenzolessii.com.

Concept design, sound object design, compiled, editing, curating and manufacture: RMEDL|SG

AUTHOR: PT-R | PIETRO RIPARBELLI

TITLE: SINGER

NOT FOR SALE / PRIVATE COLLECTION

Concrete ambient manipulation - Performance by Cristian Chironi @ RAUM - Bologna 10/02/2005

Track list:
1. Singer

AUTHOR: MATARRATAS

TITLE: MATARRATAS (Extended Version)

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MATARRATAS (Julian Percy, Julian Bonequi)
MATARRATAS


Matarratas is real jewel of deep avant drone doom free form jazz and psychic electroacoustic sound manipulations!, realised by 2 great sound masters: Julian Percy (aka Ratbag): electric guitar treatments, Julian Bonequi : manipulated drums and voice. | No word: Must! Recorded by Ratbag at NK on 18/09/10, Berlin | www.nkproject.de | www.myspace.com/ratbag_ | Track 2 Recorded by Mauro Martinuz for New Weird Berlin | www.nedac.it Content list:
1. El Matarratas - 22:03 min
2. First Floor Apartment Safety - 8:37 min



Edition by Julian Bonequi www.julianbonequi.com
Artwork and visual design by Aniana Heras ww.avhc.es

AUTHOR: RMEDL / K11 / | WITH AAVV : / ANDREA MARUTTI / LUCIANO MAGGIORE / BURIAL HEX / PHILIPPE PETIT / Y.E.R.M.O. / SETH CLUETT / CHRISTINA KUBISCH / FRANCISCO LOPEZ / ADERLATING / GIANLUCA BECUZZI / UTARM / MASSIMO BARTOLINI / DEADWOOD / L'ACEPHALE / NORDVARGR / HENRIK NORDVARGR BJORKK / SEVENGUITARS

TITLE: CHTHONIAN MUSIC - KUBELE

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CHTHONIAN MUSIC - KUBELE

AUTHOR: POSEITRONE | LUCA DI DATO

TITLE: NASTRI

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LUCA "POSEITRONE" DI DATO
NASTRI

When noise becomes action through the body, noise becomes oracle's sounds. A great video performance documentation and the related photo session, taken during the aktion Nastri, collected in an e.book ready to be print and collected.
 

Content list:
1. Nastri - 14':56'' (VIDEO)
2. E.Book - 76 b/w photos session fom the perfromance "Nastri"

Photos by: Cristina Pedratscher
Performer: Luca Poseitrone Di Dato

Edition Design by: RMEDL | SG.

AUTHOR: RMEDL

TITLE: FERALIMINAL THERIANTHROPIZER [ANTI-MUSIC / DANGER MUSIC]

SOLD OUT

RMEDL "FERALIMINAL THERIANTHROPIZER" [ANTI-MUSIC / DANGER MUSIC]

AUTHOR: PT-R | PIETRO RIPARBELLI

TITLE: ATMOSPHERE

NOT FOR SALE / PRIVATE COLLECTION

Concrete ambient manipulation - Sources: Performance PT-R @ Neon, art gallery - Bologna 27/05/2005 - NOT FOR SALE.

Track list:
1. Atmosphere

photos: Pietro Riparbelli

AUTHOR: PT-R | PIETRO RIPARBELLI

TITLE: PLACES

NOT FOR SALE / PRIVATE COLLECTION

Concrete ambient manipulation

Track list:
1. Paper and fun in a domestic atmosphere
2. Sex in a small bedroom
3. Walking in S. Petronio- Bologna 2005 (sample)
4. Conversation around a table
5. Paper and fun in a domestic atmosphere 2 (sample)
6. Paper and fun in a domestic atmosphere 3

AUTHOR: RMEDL

TITLE: PK SUGGESTION

RMEDL "PK SUGGESTION" - ALTERNATED VERSION

Location : a small room influenced by paranolmal activities:







Ttrack list:
I - II - III - IV - V

Full lenght: 20:00 min.

Images & Photos: by Andrea Sozzi - www.andreasozzi.com
The hand-printed B/W analogic photos included in this package are the unique documents left regarding the object-turntables involved in this album. The firsts copies includes a precious photo-negative of a turntable-bondage session, ready to be print as a regular photography.

Black and white handmade printed photos by: Andrea Sozzi
 

Concept design, sound object design, playing, recording, editing, curating and manufacture: RMEDL|SG

AUTHOR: K11

TITLE: METAPHONIC PORTRAIT 1315 A.D. EP

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K11 "METAPHONIC PORTRAIT 1315 A.D. EP" | Instrumental transcommunication Action n° 05

AUTHOR: K11

TITLE: METAPHONIC PORTRAIT 1230 A.D.

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K11 "METAPHONIC PORTRAIT 1230 A​.​D."

AUTHOR: JOHN BLADES

TITLE: DRAGON GENERATION WORD SALAD

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JOHN BLADES
DRAGON GENERATION WORD SALAD

From the extraordinary genious of John Blades (founder member of the legenday pioneeristic experimental group THE LOOP ORCHESTRA), his FIRST ever solo live performance!!!!

Words cut-up aural loops... A MUST!!!!! Live in 2010 at "The Now Now Festival
a Festival for spontanous music and experimental film" in Sydney.

Full lenght audio: 25':00"
Edition, Curating, Design by RMEDL | SG.

AUTHOR: K11

TITLE: VOICES FROM THELEMA

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K11 "VOICES FROM THELEMA"

1 -        156    25:18
2 -        418    15:18
3 -        666    21:52


"Voices From Thelema" is an action of instrumental transcommunication with short wave receivers. It was realised inside the ruins of Thelema Abbey, Cefalù, Sicily. Each sound that you hear was produced by short wave radio receivers. The composition was recorded inside the Abbey in 2007.

K11 is a project of Italian sound/installation artist Pietro Riparbelli that deals with the world of radio signals, trans-communication and other invisible phenomena, to create a dimension where the only sound sources are signals from shortwave radio receivers. When constructing works under the K 11 project, Riparbelli uses only sounds from the atmosphere and from invisible, unknown sources. In this way, Riparbelli creates more esoteric works than his field recording based material as PT-R, and 'Voices From Thelema' is perhaps the logical conclusion of such an enterprise.

'Voices from Thelema' is an instrumental trans-communication action with short wave radio receivers realized inside Thelema Abbey in Cefalù, October 14, 2007. The ruined building stands derelict and on the verge of collapse, though still holds many secrets and has been a focus for much counter cultural activity since its foundation by Aleister Crowley in 1920 as a religious centre and commune where he could instruct disciples in his emerging Thelemic religion and systems of magick in a rural atmosphere, far from the overpowering prevailing morality of England. Activities included meditation and ritual magick, as well as the sensationalised drug taking and sex magick. The wall of many of the rooms were painted with fantastic murals by Crowley himself, depicting many of the elementals and demons encountered in his magickal exercises, and the remains of many of these adorn the accompanying booklet. After being ejected from Italy following scandal and outcry over the goings on at the Abbey, the walls were whitewashed and destroyed. Filmmaker Kenneth Anger, himself a devotee of Crowley, later uncovered and filmed some of its murals in his film 'Thelema Abbey' (1955), now considered lost, and the Abbey has been a place of pilgrimage for many ever since.

K11 now revisits this site and seeks to uncover the genius loci, the very essence of the building itself, to reach out into the ether and construct meaning and reality from that which is beyond our grasp. The three tracks are the result of this work and, each bearing titles of Thelemic significance, can be said to hold the essence of all that remains at Cefalu, like the background radiation that tells of the Big Bang.

DO WHAT THOU WILT SHALL BE THE WHOLE OF THE LAW

AUTHOR: K11

TITLE: WAITING FOR THE DARKNESS

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K11 "WAITING FOR THE DARKNESS" | Instrumental Transcommunication Action n°4

K 11 is a project of Italian sound/installation artist Pietro Riparbelli that deals with the world of radio signals, trans-communication and other invisible phenomena, to create a dimension where the only sound sources are signals from shortwave radio receivers.

Tracklist
1        30 KHz - 9:00 P.M.    12:05
2        70 KHz - 10:00 P.M.    7:03
3        300 KHz - 11:00 P.M.    12:00
4        10 MHz - 00:00 A.M.    7:04
5        29 MHz - 01:00 A.M.    10:28
6        Waiting For The Darkness (Video Track)    13:42

Created By, Composed By, Concept By, Layout – Pietro Riparbelli
Photography By – Influx (13)

AUTHOR: K11

TITLE: THE SACRED WOOD

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K11 "THE SACRED WOOD"

1        Black    10:49
2        Black2    9:23
3        Golden    7:25
4        White    5:45
5        White2    8:53


Mastered By – Peter Andersson
Photography – Margherita Moscardini
Tape [Field Recordings], Sounds [Radio Signals], Voice – Pietro Riparbelli

AUTHOR: K11

TITLE: ANOTHER TEMPLE TO THE GREAT BEAST 666

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K11 "ANOTHER TEMPLE TO THE GREAT BEAST 666"

1        Unio Mystica    11:33
2        Tiphereth    6:42
3        C'hocmah    10:19
4        Geburah    8:44
5        The Great Mother    10:06


K11 is a project of Italian sound artist Pietro Riparbelli and lives within the world of radio signals, transcommunication and other invisible phenomena, to create a dimension where the main sound sources are signals from shortwave radio receivers.

Another temple to the Great Beast 666 has been composed from said sound sources recorded during an Instrumental Transcommunication Action realized within the Temple of Diana in Cefalù, Sicily. The temple is famously known for its association with Aleister Crowley and The Abbey of Thelema, founded in 1920. Crowley practiced rituals, yoga and meditations every day within the temple. It was his desire to be buried there, but Mussolini's Fascist government expelled Crowley from the country at the end of April 1923. Riparbelli attempts to reclaim the echo of Crowley's presence. Not for the weakhearted.

AUTHOR: K11

TITLE: METAPHONIC PORTRAIT 1230 A.D. [VIDEO]

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K11 "METAPHONIC PORTRAIT 1230 A​.​D." [VIDEO]

AUTHOR: XABIER ERKIZIA

TITLE: SILENCIO SIN REVERBERACIONES

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XABIER HERKIZIA
SILENCIO SIN REVERBERACIONES


SILENCE WITHOUT REVERBERATIONS:
30 MINUTES INSIDE AN ANECHOIC CHAMBER

An audio-documentary / essay, for uncompromised deep listening expereinces!!!!

ORIGINAL TEXTS:
Silencio sin reverberaciones: 30 minutos en una camara anecoica.
En 1951 el compositor y gran pensador norteamericano John Cage visitA la camara anecoica (una habitaciOn totalmente aislada, sin eco) de la universidad de Harvard para intentar confirmar la existencia del silencio. El resultado que obtuvo fue un tanto inesperado: Inmerso en aquel espacio no-resonante Cage escucho dos sonidos, uno grave, el de la circulacin sanguinea y otro agudo, el del sistema nervioso, deduciendo por tanto que el silencio no existe. Sin duda se trata de uno de los acontecimientos que ha marcado la historia, cuanto menos reciente, de la masica y las artes sonoras, primero por romper de alguna forma los historicos lmites entre musica, sonido y escucha y por otra parte porque fue el germen de una de las composiciones mas paradigmaticas de la historia de la musica: 4'33". Seguramente por estas mismas razones la experiencia anecoica (limitada principalmente al ambito cientofico) ha sido victima de un proceso de mitificacion, quizos excesivo, por parte de la comunidad de creadores sonoros.

Gracias a la empresa Labein-Tecnalia ubicada en Derio (Bizkaia) recientemente tuvimos la oportunidad de visitar dos camaras anecoicas, una dedicada a la medicien de campos electromagneticos (frecuencias altas) y otro a la de acusticos (frecuencias dentro de nuestro rango auditivo). Y de paso, tuvimos la oportunidad de comprobar los resultados obtenidos por Cage, asa como de desmitificar varias creencias relativas a estas camaras. Una interesante experiencia que hemos intentado resumir, mediante grabaciones sonoras en este programa. El significado esencial del silencio es la perdida de atencion.. el silencio no es acustico i es solamente el abandono de la intencion de oir. John Cage

Grabacion, entrevista y edicion: Xabier Erkizia
Locucion: Natalia Barberia
Agradecimientos: Javier Nuoez, Ibon (Labein-Tecnalia).

Original releases by HOTS RADIO!

Headphone listening recommended !!!

Full lenght audio: 30':00"
Edition, Curating, Design by
Hots Radio! | X. E. | REEDL | SG.

AUTHOR: K11

TITLE: ASYLUM

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Asylum
Instrumental transcommunication action

Pietro Riparbelli / K11:

short radio receivers and radio video camera inside the Psychiatric Hospital of Volterra, founded in 1888.
 

AUTHOR: K11

TITLE: VOICES FROM THELEMA | THE ABBEY

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K11 "VOICES FROM THELEMA | THE ABBEY"

THE ABBEY    07:00
PRINTED PHOTO INSERTS


"Voices From Thelema" is an action of instrumental transcommunication with short wave receivers. It was realised inside the ruins of Thelema Abbey, Cefalù, Sicily. Each sound that you hear was produced by short wave radio receivers. The composition was recorded inside the Abbey in 2007.

K11 is a project of Italian sound/installation artist Pietro Riparbelli that deals with the world of radio signals, trans-communication and other invisible phenomena, to create a dimension where the only sound sources are signals from shortwave radio receivers. When constructing works under the K 11 project, Riparbelli uses only sounds from the atmosphere and from invisible, unknown sources. In this way, Riparbelli creates more esoteric works than his field recording based material as PT-R, and 'Voices From Thelema' is perhaps the logical conclusion of such an enterprise.

'Voices from Thelema' is an instrumental trans-communication action with short wave radio receivers realized inside Thelema Abbey in Cefalù, October 14, 2007. The ruined building stands derelict and on the verge of collapse, though still holds many secrets and has been a focus for much counter cultural activity since its foundation by Aleister Crowley in 1920 as a religious centre and commune where he could instruct disciples in his emerging Thelemic religion and systems of magick in a rural atmosphere, far from the overpowering prevailing morality of England. Activities included meditation and ritual magick, as well as the sensationalised drug taking and sex magick. The wall of many of the rooms were painted with fantastic murals by Crowley himself, depicting many of the elementals and demons encountered in his magickal exercises, and the remains of many of these adorn the accompanying booklet. After being ejected from Italy following scandal and outcry over the goings on at the Abbey, the walls were whitewashed and destroyed. Filmmaker Kenneth Anger, himself a devotee of Crowley, later uncovered and filmed some of its murals in his film 'Thelema Abbey' (1955), now considered lost, and the Abbey has been a place of pilgrimage for many ever since.

K11 now revisits this site and seeks to uncover the genius loci, the very essence of the building itself, to reach out into the ether and construct meaning and reality from that which is beyond our grasp. The three tracks are the result of this work and, each bearing titles of Thelemic significance, can be said to hold the essence of all that remains at Cefalu, like the background radiation that tells of the Big Bang.

DO WHAT THOU WILT SHALL BE THE WHOLE OF THE LAW

AUTHOR: MASSIMO BARTOLINI

TITLE: SUGAR FACTORY

NOT FOR SALE / PRIVATE COLLECTION

MASSIMO BARTOLINI - SUGAR FACTORY

AUTHOR: RMEDL

TITLE: ANTIMATTER

NOT FOR SALE / PRIVATE COLLECTION

RMEDL presents "ANTIMATTER"

AUTHOR: RMEDL

TITLE: QUINTESSENCE | The Raising Albums 2010

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AVAILABLE FOR A LIMITED TIME - FROM TUESDAY 12 OCTOBER 2010 UNTILL SUNDAY 31 OCTOBER 2010.
Specifically conceived for
SATAN'S TASTEMAKERS Podcast
alterati.com

TOO LATE.... NO MORE AVAIABLE!!!!!

A monumental hermetic ephemera opus where are collected 5 differents chapters: an high shining selection from some RMEDL concept albums (published ONLY as Cd or Cdr) from the beginning of RMEDL untill today! The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package.

Content list:

QUINTESSENCE - ALBUM I - A.R.C.A.N.O.R.V.M.
AAVV - the raising album 2008 - 2010


QUINTESSENCE - ALBUM II - O.R.T.O.S.V.O.D.U.M.
RMEDL - the raising album 2005 - 2007

THE ART OF FORCED LOCKED GROOVES
The esoteric side of concrete turntablism


QUINTESSENCE - ALBUM III - S.E.C.R.E.T.O.R.V.M.
TELE.S.THERION - the raising album 2008 - 2010


QUINTESSENCE - ALBUM IV - C.O.H.O.B.A.T.I.O.N.V.M.
AAVV - the raising album 2006 - 2010


QUINTESSENCE - ALBUM V - C.O.M.M.E.N.T.A.R.I.V.M.

Concept, sound objects, playing, recording, editing & Manufacture: RMEDL | SG

AUTHOR: TRAX 0982

TITLE: NewXTRA

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TRAX 0982
NEWXTRA

REPRINT WITH NEW E-XTRA!!!!

Complete original release, including flyers and photos of TRAXx era; a special text by Rod Summers and a new 25 minute's long piece, mixed and arranged by Gianluca Becuzzi with source materials from Nigel Ayers / Nocturnal Emissions, Simon Balestrazzi, Pietro Riparbelli / K11, Fabio Orsi, Rod Summers!!!

The international pioneeristic network sound art project of the arly '80 live AGAIN!!!!!

One year after the reprint as a free download and limited edition cd of the Trax 0983 Anthems project, Radical Matters reproposes with the same formula the first vinyl album produced by the atypical group/label TRAX in the distant year 1982. Following up a series of audiocassettes assembled with similar methodologies (Technodeath, Horrorbox, The Cop Killers, etc.), this pioneering album conceived and coordinated by Piermario Ciani synthesized brilliantly the idea of a “telematic” (and “modular”) music, composed and played through collaborations at distance, a concept explored before the age of Internet both by activists of the heterogeneous international “tape network” and by exponents of the “serious” electronic music scene, for example Pietro Grossi.

As usual in this series of reprints started in 2007 with the double cd Rednight, Gianluca Becuzzi took care of the remastering from the original vinyl and added a new experiment in composition at distance (NewXtra). Nigel Ayers is the only participant of Xtra that has been involved again, creating thirty years later an ideal bridge between the two projects. For the occasion, I immersed myself once again in the archive of memories, digging up some images and documents of the period (the Grand Trax 0184 box, in particular, contained some graphics originally created for a deluxe edition of the Xtra lp, never completed), added here as an extra bonus and testimony of the multimedial disposition of the whirl of products and events that TRAX got under way between 1981 and 1987.

Whatever happened to the original TRAX Units? Some friends (to whom this reprint is dedicated) have sadly come to an untimely end, others are still active in areas connected to the artistical and musical scene, even with high-profile results (like Massimo Giacon in the fields of design, comics and contemporary art, or Martin Hall, who has become in Denmark a cult writer and composer), yet others are today professors of high repute or hold public offices in the cultural sector (Martina, Ciullini). If you appreciated the unique mixture of bizarre new wave, darting elettropop, ferocious industrial-noise and minimalist ambient of Xtra, let us know, we will feel more motivated to retrieve a few other rare relics. Once more, my warmest thanks go to all the authors involved and to Gianluca Becuzzi and Sandro Gronchi, without whose genuine enthusiasm this work would have never seen the light of day. - Vittore Baroni, January 2011 -

Full lenght audio: 45':00"
Edition, Curating, Design by V.B. | P.M.C. | M.G. | SG.

AUTHOR: TRAX 0983

TITLE: ANTHEMS

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TRAX 0983
ANTHEMS

After over a quarter of a century, some materials produced as part of the modular project TRAX, promoted from 1981 to 1987 by Piermario Ciani, Vittore Baroni and Massimo Giacon, are now made available as free downloads in RMEDL Web Editions. For each work a limited Collector’s Edition on cd, with more multimedial materials, will be also produced. The first release in this new series of reprints - following the double cd Notterossa / Rednight appeared in 2007 on Small Voices - is the concept album Anthems originally appeared in september 1983, with 21 new, ironical and provocative versions of national anthems from real and imaginary countries, created by musicians from various nations. The concept was issued in two different editions, as a vinyl LP (in 1000 copies) and as a cassette with booklet (500 copies). This reprint contains all the anthems included in the two TRAX products, plus a double unpublished anthem dedicated to All Frontiers, created for the occasion by Gianluca Becuzzi, who also skillfully remastered all the tracks from their original supports. I hope that these compositions so diverse in style and conception, a testimony of a particularly lively and creative period in the international underground scene, may still instruct and entertain: you have a chance here to listen to a young Masami Akita in one of the rare musical works in the huge Merzbow catalogue, as well as to discover gems from the fantastical nations of Naon and Akademgorod. For sure, Laibach enjoyed their participation in the project, since they appropriated the very same idea in 2006 for their Volk album.Heartfelt thanks to all the collaborators old and new: enjoy this planetary networking experience! Vittore Baroni, February 2010. The Winzip file include a Radical Matters package, ready to be print, cut and assemblated. Burn a cd-r with this tracks and make yourself the package.

Content list:

01 - Gianluca Becuzzi [Kinetix] - All Frontiers Anthem [a]
02 - Naif Orchestra - Fratelli d’Italia (Italy)
03 - Deficit Des Annees Anterieures - La Marseillaise (France)
04 - P16. D4 - Aktion: Leer. Korn; Bier (Germany)
05 - Van Kaye & Ignit - Wilhelmus, part 1 & 2 (Netherlands)
06 - Renaldo And The Loaf - Then At Iona Lanthem (United Kingdom)
07 - Bene Gesserit - La Brabançonne (Belgium)
08 - La Otra Cara De Un Jardin - The last minutes of everyday (Spain)
09 - Laibach - Hej Sloveni (Yugoslavia)
10 - Henryk Gajewski - Jeszcze Polska nie zginela (Poland)
11 - No Night Sweats - The Gundalai Coolabah (Australia)
12 - Merzbow - Kimigayo (Japan)
13 - Olho Seco - Botas, fuzis, capacetes [a] (Brazil)
14 - Spirocheta Pergoli - Munrovia Sunrise (Liberia)
15 - 001011011100… Cancer - Hodors Walley (Naon)
16 - Prhemm - UrsSA (USA/USSR)
17 - The Gerlovins & Charlie Morrow - The Russian American Anthem (USSR/USA)
18 - Olho Seco - Castidade [b] (Brazil)
19 - Monty Cantsin - Catastronics (Akademgorod)
20 - Oxomaxoma - Si es que asì se la puede llamar (Mexico)
21 - Culturcide - The Star-Spangled Banner (USA)
22 - The Haters - No Canada (Canada)
23 - Gianluca Becuzzi [Kinetix] - All Frontiers Anthem [b]

 

AUTHOR: K11

TITLE: HE TRIES TO COME TO US

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K11 / Pietro Riparbelli with INFLUX "HE TRIES TO COME TO US"

Metaphysical experimental audio research and paranormal investigations within the core of the former psychiatric hospital in Volterra (Pisa - Italy). Raw radio camera scanning of the ambiences and EVP field recordings session for a sesational journery around the edge of the dimensional veil. A unique audiovisual document.

Full lenght audio: 46 ":00"
Edition, Curating, Design and Manifactured by
Radical Matters - Edition / Label | SG.

AUTHOR: K11

TITLE: HE TRIES TO COME TO US [LIVE]

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K11 / Pietro Riparbelli with INFLUX

"HE TRIES TO COME TO US" LIVE AT "CRONOSFERA" FESTIVAL.

Metaphysical experimental audio research and paranormal investigations within the core of the former psychiatric hospital in Volterra (Pisa - Italy). Raw radio camera scanning of the ambiences and EVP field recordings session for a sesational journery around the edge of the dimensional veil. A unique audiovisual document.

Edition, Curating, Design and Manifactured by
Radical Matters - Edition / Label | SG.

AUTHOR: MASSIMO BARTOLINI / NICHOLAS ISHERWOOD

TITLE: HUM

SOLD OUT

Massimo Bartolini | Nicholas Isherwood - HUM

Curated by: Anna Cestelli Guidi | Voice: Nicholas Isherwood.
Produced by: Fondazione Musica per Roma - Auditorium – Parco della Musica, Roma, Italy | Recorded and ingeneering : Modulo Recording Studio - Riccardo Parravicini - Cuneo - Italy.


CD AUDIO:
1. Hum. Recording, one-off, on 12-inch vinyl record picture disk format. Produced by Fondazione Musica per Roma. Edited and published by Radical Matters - Editions/Label. Voice: Nicholas Isherwood, mural painting, record player, amplifier, speakers. | Nicholas Isherwood sings the Glenn Gould's labial while performing the "Goldberg Variations" 1981.

2. Singing North. Audio recording composed and executed by Nicholas Isherwood, microphone, stand, speaker, audience, drawing 500 x 270 cm.

DVD VIDEO:
1. Video documentary of “HUM”.



Concept design: Massimo Bartolini
Curating: Anna Cestelli Guidi
 

Edited by: RMEDL | SG | 2012
Catalogue: RMLE053
Published by: Radical Matters - Editions/Label

AUTHOR: Y.E.R.M.O.

TITLE: DEFIXIO

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Y.E.R.M.O.
DEFIXIO

Incredible Avantgarde Psych Drone Music by Xavier Dubois & Yannick Franck. Visuals & Artworks by Gast Bouschet & Nadine Hilbert. A must! The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package.

Content list: 1 Track.

AUTHOR: TELE.S.THERION

TITLE: THE CHAPEL

SOLD OUT

TELE.S.THERION
THE CHAPEL

Acousmatic black metal.
Music for loudspeakers, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience. With this key, each Tele.s.therion releases, it's designed as Acousmatic Device. The compact discs listed here are conceived to be played in a double Hi-Fi system, for a private sound installation.

This conceptual album is composed by six stereophonic audio recordings, designed to be performed, simultaneously, in a site specific acousmonium, a multi dimnensional sound diffusion system, to create a penetrable projection area, specificaly arranged with a view to spatialised polyphony, to your personal mysteric experience of immersion in sound. To use this concept album as an acousmatic device for expanding the ordinary possibilities of the private listening, it is suggests to duplicate this audio cd and play two tracks at the same time, using simultaneously two differents players / hi-fi systems in random mode.   Coinceived as acoustic audio installation for the Rothko Chapel.

A k o u s m a t i k o i :
SG : Concept design, PK (psychokinetic) recording sessions based on prepared electric-bass,
amplified within environmental feedback system, during metaphonic field-recording sessions.
K11 : Instrumental transcommunication actions with short-wave radio receivers.
Exploration of high-range distortions dimensions. Medianic chants.

Scores:
Black Painting I
Black Painting II
Black Painting III
Black Painting IV
Black Painting V
Black Painting VI


Full lenght audio: 61':'11''
Concept design, editing and manufacture: RMEDL | SG

AUTHOR: LUCIANO MAGGIORE

TITLE: L'ASPRO

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LUCIANO MAGGIORE
L'ASPRO

An heavy bineural droning experience. A must!
The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package.

Content list: 1 Track.

AUTHOR: TELE.S.THERION

TITLE: BLACK PAINTINGS XII-XV - CHAPTER II

SOLD OUT

TELE.S.THERION "BLACK PAINTINGS XII-XV - CHAPTER II"
Acousmatic Black Metal

1. Black Painting XII 05:10
2. Black Painting XIII 16:50
3. Black Painting XIV 23:52
4. Black Painting XV 10:11

Acousmatic Black Metal.
Music for loudspeakers and audience, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience.

This conceptual album is composed by four stereophonic audio recordings, designed to be performed, simultaneously, in a site specific acousmonium, a multi dimnensional sound diffusion system, to create a penetrable projection area, specificaly arranged with a view to spatialised polyphony, to your personal mysteric experience of immersion in sound. To use this concept album as an acousmatic device for expanding the ordinary possibilities of the private listening, it is suggests to duplicate this audio cd and play two tracks at the same time, using simultaneously two differents players / hi-fi systems in random mode. Coinceived as acoustic audio installation for the Rothko Chapel.

Concept design, editing and manufacture: RMEDL | SG

AUTHOR: TELE.S.THERION

TITLE: BLACK PAINTINGS VIII - XI - CHAPTER I

SOLD OUT

TELE.S.THERION "BLACK PAINTINGS VIII​-​XI - CHAPTER I"
Acousmatic Black Metal

1. Black Painting VIII 03:52
2. Black Painting IX 10:18
3. Black Painting X 13:50
4. Black Painting XI 08:12


This conceptual album is composed by four stereophonic audio recordings, designed to be performed, simultaneously, in a site specific acousmonium, a multi dimnensional sound diffusion system, to create a penetrable projection area, specificaly arranged with a view to spatialised polyphony, to your personal mysteric experience of immersion in sound. To use this concept album as an acousmatic device for expanding the ordinary possibilities of the private listening, it is suggests to duplicate this audio cd and play two tracks at the same time, using simultaneously two differents players / hi-fi systems in random mode. Coinceived as acoustic audio installation for the Rothko Chapel.

Concept design, editing and manufacture: RMEDL | SG

AUTHOR: SEVENGUITARS

TITLE: Live @ Ipercorpo: session 1 | session 2

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SEVENGUITARS (FRANCESCO "FUZZ" BRASINI)
LIVE @ IPERCORPO
session 1 | session 2

Live sessions of site specific drone music based on seven guitars feedback's manipulation, a must! The Winzip file include a Radical Matters package, ready to be print and assemblated. Burn a cd-r with this tracks and make yourself the package.

Content list: 2 Track.

AUTHOR: TELE.S.THERION

TITLE: GRIMOIRE XIII

SOLD OUT

TELE.S.THERION
with WILDNESS PERVERSION of MORTUARY DRAPE
"GRIMOIRE XIII"

1. GRIMOIRE XIII [Arcanvm Vmbrarvm Regni] - SIDE A 10:25
2. GRIMOIRE XIII [Arcanvm Vmbrarvm Regni] - SIDE B 09:36
3. GRIMOIRE XIII [Arcanvm Vmbrarvm Regni] [ALTERNATE VERSION] 09:25
4. GRIMOIRE XIII [Arcanvm Vmbrarvm Regni] [ALTERNATE VERSION - FOR ENHARMONIC BASS AND VOICE] 09:29
    

TELE.S.THERION
"GRIMOIRE XIII" was originally published for the concept album / sound object / phono mediumistic set:

"BLACK INDUSTRIAL GRIMOIRE"
ARCANI VMBRARUM REGNI
SI.VM E.T A V VM
(Silence is golden)
CD Track list:

I - DRAKH - NUMEREVIL
II - GNAW THEIR TONGUES - BLEEDING LIKE DOGS
III - STEEL HOOK PROSTHESES - THE INVOKATION OF MERIHIM
IV - BREATH OF CHAOS - NOTHING REMAINS THE SAME
V - MELEK-THA - HABORYM
VI - ORDO TYRANNIS - CHORONZON ARIA
VII - BATCHEEBA - LEMEGETON PLACENTA
VIII - MICHAEL W FORD - INVOCATION TO AHRIMAN
IX - DEADWOOD - 218
X - GRAUEN PESTANZ - VOLUPTUS A LETUM
XI - UTARM - CRUSHING INFINITY
XII - *TELESTHERION with: WILDNESS PERVERSION of MORTUARY DRAPE - GRIMOIRE.XIII
XIII - MZ.412 - CURSED IN THE NAME OF ENKI

 

AUTHOR: TELE.S.THERION

TITLE: HINTHV RITVVM

SOLD OUT

TELE.S.THERION
with ASTRAL LUEUR [Lunurumh]
HINTHV RITVVM

Music for loudspeakers, designed as a polyphonic projection for multi-channel sound-spatialization's systems, for an immersive deep listening experience. With this key, each Tele.s.therion releases, it's designed as Acousmatic Device. The compact discs listed here are conceived to be played in a double Hi-Fi system, for a private sound installation.

This conceptual album is designed as a private ritual audio installation. An acousmatic four channels piece for two hi-fi systems: It is an audio-set composed by two CDs planned to be played simultaneously. You could play and listen just one cd at time, or you could play both the cd's at the same time, using two differents cd players linked to two differents hi-fi systems, both set at the same volume, to create the four channels acousmatic piece, and open yourself to the phono-medianic ritual. This album must be intended as an acousmatic device able of expanding the ordinary possibilities of the private listening and it is presented in the form of audio installation experience for speackers and audience, in the key of the ancient necro-mantical mysteric cults.

Original ritual Lyrics elaborated from the Etruscan occult ritual text “Liber Linteus Zagrabiensis”, "The Etruscan Liver of Piacenza", "The Pyrgi Tablets", and the Sumerian occult ritual texts called “Maqlu” and “Shurpu”.

A k o u s m a t i k o i :
SG : Concept design, PK (psychokinetic) recording sessions based on prepared electric-bass,
amplified within environmental feedback system, during metaphonic field-recording sessions. Lyrics.
Lunurumh | Astral Lueur: Voice.
K11: Audio Mastering. Silence.


Scores:

DISC ONE

I - Maqlu Shurpu tablets [3]
II - The Pyrgi Tablets - pt.I [25 a H - as]
III - The Pyrgi Tablets - pt.II [S 3]
IV - Carme [E S 5]
V - Liber Linteus [B 18 A - 4 + x p22AT]

DISC TWO

I - Chant [9 S c]
II - Chant [P B S 6 ds c c 93 - A G - dS P A I]
III - Chant [S 1]
IV - Etruscan Liver [x p 17 B AT - 3 c v a]




Full lenght audio: 44':44'' + 33':33''
Concept, editing and manufacture: RMEDL|SG