A SHORT TERM EFFECT

musique concrete / ambient music / avant-garde / electroacoustic / experimental / noise / dark ambient / folk / abstract expressionism / industrial music / drone music

Alberto Picciau

A.M.K.

avant-garde / electroacoustic / sound art / experimental / anti records / concrete turntablism / nonmusic / constructivism / abstract expressionism / conceptual art / fluxus

AMK is an American pioneer on experimental music based on extreme and concrete turnatablism, active since the early 80s. Owner of the label Banned Production.

AA.VV. | STARING AT THE WALL III

Alias: MECONIUM

grind / performative art / actionism / abstractism / body art / expressionism / avant-garde / electroacoustic / power electronics / sound art / experimental / noise / nonmusic / abstract expressionism / harsh / abstract surrealism / surrealism

Italian Harsh Noise Wall festival
Organized by: Toxic Industries & Claustrophilia Records
Curated by: Lorenzo Nascitari

ASTRAL LUEUR

Alias: TELE.S.THERION

doom / avant jazz / spoken word / musique concrete / psychedelic / esoteric / black metal / ambient music / weird black metal / minimalism / avant-garde / field recordings / sound art / dark ambient / nonmusic / abstract expressionism / ritual dark ambient

Astral Lueur (the name is the synthesis of german and french languages) came up from darkness in the middle of 2009. Astral Lueur's music tells about world of shadows, anomalous places with history goes back centuries, about something staying at the turn of life and death. Main concepts of project is: look at death by eyes of the dead in damned places which was lost in time.


Lunurumh - All instruments, synths, effects, and voices.

Contacts:
astral.lueur@gmail.com
http://www.myspace.com/trueastrallueur

 

BURIAL HEX

psychedelic / modern composition / ambient music / avant-garde / electroacoustic / experimental / noise / dark ambient / abstract expressionism / harsh

Clay Ruby.

JOACHIM MONTESSUIS

Alias: SNOW CRASH

grind / musique concrete / performative art / actionism / abstractism / body art / avant-garde / electroacoustic / field recordings / power electronics / sound art / experimental / noise / contemporary art / nonmusic / abstract expressionism / harsh / drone music

Joachim Montessuis develops an experimental contextual practice mainly around voice, drone, noise and resonance since the early 90′s. His current work is directed towards conceptual experimental processes of the issue of observation and perception of reality through a non-dual approach. His vocal performative work explores various states of trance through the extreme potentialities of amplification and electronic transformations of screams, throat singing, and also words. He designs his actions as processes, “noise poetry-codes reality fertilizers”.
He has shown his work in many festivals around the globe (more than 200 performances) and he has collaborated with more than 100 artists. He also is the editor of the CD label Erratum devoted to art, noise and experimental sound poetry – which he started in 1993. He occasionally curates experimental poetry events and exhibitions. He lives in Paris and teaches sound and intermedia art at HEAR in Strasbourg.

Collaborations with very different artists including Henri Chopin, Charlemagne Palestine, Phill Niblock, Maja S. K. Ratkje, Serge Pey, Master Musicians of Joujouka & Frank Rynne, Junko Hiroshige, Michel Giroud, Gaël Segalen, Julien Blaine, David Larcher, Joël Hubaut, Jörg Piringer, Franck Ancel, Julien Ottavi, Evil Moisture/Andy Bolus, Bryan Lewis Saunders, Horia Cosmin Samoïla, Collectif MU (Paris), Erik Minkkinen, Philippe Simon, Marcello Aguirre, Gomang’s Tibetan Monks, Yvan Etienne, Faustin Linyekula, Ewen Chardronnet, Marko Peljhan, Shu Lea Cheang, Martin Howse, Claudia Martinho, Aymeric de Tapol, François Martig, Wilfried Wending, Tashi Ko, Anne Roquigny, Pierre André Arcand, Eléonore Hellio, Jean Jacques Lebel, Charles Pennequin, Chloé Delaume, Raphaël Charpentié, Gaël Angelis, Cédric Pigot, Crium Delirium, Gigacircus, Michel Collet, Valentine Verhaeghe, Matthieu Messagier, Louis Ucciani, Sylvain Courtoux, Emmanuel During, Antoine Boute, Lucille Calmel, Thierry Théolier, Eric Lin Chiwei, Gigacircus, Philippe Zunino, Michaël Sellam, Nicolas Boulard, Philippe Lepeut, Hellekin…

JULIAN BONEQUI

Alias: MATARRATAS / ULTRA SPIESSER

doom / avant jazz / grind / performative art / psychedelic / minimalism / avant-garde / electroacoustic / experimental / noise / constructivism / abstract expressionism / harsh / drone music

Julian Bonequi (born December 27, 1974 ) is a Mexican artist working mostly with Noise and Improvisation and 3d computer graphics[1] He plays the drums, and experiments with electronics and voice to create a rhythmic environment much richer in atmospheres and harmonic flow situations. He plays in the FOCO Orchestra, and create with Dave Tucker[2][3] and Ricardo Tejero the project Machinations of Joy Julian Bonequi established himself in Barcelona within the Spanish improvisation free jazz music scene since 2004, but has since also performed with a wide range of musicians working in diverse musical areas since he lived in Mexico. He has performed as guest with the London Improvisers Orchestra as electronic voice, attracted by the roots of free improvisation From 1995 to 2000 he participated in several projects of folklore, Rock in Opposition and psychodelia in Mexico City. Since 1995 he played in a lot of punk, psycodelia, stone rock and progressive rock projects, but always trying to give 100% importance to the freedom that improvisation gives to music. He played with Humus (band) that was founded in 1987 by Jorge Beltrán (guitar, keyboards) and Victor Basurto the full fledged bassist. Both of them, are formers musician of many other important Mexican bands, as Frolic Froth, Smoking The Century Away, Euphoric Darkness, Loch Ness and Semefo. Since 1997 Westminster became more or less the permanent drummer of Humus, who was preceded by Julian Bonequi (1998–2000) when Jorge Beltrán invited Bonequi to made important contributions to different albums(not yet released).[4][5] In 1999 he met Decibel (band).[6] Decibel were a rare exception to the prog acts of the 1978 period in Mexico, and were well versed in European groups such as Faust, Magma, Gong, and the Italian prog masters Il Balletto di Bronzo. The lineup centered around keyboardist Carlos Robledo and the bassist Walter Schmidt. So he found finally a place for improve his skills and experiment more. With them Julian Bonequi perform in the First International Festival of Progressive Rock in Mexico City, with Magma and Gong also in the program. And the next year, in March 2000 in a concert in the Museum Ex-Teresa Arte Actual in the historic centre of Mexico City, they celebrated the 25th anniversary and present the CD release named Fortuna Virilis, in addition to a retrospective with the work done since 1974. This concert is included in the three-disc box Fiat Lux, and it was the last time Decibel, this legendary Mexican band of Rock In Opposition play together without Javier Baviera, or Jaime Castaneda, but with Julian Bonequi on drums and Juan Carlos Ruiz on bassoon, former musician of Nazca, and leader of Culto Sin Nombre The same year, in 2000, the Israeli Label, MIO Records produced a 3-disc box called Fiat Lux. The complete recordings. 1977 - 2000, which contains all the studio albums of Decibel, and plus live material and rarities of unedited material. And a small booklet of 28 pages with pictures of the beginnings of the band. Also this box contained the 25th anniversary concert at Ex-Teresa Arte Actual. With Metaconciencia Julian Bonequi recorded the first album "Bestiario" in 2003 published by the French record label MUSEA Records. The critics received well this music work. A rhythm section perform a colourful and warm instrumental rock with multiple influences: Seventies Progressive rock, jazz-rock, Mexican music The music presented in Bestiario is quite intensive all of which is accompanied by quite an extraordinary drumming. Since 1995 he played in a lot of punk, psycodelia, stone rock and progressive rock projects, but always trying to give 100% importance to the freedom that improvisation gives to music. He played with Humus (band) that was founded in 1987 by Jorge Beltrán (guitar, keyboards) and Victor Basurto the full fledged bassist. Both of them, are formers musician of many other important Mexican bands, as Frolic Froth, Smoking The Century Away, Euphoric Darkness, Loch Ness and Semefo. Since 1997 Westminster became more or less the permanent drummer of Humus, who was preceded by Julian Bonequi (1998–2000) when Jorge Beltrán invited Bonequi to made important contributions to different albums(not yet released).[4][5] In 1999 he met Decibel (band).[6] Decibel were a rare exception to the prog acts of the 1978 period in Mexico, and were well versed in European groups such as Faust, Magma, Gong, and the Italian prog masters Il Balletto di Bronzo. The lineup centered around keyboardist Carlos Robledo and the bassist Walter Schmidt. So he found finally a place for improve his skills and experiment more. With them Julian Bonequi perform in the First International Festival of Progressive Rock in Mexico City, with Magma and Gong also in the program. And the next year, in March 2000 in a concert in the Museum Ex-Teresa Arte Actual in the historic centre of Mexico City, they celebrated the 25th anniversary and present the CD release named Fortuna Virilis, in addition to a retrospective with the work done since 1974. This concert is included in the three-disc box Fiat Lux, and it was the last time Decibel, this legendary Mexican band of Rock In Opposition play together without Javier Baviera, or Jaime Castaneda, but with Julian Bonequi on drums and Juan Carlos Ruiz on bassoon, former musician of Nazca, and leader of Culto Sin Nombre The same year, in 2000, the Israeli Label, MIO Records produced a 3-disc box called Fiat Lux. The complete recordings. 1977 - 2000, which contains all the studio albums of Decibel, and plus live material and rarities of unedited material. And a small booklet of 28 pages with pictures of the beginnings of the band. Also this box contained the 25th anniversary concert at Ex-Teresa Arte Actual. With Metaconciencia Julian Bonequi recorded the first album "Bestiario" in 2003 published by the French record label MUSEA Records. The critics received well this music work. A rhythm section perform a colourful and warm instrumental rock with multiple influences: Seventies Progressive rock, jazz-rock, Mexican music The music presented in Bestiario is quite intensive all of which is accompanied by quite an extraordinary drumming.

PER AHLUND

Alias: AUM ARRHYTHMIA

musique concrete / sound installation / esoteric / abstractism / ambient music / abstract symbolism / minimalism / avant-garde / electroacoustic / sound art / experimental / noise / dark ambient / abstract expressionism / ritual dark ambient / industrial music / drone music

Per Ahlund, born 1976, resides in Stockholm, Sweden where he’s involved in several experimental music-, improvisation- and sound art-projects. His live soundscapes blur the boundaries between noise and music, stillness and hysteria, darkness and light. He create compositions on the verge of dissolving and focuses on mood and texture rather than tonality and rhythm. He performs live on a regular basis and has the last few years toured with acts like Amber Asylum, ?Alos, b°tong and Origami Galaktika. He has released several full length albums containing abstract, dark soundscapes with such projects as Diskrepant, Skare and Aum Arrhythmia. Live he use contact microphones, gadgets, loops and effects to form abstract sound environments created in the moment. His live performances are often based on old radios, voice, newly found objects and junk used as instruments. “The soundscapes encourage you to travel, and then dissolve, in space and time. To merge with the frequencies. To have a dialogue with yourself. To finally think of nothing. To be released...”


 

PIETRO RIPARBELLI

Alias: PT-R | PIETRO RIPARBELLI / K11 / KAULA / TELE.S.THERION

video art / visual art / musique concrete / sound installation / psychedelic / psychophonia / electronic voice phenomena (evp) / transcommunication / esoteric / radionoise / ambient music / acousmatic / weird black metal / minimalism / avant-garde / electroacoustic / field recordings / sound art / experimental / noise / contemporary art / nonmusic / constructivism / abstract expressionism / site specific / ritual dark ambient / conceptual art

Pietro Riparbelli is a philosopher, composer and sound-multimedia artist. Curator and executive producer of the meta-curatorial practice platform "Metasound", spin-off of the publisher Radical Matters - Editions / Label directed by SG, to investigate the dimension between music and contemporary art: http://www.radicalmatters.com/metasound Artist Statement: My work arises from the study of the Phenomenology of perception with particular reference to the dichotomy between Visible/Invisible strictly connected with the studies about the concept of sound landscape. About the environmental works I usually make a deep investigation of particular places, making recordings like field recordings or recordings of signals from short wave radio receivers and VLF receivers, in order to compose conceptual works about the selected sites; together with a deep study about the history of the place on which I’m working on. I’m interested in reconfiguring the sound panorama through its transcendental aspects to create a dimension that is not only sound but mainly a total perceptive dimension that bring ourselves to find out a new kind of perception. I realize works as PIETRO RIPARBELLI especially related to the world of Contemporary Art. So each work arise from a conceptual idea turned into sound. The field in which I principally work is linked to the perception of the sound landscape and to the perception of inner states of consciousness related to other dimensions of awareness. K11 is a project that deals with the world of radio signals, the trans-communication and other invisible phenomena, to create a dimension where the only sound sources are signals from shortwave radio receivers and field recordings taken from very specific locations. In this project I use only sounds coming from the atmosphere and from invisible places turned into fields of drone with particular interest into the study of the dynamics of Noise. 

With PT-R project I want to investigate the way to create rhythmic sound landscapes making the use of environmental sounds (field recordings) with particular reference to the world of electronic scene. The method I utilize within PT-R project is based on sampling of environmental sound sources turned into rhythmic framework.

POSEITRONE | LUCA DI DATO

Alias: MECONIUM

musique concrete / performative art / electroacoustic / experimental / noise / abstract expressionism / harsh / industrial music / drone music

Luca Di Dato

PROJECT D.A.R.K.

musique concrete / sound installation / abstractism / ambient music / minimalism / avant-garde / electroacoustic / sound art / experimental / anti records / concrete turntablism / noise / nonmusic / abstract expressionism / conceptual art / drone music

PROJECT D.A.R.K. are: Kirsten Reynolds, Ashley Davies, Tony Pattinson and Jason Cook. Project Dark have been producing large-scale live video/music shows since 1995. A catalogue of custom sculpted 7" singles is used as a basis for generating a unique range of sounds and spectacular related images. Project Dark have performed 'Excited by Gramophones' extensively in many varying international venues. The catalogue of 7" singles has also been exhibited in the UK and Europe. A 3D show 'Disc Continued...' was premiered in England and has toured in Europe. In London it was presented as part of 'Sonic Boom Live' - a night associated with the 'Sonic Boom' exhibition at the Hayward Gallery, South Bank London. Project Dark were invited by the curator David Toop to contribute an installation piece to this, the first major international exhibition of sound art in England.

RMEDL

Alias: SG

doom / sound sculpture / photography / video art / visual art / avant jazz / spoken word / musique concrete / performative art / sound installation / modern composition / psychophonia / electronic voice phenomena (evp) / transcommunication / esoteric / black metal / ambient music / acousmatic / minimalism / avant-garde / electroacoustic / sound art / experimental / anti records / concrete turntablism / noise / dark ambient / contemporary art / nonmusic / constructivism / abstract expressionism / conceptual art / drone music

RMEDL | RADICAL MATTERS EDITIONS LABEL

RUDOLF EB.ER

visual art / musique concrete / performative art / actionism / body art / avant-garde / sound art / noise / contemporary art / nonmusic / abstract expressionism / site specific

Rudolf Eb.er (a.k.a. Runzelstirn & Gurgelstock/Wash Your Brains] is a Actionist Performer from Switzerland active from 1985, who leads Schimpfluch Gruppe. He prefers to identify his own work as "psychoacoustic trainings". He is constantly touring with fellow Schimpfluch Gruppe members like Joke Lanz performing actions, which often lead to riots and subsequent ban of Gruppe in certain countries.

SNOW CRASH

Alias: JOACHIM MONTESSUIS / JULIEN OTTAVI

grind / musique concrete / performative art / actionism / abstractism / avant-garde / electroacoustic / power electronics / sound art / experimental / noise / nonmusic / abstract expressionism / harsh / drone music

SNOW CRASH consisting of the two vocal artist Joachim Montessuis and Julien Ottavi, deliver apocalyptic big bang sound poetry. Powerful, brutal and harsh operates this duo in the extreme climates of experimental sound.... ....a trance-noise performance of the ceremony yet unheard violence that voodoo sounds, brings together powerful - roaring sounds, detonating screaming, ecstatic speech utterances, rough and grainy magic obsession..... ....quantum experiments on experimental sounds of devastating violence awaits all who want to dive into the Harsh Noise trance. You are been warned ...!!!
(TXT by plattfon.ch)

SUDDEN INFANT

musique concrete / performative art / actionism / body art / sound art / noise / abstract expressionism

Joke Lanz Basel / Switzerland Joke Lanz aka SUDDEN INFANT creates an unique blend of physical sound-poetry and dadaistic vocal expressions, using contact microphones, prerecorded soundloops and noises. Member of the infamous SCHIMPFLUCH collective, singer of the notorious CATHOLIC BOYS IN HEAVY LEATHER and long time accompanist of Rudolf Eb.er, he's presenting his work since more than 20 years all over the world. Born in Switzerland, now based in Berlin, Joke Lanz has collaborated with the likes of Z'EV, Carlos Giffoni, Peter Kowald, Christian Marclay, Norbert Möslang, DJ Olive, G.X. Jupitter-Larsen, Christian Weber, Charlotte Hug, Jorge Sanchez-Chiong, Roger Rotor, Strotter Inst, Evil Moisture, Small Cruel Party and many more. Music for contemporary dance, theatre, sound-installations and short-films. Innumerable releases on international labels e.g. Entracte, RRR, Tochnit Aleph, Blossoming Noise, Artware, Klanggalerie, SSSM. Artist residencies in Berlin (1999) and London (2004). Composition assignment by Pro Helvetia Arts Council of Switzerland (2006).Music for contemporary dance, theatre, sound-installations and short-films. Innumerable releases on international labels e.g. Schimpfluch, Entr'acte, RRR, Tochnit Aleph, Blossoming Noise, SSSM, Artware, Klanggalerie, MSBR. Led workshops about Turntablism & Noise Music at the Music Academy Lucerne. Artist residencies in Berlin (1999) and London (2004). Composition assignment by Pro Helvetia Arts Council of Switzerland (2006). Working in the area of experimental and free music since 1989, Sudden Infant is building up complex noise compositions, using unconventional sound sources, lo-fi electronics and turntables. Sudden Infant's music has a humorous and highly improvised character. Joke Lanz aka Sudden Infant creates an unique blend of physical sound-poetry and dadaistic vocal expression, using contact microphones, prerecorded soundloops and noises. The result is abrupt Musique Concrète juxtapositions of spasmodic gibbering and a battery of disorienting electronics. It's a fragmented field of sound that comes to its own autonomy!

TELE.S.THERION

Alias: LUNURUMH / PAOLO SANNA / JASON VAN GULICK / LE QUAN NINH / MICHEL DONEDA / STEFANO CORSI / FRANZ HAUTZINGER / DAN BLACKSBERG / KRISTIAN CUCCHIARA (PROFANAL) / REINHART HAMMERSCHMIDT / ELI LITWIN / ROGER TURNER / RENè LUSSIER / NICK DIDKOVSKY / MASSIMILIANO VIEL / SG / K11 / ASTRAL LUEUR / KASPER T. TOEPLITZ / ANTOINE CHESSEX / WILDNESS PERVERSION | MORTUARY DRAPE

noise music / reduced listening / free jazz / acousmatic black metal / doom / avant jazz / musique concrete / sound installation / modern composition / esoteric / black metal / ambient music / abstract symbolism / acousmatic / minimalism / avant-garde / electroacoustic / field recordings / sound art / experimental / dark ambient / contemporary art / nonmusic / abstract expressionism / ritual dark ambient / conceptual art / industrial music / drone music

TELE.S.THERION
Acousmatic Black Metal Ensemble.

In large Ensemble with:
Lunurumh, Nick Didkovsky, Norman Westberg, Renè Lussier, Roger Turner, Eli Litwin, Massimiliano Viel, Reinhart Hammerschmidt, Kristian Cucchiara (Profanal), Dan Blacksberg Franz Hautzinger, Stefano Corsi, Michel Doneda, Le Quan Ninh, Jason Van Gulick, Kasper T. Toeplitz, Antoine Chessex, Paolo Sanna, Wildness Perversion [Mortuary Drape].

Acousmatic Black Metal is the TST self-defined musical genre. Music for loudspeakers and audience: based on atonal music and non-idiomatic improvisation principles, applied to a radical Black Metal approach, linked to authors such as Abruptum, Hell Icon, Mözkörke, Emit, Amaka Hahina, Moëvöt, Profane Grace, Astral Lueur, Black Pentecost, Darkness Enshroud, Gnaw Their Tongues, Sunn O))), Grauen Pestanz, Summum, MZ.412, Havohej, Knálh-Kurruv-Kih, Flittering, Burial Hex, Utarm, Wolf Eyes, Zero Kama, Karlheinz Stockhausen, Hermann Nitsch, Edgar Varese, Antonio Russolo, Giacinto Scelsi, Luigi Russolo, Groupe de Recherche de Musique Concrčte, AMM, Gruppo di Improvvisazione Nuova Consonanza, Spontaneous Music Ensemble, Musica Elettronica Viva, The Music Improvisation Company, Universe Zero, Groupe de Recherches Musicales, Scratch Orchestra, ONCE Group, following the non-musical aural path of early Sodom, Hellhammer, Beherit, Blasphemy, Von, Wormphlegm, Mordor, Senthil, Thergothon, Kranivm, and many more authors who moved from the borders of this sound paradigm. Inspired by the Russolo‘s researches in his Black Art of Noise; the sound spatialization studies of Karlheinz Stockhausen and his music theory; Edgar Varese‘s studies and his vision of “sound as living matter“, the non-objective and aniconic art of Tele.s.therion, is centered on polyphonic sound projections for immersive deep listening experiences, in order to unleash the auditory stimuli that allow the altering of cognitive-perceptual processes (pareidolia), to bring out imaginative and synaesthetic subconscious processes, the epopteia! What we commonly know today as Black Metal, it’s just one of the possible forms available.

[ FREE DOWNLOADABLE A5 FANZINES ]

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◢ http://www.radicalmatters.com/C.O.M.M.E.N.T.A.R.I.V.M.III.pdf

◢ http://www.radicalmatters.com/C.O.M.M.E.N.T.A.R.I.V.M.IV.pdf

TELE.S.THERION Acousmatic Black Metal Ensemble
Tele.s.therion music program it’s based on the use of techniques and dynamics borrowed from musical genres such as Jazz and Rock, and thus from the practices of the radical primitive Blues that unites them, and that can be find ourselves in the original Black Metal music, introduced here as an interpretive key inside of a compositional and executive system linked to practices carried out by the fringes of classical, modern, non-idiomatic, contemporary, and avant-garde music (with a special interest on the concrete and acousmatic process), sound art, improvised, atonal, black, dark and doom heavy metal, searching for the roots of the meaning of these terms, for their sonic phenomenas, their thought forms, before they became a music genre.

What we commonly know today as black metal, it’s just one of the possible forms availabes.

It is necessary start to watch through the veil of this genre, with an upside down point of view, to discover its das unheimliche, to transgress the stereotopies and cliché, and design new possible forms whithin this musical dimension; to start a new auditory journey to the roots of Black Metal music. The Black Metal's engineering its mutuated by its royal descent, which is derived from the practices developped in Punk and Thrash era, and it is distinguishable by a strong interest in the aesthetic theories, focusing on the physiological effects of special categories such as the sublime, which here become extra musical evocative suggestions, shock tactics, hard edged, transgressive and antiestablishment attitude, iconoclasm, etc. [...]

The TST compositional method, the sound matters was previously selected choosing the performers; the characters and the timbres of the sound bodies chosen for this acousmatic composition, are a unity with the personality of the author involved in the ensemble. Such as characters on the set of a movie, they play blind and alone, using a script and few essential indications. [...]

To keep this aspect of independence of each sound event, each author was called to perform himself, recording his own sessions separately, as a moment form, without knowing what the other authors involved will do. Each recording session, it's conceived and treated as a sort of whodunit, an event developed inside the "locked room mystery", a narrative approach conceptually transposed in sound art, where each detail it's a fondant clues of the acoustic scene, raw material that becomes a sound object per sé. [...]

T.S.T.

https://telestherion.bandcamp.com

https://www.youtube.com/user/TELESTHERION

http://www.discogs.com/artist/Tele.s.therion

https://cmmntrm.blogspot.com

https://www.youtube.com/channel/UCX2UUikTbW5TMtGSXwZzuBA

http://lnx.radicalmatters.com/tele.s.therion

https://rateyourmusic.com/artist/tele_s_therion

TOROIDH

Alias: MZ.412 / FOLKSTORM / NORDVARGR / HENRIK NORDVARGR BJORKK

ambient music / experimental / noise / folk / abstract expressionism / harsh / martial noise / industrial music / drone music

Toroidh is a martial industrial music project by Swedish musician Henrik Nordvargr Björkk (of industrial band Maschinenzimmer 412 fame). Bjorkk has described it as a continuation of Folkstorm, his previous project.

TOY

Alias: RMEDL

avant-garde / electroacoustic / field recordings / sound art / experimental / contemporary art / abstract expressionism

SG